Hermann von Helmholtz
Born
Potsdam, Germany
Genre
Influences
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On the Sensations of Tone (Dover Books On Music: Acoustics)
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published
1863
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175 editions
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Helmholtz's Treatise on Physiological Optics
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published
2000
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29 editions
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On The Conservation Of Force And Ice And Glaciers
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published
2005
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On the Conservation of Force
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published
1847
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38 editions
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Treatise On Physiological Optics: 3
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published
2005
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7 editions
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Science and Culture: Popular and Philosophical Essays
by
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published
1995
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5 editions
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Popular Scientific Lectures
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published
2015
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114 editions
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Ice and Glaciers
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published
2011
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Ueber das Verhältnis der Naturwissenschaften zur Gesammtheit der Wissenschaft
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published
2011
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Popular Lectures on Scientific Subjects, Series I & II (2 Volumes)
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“I have been able to solve a few problems of mathematical physics on which the greatest mathematicians since Euler have struggled in vain ... But the pride I might have held in my conclusions was perceptibly lessened by the fact that I knew that the solution of these problems had almost always come to me as the gradual generalization of favorable examples, by a series of fortunate conjectures, after many errors. I am fain to compare myself with a wanderer on the mountains who, not knowing the path, climbs slowly and painfully upwards and often has to retrace his steps because he can go no further—then, whether by taking thought or from luck, discovers a new track that leads him on a little till at length when he reaches the summit he finds to his shame that there is a royal road by which he might have ascended, had he only the wits to find the right approach to it. In my works, I naturally said nothing about my mistake to the reader, but only described the made track by which he may now reach the same heights without difficulty.”
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“During the first half of the present century we had an Alexander von Humboldt, who was able to scan the scientific knowledge of his time in its details, and to bring it within one vast generalization. At the present juncture, it is obviously very doubtful whether this task could be accomplished in a similar way, even by a mind with gifts so peculiarly suited for the purpose as Humboldt's was, and if all his time and work were devoted to the purpose.”
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“Our sensations are effects brought forth in our organs by means of exterior causes, and how such an effect manifests itself depends of course quite essentially on the nature of the apparatus on which the cause operates. Insofar as the quality of our sensations gives us information about the peculiarities of the exterior process that excites it, it can count as a sign of that process, but not as a picture. For one expects of a picture some sort of similarity with the pictured object . . . But a sign need have no similarity of any sort whatever with that of which it is the sign. The relation between them is only that the same object, working its effects in the same way, produces the same sign, and that unequal signs always correspond to unequal causes.
To the popular view, which naively and complacently assumes the full truth of the pictures that our senses give us of things, this remainder of similarity that we recognise may seem rather paltry. In truth it is not; with its aid something of the greatest significance can be achieved: the representation of the regularities in the processes of the real world . . . So even if our sense impressions in their qualities are only signs, whose special nature depends wholly on our internal organisation, they are nonetheless not to be dismissed as empty appearance, but are in fact a sign of something, whether this is something existing or something occurring; and what is most important, they can picture the law of this occurring.”
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To the popular view, which naively and complacently assumes the full truth of the pictures that our senses give us of things, this remainder of similarity that we recognise may seem rather paltry. In truth it is not; with its aid something of the greatest significance can be achieved: the representation of the regularities in the processes of the real world . . . So even if our sense impressions in their qualities are only signs, whose special nature depends wholly on our internal organisation, they are nonetheless not to be dismissed as empty appearance, but are in fact a sign of something, whether this is something existing or something occurring; and what is most important, they can picture the law of this occurring.”
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