Cathleen Margaret

Cathleen Margaret’s Followers (10)

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Cathleen Margaret


Born
Pittsburgh, The United States
Website

Genre


cathleen margaret is writer, artist, and musician. Her written work has appeared in a&u, Sage Woman and Border Crossing, among others. Publications include Bebop in the Small of Her Back, Our Name Is Memory and Berthenia Belle. She is a MacDowell Colony Charlotte Sheedy Fellow and was recognized as master quilter by the Pennsylvania Council on the Arts through the Apprenticeship in Folk and Traditional Arts Teaching Grant. Visit cathleen at cathleenmargaret.com

Cathleen Margaret isn't a Goodreads Author (yet), but they do have a blog, so here are some recent posts imported from their feed.

Autumn

Picture Goldenrod blooms in late August, its yellow/golden statement the sign of autumn’s arrival.
​Autumn reinvents; its transformative voice slow and measured. Suddenly, stunning red vines drape like stoles across the shoulders of a chain linked fence. Then, another cluster, a red spray.Picture Picture PictureA red lipped leaf becomes a reflection on roads less traveled; brilliance in the midst of bland.Berries cling t Read more of this blog post »
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Published on October 15, 2020 08:04
Average rating: 4.5 · 2 ratings · 2 reviews · 4 distinct works
Daughter Mouth Blues

it was amazing 5.00 avg rating — 1 rating
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Berthenia Belle

really liked it 4.00 avg rating — 1 rating
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Bebop In The Small Of Her Back

0.00 avg rating — 0 ratings
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Our Name Is Memory

0.00 avg rating — 0 ratings
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* Note: these are all the books on Goodreads for this author. To add more, click here.

Quotes by Cathleen Margaret  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Is her name nightmare, some mothball ambition slammed into hard shoes suspended from cain't nobody do me like shame having sex with terror.”
Cathleen Margaret, Our Name Is Memory

“The train will not find you. You must find the train, its pulse, its way of being beyond obvious rock and sway. The train’s pulse is deeper than movement. If you listen, you will hear the song of the train, and when you find the song, you will find the engine, the heart, the blood, the pulse. This is how we create.”
Cathleen Margaret

“Partial skinning may be less painful, perhaps delay unpleasantness, how pain set in breasts, back, and belly offers less agony, some reprieve, while the skinning of fingers, nose, cheeks and lips feels like spears. . .”
Cathleen Margaret, Bebop In The Small Of Her Back



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