Thomas Lux’s Followers (24)

Thomas Lux

Born

in Northampton, Massachusetts, The United States

December 10, 1946

Died

February 05, 2017

Website

http://www.poetryfoundation.org/bio/thomas-lux

Genre

Poetry

edit data

Acclaimed poet and teacher Thomas Lux began publishing haunted, ironic poems that owed much to the Neo-surrealist movement in the 1970s. Critically lauded from his first book Memory’s Handgrenade (1972), Lux’s poetry has gradually evolved towards a more direct treatment of immediately available, though no less strange, human experience. Often using ironic or sardonic speakers, startlingly apt imagery, careful rhythms, and reaching into history for subject matter, Lux has created a body of work that is at once simple and complex, wildly imaginative and totally relevant. Lux is vocal about the tendency in contemporary poetry to confuse “difficulty” with “originality.” In an interview with Cerise Press, Lux stated: “There’s plenty of room for Acclaimed poet and teacher Thomas Lux began publishing haunted, ironic poems that owed much to the Neo-surrealist movement in the 1970s. Critically lauded from his first book Memory’s Handgrenade (1972), Lux’s poetry has gradually evolved towards a more direct treatment of immediately available, though no less strange, human experience. Often using ironic or sardonic speakers, startlingly apt imagery, careful rhythms, and reaching into history for subject matter, Lux has created a body of work that is at once simple and complex, wildly imaginative and totally relevant. Lux is vocal about the tendency in contemporary poetry to confuse “difficulty” with “originality.” In an interview with Cerise Press, Lux stated: “There’s plenty of room for strangeness, mystery, originality, wildness, etc. in poems that also invite the reader into the human and alive center about which the poem circles.” Known for pairing humor with sharp existentialism, Lux commented in the Los Angeles Times, "I like to make the reader laugh—and then steal that laugh, right out of the throat. Because I think life is like that, tragedy right alongside humor."

Born in Northampton, Massachusetts in 1946 to working class parents, Lux attended Emerson College and the University of Iowa. Lux’s first collections, including Memory’s Handgrenade and Sunday: Poems (1979), were grounded in the Neo-Surrealist techniques of contemporaries like James Tate and Bill Knott. Contemporary Poets contributor Richard Damashek wrote that Lux’s early work was "intensely personal…tormented and tortured, full of complex and disjointed images reflecting an insane and inhospitable world." Such early Lux’s poems were often portraits of a “solo native…always strange to the world," observed Elizabeth Macklin in Parnassus, "always on the verge of extradition, always beset with allergies to the native element, 'like a simple vase not tolerating water.'" With Half Promised Land (1986), Lux began the turn that characterizes much of his later work. The book foregoes many of the surrealist techniques of Sunday and focuses instead on an increasingly careful and accurate depiction of the real world. In later books like The Drowned River (1990) and the Kingsley-Tufts award winning Split Horizon (1994), Lux utilizes a conversational tone to describe what one reviewer called the “invisible millions” populating the poems. Describing his own progress in an interview with the Cortland Review, he said: “I kind of drifted away from Surrealism and the arbitrariness of that. I got more interested in subjects, identifiable subjects other than my own angst or ennui or things like that. I got better and better, I believe, at the craft. I paid more and more attention to the craft. Making poems rhythmical and musical and believable as human speech and as distilled and tight as possible is very important to me. I started looking outside of myself a lot more for subjects. I read a great deal of history, turned more outward as opposed to inward.”

Lux’s other collections include New and Selected Poems: 1975-1995 (1997), The Street of Clocks (2001), The Cradle Place (2004) and God Particles (2008), a collection Elizabeth Hoover described as “lucid and morally urgent” in the Los Angeles Times. Thomas Lux taught at Sarah Lawrence for over twenty years and is affiliated with the Warren Wilson MFA program; currently the Bourne chair in poetry at the Georgia Institute of Technology, he is a renowned teacher. In the Cortland Review interview, he described teaching’s greatest rewards: “you see people get excited by poetry. You see their lives changed by poetry. You see someone beginning to learn how to articulate and express themselves in this very tight art form, in this very distilled manner. You see all sorts and hear all sorts of really human stuff, really human business.” His many awards and honors include the Kinglsley Tufts Poetry Award, a Guggenheim fel ...more

Combine Editions
Thomas Lux’s books

Average rating: 4.08 · 1,771 ratings · 214 reviews · 86 distinct works • Similar authors

	New and Selected Poems, 1975-1995 4.23 avg rating — 211 ratings — published 1997 — 8 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	The Street Of Clocks: Poems 3.76 avg rating — 128 ratings — published 2001 — 9 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	God Particles: Poems 3.88 avg rating — 112 ratings — published 2008 — 10 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	The Cradle Place: Poems 4.09 avg rating — 94 ratings — published 2004 — 9 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	To The Left Of Time 3.79 avg rating — 76 ratings — published 2016 — 4 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Split Horizon: Poems 4.03 avg rating — 66 ratings — published 1994 — 5 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Child Made Of Sand: Poems 3.50 avg rating — 50 ratings — published 2012 — 5 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	The Drowned River 3.87 avg rating — 38 ratings — published 1990 — 4 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Sunday: Poems 4.09 avg rating — 23 ratings — published 1979 — 4 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Half Promised Land 3.85 avg rating — 20 ratings — published 1986 — 5 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars

More books by Thomas Lux…

Quotes by Thomas Lux (?)

“No poem ever bought a hamburger, or not too many.”
― Thomas Lux

tags: life, poetry, writing

9 likes

“THE VOICE YOU HEAR WHEN YOU READ SILENTLY

is not silent, it is a speaking-

out-loud voice in your head; it is *spoken*,

a voice is *saying* it

as you read. It's the writer's words,

of course, in a literary sense

his or her "voice" but the sound

of that voice is the sound of *your* voice.

Not the sound your friends know

or the sound of a tape played back

but your voice

caught in the dark cathedral

of your skull, your voice heard

by an internal ear informed by internal abstracts

and what you know by feeling,

having felt. It is your voice

saying, for example, the word "barn"

that the writer wrote

but the "barn" you say

is a barn you know or knew. The voice

in your head, speaking as you read,

never says anything neutrally- some people

hated the barn they knew,

some people love the barn they know

so you hear the word loaded

and a sensory constellation

is lit: horse-gnawed stalls,

hayloft, black heat tape wrapping

a water pipe, a slippery

spilled *chirr* of oats from a split sack,

the bony, filthy haunches of cows...

And "barn" is only a noun- no verb

or subject has entered into the sentence yet!

The voice you hear when you read to yourself

is the clearest voice: you speak it

speaking to you.

~~-Thomas Lux
”
― Thomas Lux

tags: reading

4 likes

“The voice you hear when you read to yourself
is the clearest voice: you speak it
speaking to you.”
― Thomas Lux

tags: poetry, reading-voice

3 likes

See all Thomas Lux's quotes »

Topics Mentioning This Author

topics	posts	views	last activity
Language & Grammar : Word Associations	35842	1815	Jun 12, 2013 10:18AM
Goodreads Librari...: Combine author profiles, Update bio & More	3457	822	Oct 06, 2025 07:44AM

Thomas Lux’s Followers (24)

Thomas Lux

Combine EditionsThomas Lux’s books

Topics Mentioning This Author

Combine Editions
Thomas Lux’s books