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Samantha Silva

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Samantha Silva

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September 2014


Samantha Silva is an author and screenwriter based in Idaho. Her debut novel, Mr. Dickens and His Carol, was published in 2017 by Flatiron Books/Macmillan. Love and Fury: A Novel of Mary Wollstonecraft will be published in May 2021. Over her career, Silva's sold film projects to Paramount, Universal, and New Line Cinema. She directed a film adaptation of her short story, The Big Burn, which won the 1 Potato Short Screenplay Competition at the 2017 Sun Valley Film Festival. Her short story, Leo in Venice, appeared in the September 2019 issue of ONE STORY. A graduate of Johns Hopkins University's School of Advanced International Studies, she's lived in London, Bologna, and Rome, is an avid Italophile and a forever Dickens devotee. ...more

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Samantha Silva I'm too superstitious to reveal very much -- but let's say it's historical fiction based on the real life of another literary figure, lesser known, bu…moreI'm too superstitious to reveal very much -- but let's say it's historical fiction based on the real life of another literary figure, lesser known, but crucial to the evolution of modern thought. (less)
Samantha Silva The best answer I can give is that Mr. Dickens and His Carol is a mash-up between real circumstances in Dickens' life that led to the writing of the C…moreThe best answer I can give is that Mr. Dickens and His Carol is a mash-up between real circumstances in Dickens' life that led to the writing of the Carol, and my imagination. The set-up is all pretty accurate: he was a literary star, over-extended financially, had a growing family, a lavish lifestyle, friends and relatives who depended on his largesse, and was a great philanthropist. It's also true that Martin Chuzzlewit was a flop, and that Dickens desperately needed a money-spinner to get him out of debt. The rest is my flight of fancy; I wanted to take Scrooge's journey and imagine Dickens experiencing it for himself as the inspiration for the book. (less)
Average rating: 3.81 · 23,290 ratings · 3,911 reviews · 9 distinct worksSimilar authors
Mr. Dickens and His Carol

3.77 avg rating — 21,179 ratings — published 2017 — 17 editions
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Love and Fury

4.15 avg rating — 2,098 ratings — published 2021 — 20 editions
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LA VIE TUMULTUEUSE DE MARY W

4.60 avg rating — 5 ratings
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Leo in Venice

4.50 avg rating — 4 ratings
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Die Kindheit im italienisch...

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Sometime This Century: A Re...

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Hamnet
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In altre parole
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Middlemarch
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Quotes by Samantha Silva  (?)
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“Children were an act of optimism—sheer belief that the future will outshine the present.”
Samantha Silva, Mr. Dickens and His Carol

“...a good biography tells us the truth about a person; a good story, the truth about ourselves.”
Samantha Silva, Mr. Dickens and His Carol

“We are all lost, all broken. Trying desperately to be whole again.”
Samantha Silva, Mr. Dickens and His Carol

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Retro Chapter Chi...: December 18-24 11 16 Dec 22, 2017 06:12AM  
Retro Chapter Chi...: * 2017: Featured Book of the Week 307 83 Dec 26, 2017 08:54AM  
A Million More Pages: Rocking Around the Christmas Tree 63 119 Dec 31, 2017 03:53PM  
Around the Year i...: Michele’s 52 in 18 1 25 Dec 31, 2017 05:33PM  
The Reading For P...: Samanta's 2017 Readathon Thread 297 177 Jan 01, 2018 04:04AM  
“For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.

A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.

A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.

When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.

A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.

So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.”
Herman Hesse, Bäume: Betrachtungen und Gedichte

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