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Colin Harker

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Forrest
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Colin Harker

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Genre

Influences

Member Since
February 2019


Average rating: 4.52 · 86 ratings · 33 reviews · 5 distinct works
Rituals & Grimoires: Gothic...

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4.43 avg rating — 30 ratings4 editions
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The Feast of the Innocents

4.72 avg rating — 25 ratings5 editions
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The Averoigne Legacy: Tribu...

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4.41 avg rating — 22 ratings — published 2019 — 4 editions
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The Book of Blasphemous Words

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4.38 avg rating — 8 ratings2 editions
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Dreams of Desolation

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it was amazing 5.00 avg rating — 3 ratings — published 2017 — 2 editions
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More books by Colin Harker…

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The Proving Ground
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by Michael Connelly (Goodreads Author)
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We Are Always Ten...
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Imajica
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by Clive Barker (Goodreads Author)
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Colin’s Recent Updates

Rituals & Grimoires by Cassandra L. Thompson
"What I Did Like:
+Wych Elm Women, the second story, is beautifully written. Fast paced, dark, and tragically compelling. This story is an early favorite.
+There are a lot of FANTASTIC short stories here, actually. They paint a quick picture with words" Read more of this review »
Joel Joel is currently reading Parable of the Sower
We Are Always Tender With Our Dead by Eric LaRocca
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Colin Harker is currently reading
The Proving Ground by Michael    Connelly
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The Institute by Stephen        King
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We Are Always Tender With Our Dead by Eric LaRocca
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Secret Lives of the Dead by Tim Lebbon
Secret Lives of the Dead
by Tim Lebbon (Goodreads Author)
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Approaching Oblivion by Harlan Ellison
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Just finished Approaching Oblivion. This collection gave me some whiplash because it begins with intensely horrific (and sadly timely) social commentary on racism, prejudice, and authoritarianism (“Knox” and “Silent in Gehenna”) before descending int ...more
Colin Harker rated a book it was amazing
Approaching Oblivion by Harlan Ellison
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Just finished Approaching Oblivion. This collection gave me some whiplash because it begins with intensely horrific (and sadly timely) social commentary on racism, prejudice, and authoritarianism (“Knox” and “Silent in Gehenna”) before descending int ...more
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Quotes by Colin Harker  (?)
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“Once Joseph had closed the door and bolted it securely, he cast his spectacled eyes once more upon the newcomer. The cowl had now fallen back to reveal a face that astonished the old man fully as much as if he had caught sight of goat’s hooves under the man’s cloak. The quality of the stranger’s visage was neither old nor young but strangely redolent of both: for while he possessed all of the fine features of youth untarnished by age, there was an weariness about his eyes and a discontent that was neither the sullenness of youth nor the bitterness of old age but something far more strongly felt and eternal, that darkened his brow. Thin and considering were those lips in that face of ivory and it seemed to the querulous old man as though they were fashioned into a smile such as might have played upon the mouths of satyrs in wanton Greece. In the trembling light of the cressets and torches within the great hall, the stranger’s hair seemed like a coronet of dark flames that surrounded his face; his eyes, twin drops spilt from the same slow, emerald poison.”
Colin Harker, Dreams of Desolation

“The solemn bell of the grandfather clock in the downstairs hall tolled the hour, the eleven echoing reverberations reaching even into the closed upper chamber where three figures were seated about a round wooden table.”
Colin Harker, Dreams of Desolation

“Tis strange that on the fifth of March 1766, though having enjoy’d London for little less than a month after my travels upon the Continent, I awoke with a curious resolution to see the North Country.”
Colin Harker, The Book of Blasphemous Words

“Why should Milton, Shakespeare, and Lord Bacon, and Sir Philip Sidney die? Perhaps yet they shall not wholly die. I am not contented to visit the house in Bread-Street where Milton was born, or that in Bunhill-Row where he died, I want to repair to the place where he now dwells. Some spirit shall escape from his ashes, and whisper to me things unfelt before. I am not satisfied to converse only with the generation of men that now happens to subsist; I wish to live in intercourse with the Illustrious Dead of All Ages. I demand the friendship of Zoroaster. Orpheus, and Linus, and Musaeus shall be welcome to me. I have a craving and an earnest heart, that can never be contented with anything in this sort, while something more remains to be obtained. And I feel that thus much at least the human race owes to its benefactors, that they should never be passed by without an affectionate remembrance. I would say, with Ezekiel, the Hebrew, in his Vision, ‘Let these dry bones live!’ Not let them live merely in cold generalities and idle homilies of morality; but let them live, as my friends, my philosophers, my instructors, and my guides! I would say with the moralist of old, ‘Let me act, as I would wish to have acted, if Socrates or Cato were the spectators of what I did!’ And I am not satisfied only to call them up by a strong effort of the imagination, but I would have them, and men like them, ‘around my path, and around my bed,’ and not allow myself to hold a more frequent intercourse with the living, than with the good departed.”
William Godwin, Essay on sepulchres: or, A proposal for erecting some memorial of the illustrious dead in all ages on the spot where their remains have been interred.

“Men are apt to grow, in the apostolical phrase, too ‘worldly’: the propensity of our nature, or rather the operation of our state, is to plunge us, the lower orders of the community, in the concerns of the day, and their masters, in the cares of wealth and gain. It is good for us, sometimes to be ‘in the mount.’ Those things are to be cherished, which tend to elevate us above our ordinary sphere, and to abstract us from our common and every-day concerns. The affectionate recollection and admiration of the dead will act gently upon our spirits, and fill us with a composed seriousness, favourable to the best and most honourable contemplations.”
William Godwin, Essay on sepulchres: or, A proposal for erecting some memorial of the illustrious dead in all ages on the spot where their remains have been interred.

“The views into which I have been led, as to the effects flowing from the mortality of man to human affairs, and the feelings and sentiments it becomes us to cherish respecting the Illustrious Dead, I apprehend to be reasonable and true. Inestimable benefit will in my opinion flow, from the habit of seeing with the intellectual eye things not visible to the eye of the sense, and our attaining the craft and mystery, by which we may, spiritually, each in his several sphere, ‘Compel the earth and ocean to give up / Their dead alive.’ For just so much time as any one shall spend in reading and meditating on the suggestions of these pages, provided it be done in a serious frame, the project is a reality, and as if it were executed: and I hope most persons who shall be induced to examine these hints, will derive from them a solemnity and composure of spirit, which so far as it operates at all, will be favourable to elevation of mind, to generous action, and to virtue.”
William Godwin, Essay on sepulchres: or, A proposal for erecting some memorial of the illustrious dead in all ages on the spot where their remains have been interred.

“An author, whether good or bad, or between both, is an animal whom every body is privileged to attack: for though all are not able to write books, all conceive themselves able to judge them.”
Matthew Gregory Lewis, The Monk

“She sealed his lips with a wanton kiss; 'Though I forgive your breaking your vows to heaven, I expect you to keep your vows to me.”
Matthew Lewis, The Monk

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