Kristine H. Harper
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Born
Copenhagen, Denmark
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Influences
Member Since
October 2012
URL
https://www.goodreads.com/kristineharper
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Aesthetic Sustainability - Product Design and Sustainable Usage
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published
2015
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8 editions
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Anti-trend, Resilient Design and the Art of Sustainable Living
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* Note: these are all the books on Goodreads for this author. To add more, click here.
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Return of the Artisan: How America Went from Industrial to Handmade
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Return of the Artisan: How America Went from Industrial to Handmade
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“Decay is renewal--a perhaps contradictory sentence that nevertheless characterizes the aesthetically sustainable product, which ages gracefully and which possesses the germ of aesthetic decay as process. Decay equals renewal in the sense that aesthetic decay ensures the continued interest and fascination of the recipient.”
― Aesthetic Sustainability - Product Design and Sustainable Usage
― Aesthetic Sustainability - Product Design and Sustainable Usage
“The historical division between the beautiful and the sublime indicates that an aesthetic experience is not necessarily linked to beauty, but can also be induced by the unpleasant, unbalanced, distorted, or even hideous.”
― Aesthetic Sustainability - Product Design and Sustainable Usage
― Aesthetic Sustainability - Product Design and Sustainable Usage
“Heaviness is uplifting. Heaviness is strengthening. Heaviness is sustainable. Not the gloomy kind of heaviness that characterizes a state of depression and hopelessness—which we must do our best not to fall into when listening to discouraging facts about climate changes and pollution—but the em- powering kind of heaviness that fills your life with substance, when you engage in meaningful projects”
― Anti-trend, Resilient Design and the Art of Sustainable Living
― Anti-trend, Resilient Design and the Art of Sustainable Living
“there are two types of people in the world: those who prefer to be sad among others, and those who prefer to be sad alone.”
― The History of Love
― The History of Love
“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion.”
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“The self is a relation which relates itself to its own self, or it is that in the relation that the relation relates itself to its own self; the self is not the relation but that the relation relates itself to its own self.”
― The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening
― The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening
“Fashion is by definition focused on new and forward-looking trends. But despite of its forward-looking and new-is-good doctrine, fashion constantly borrows from the stylistic expressions of earlier times.”
― Aesthetic Sustainability - Product Design and Sustainable Usage
― Aesthetic Sustainability - Product Design and Sustainable Usage
“Decay is renewal--a perhaps contradictory sentence that nevertheless characterizes the aesthetically sustainable product, which ages gracefully and which possesses the germ of aesthetic decay as process. Decay equals renewal in the sense that aesthetic decay ensures the continued interest and fascination of the recipient.”
― Aesthetic Sustainability - Product Design and Sustainable Usage
― Aesthetic Sustainability - Product Design and Sustainable Usage
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