John Clute

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John Clute


Born
in Toronto, Canada
January 01, 1940

Website

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John Frederick Clute (1940- ) is a Canadian born author and critic who has lived in Britain since 1969. He has been described as "an integral part of science fiction's history."

Clute's articles on speculative fiction have appeared in various publications since the 1970s. He is a co-editor of The Encyclopedia of Science Fiction (with Peter Nicholls) and of The Encyclopedia of Fantasy (with John Grant), as well as The Illustrated Encyclopedia Of Science Fiction, all of which won Hugo Awards for Best Non-Fiction. Clute is also author of the critical essay collections Strokes, Look at the Evidence, and Scores. His 1999 novel Appleseed, a space opera, was noted for its "combination of ideational fecundity and combustible language" and was select
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Average rating: 3.82 · 12,444 ratings · 1,238 reviews · 58 distinct worksSimilar authors
The Encyclopedia of Science...

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4.35 avg rating — 607 ratings5 editions
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The Encyclopedia of Fantasy

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4.39 avg rating — 345 ratings — published 1997 — 7 editions
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Science Fiction: The Illust...

4.18 avg rating — 291 ratings — published 1993 — 8 editions
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Appleseed

3.32 avg rating — 196 ratings — published 2001 — 11 editions
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The Darkening Garden: A Sho...

4.05 avg rating — 59 ratings — published 2006 — 3 editions
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Interzone: The 1st Antholog...

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3.67 avg rating — 24 ratings — published 1985 — 2 editions
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Interzone: the Second Antho...

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3.86 avg rating — 22 ratings — published 1987 — 3 editions
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Strokes: Essays and Reviews...

4.41 avg rating — 17 ratings — published 1988 — 7 editions
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Look at the Evidence: Essay...

4.20 avg rating — 15 ratings — published 1995 — 6 editions
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Scores: Reviews 1993 - 2003

4.50 avg rating — 12 ratings — published 2003 — 5 editions
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Quotes by John Clute  (?)
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“Sense of Wonder (...) may be defined as a shift in perspective so that the reader, having been made suddenly aware of the true scale of an event or venue, responds to the revelation with awe.”
John Clute, The Encyclopedia of Fantasy

“More interestingly, it could be argued that, if fantasy (and debatably the literature of the fantastic as a whole) has a purpose other than to entertain, it is to show readers how to perceive; an extension of the argument is that fantasy may try to alter readers' perception of reality. Of course, quack religions (etc.) make similar attempts, but a major difference is that, while the latter attempt to convert people to their codified way of thinking, the best fantasy introduces its readers into a playground of rethought perception, where there are no restrictions other than those of the human imagination. In some modes of the fantastic – e.g., magic realism and surrealism – the attempt to alter the reader's perception is overt, but most full-fantasy texts have at their core the urge to change the reader; that is, full fantasy is by definition a subversive literary form.”
John Clute, The Encyclopedia of Fantasy

“Each of them is a book through which other books dream. (referring to Nodier's SMARRA and TRILBY)”
John Clute

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