Chris Fritz's Blog - Posts Tagged "atla"
What Avatar the last Airbender means to me.
I started watching the show when it first came out in 2005. So I was there from day one. I can’t say that about too many things. I loved how kids were given these extraordinary abilities to bend the elements. I loved the animation style that built a world that you just want to live in. I loved the plot, the characters and the humor. I was so interested in seeing the extent of the bending abilities and I was entranced by the movement of the characters in order to use their elements. This show revolutionized the animated TV world with it’s depictions of martial arts. Back in the day I didn’t understand how television seasons worked so when I saw the season two finale I just thought the series was over and all the characters died. Twelve year old me was in a big state of shock back then. That show brought me up and took me down. It took me on an emotional rollercoaster. When I watched the series finale I had tears in my eyes. It made me feel so many things and to this day it still holds up as one of the best TV shows ever in my opinion.
But everything changed when they made the movie. The movie came out when I was sixteen and I’ll admit I was excited to see the characters I loved show up on the big screen in live action. When I left the theater the most of what I had to say was “They got a lot of the stuff wrong.” I can write forever about how bad the live action movie but I think that’s a task for another day. I can sum it all up by saying like most of the fans I hate the movie. Some of the fans even deny its existence and I can’t blame them for doing so in the slightest. So we all moved on with our lives until 2012 when Nick announced they were making a sequel series called the Legend of Korra. Even though the movie was crap this new series was a clear departure. I really like Legend of Korra. It was nice to go back to the world of avatar and the new series got the taste of the movie out of my mouth. I originally thought that nick would just do one season of Korra and it would just be a way for the fandom to say goodbye to the series once and for all. I was taken for a loop when they decided to do three more seasons of Korra. I was also thrown for another loop when I heard the final season wouldn’t be on TV but instead it would be on the Nick website. I could write more about the series but I really liked it. Some of the fandom doesn’t like the series and I don’t get those people at all. Over the years I bought both of the series on DVD and re-watch them from time to time. I even watched the series when it came out on Netflix and I was happy when it soared to the number one show on the streaming platform. I can probably keep watching the show as an adult and keep finding new things to appreciate or new meanings to find in the text. For example in season two when the gaang takes down Azulas drill she comes back and uses their strategy to take over Ba Sing Sei. The gaang takes down the drill from the inside and Azula takes down the city from the inside. That plays into a theme of fire nation defeat playing into their eventual victories. Theirs also a meta textual reading I found in it. In the episode bitter work Iroh explains a new fire bending technique to Zuko. To start off the lesson Iroh explains to him that he find influence from other bending forms. To become more powerful he should take wisdom from many different sources. Wisdom from all across the world will make him whole. He does this to explain that he developed his technique to redirect lighting from studying water benders. Meanwhile in the real world Bryan Konietzko and Michael Dante DiMartino were heavily influenced by Japanese anime when creating the Last Airbender. To create their fictional world they took inspiration from feudal japan, china, Buddhist monk culture and the tribes of the Inuit. Even though they were American animators their animation style for this was heavily influenced by anime from Japan. They fused that influence with western animation techniques to create their own unique art style. In the subsequent years a new kind of animated cartoon that I’ve heard some fans call Americanime arose. Some shows that would fit into this genre would be Samurai Jack and Teen Titans. These guys took wisdom from around the world and it made them better artists. Helped them make this groundbreaking show that the fandom fell in love with. Wisdom from all across the world made them more powerful just like Iroh in their show. The same way Iroh use his diverse wisdom to create his revolutionary technique Michael and Bryan used that same principle to create Avatar the last Airbender. I’ve also found a meta narrative within the Legend of Korra. In season 2 Bolin goes on a little side adventure of becoming a movie star. In their world they call them movers but it’s the same thing. In the movers Bo Lin plays a character called Nuk Tuk the hero of the south. The character is a water bending hero from the southern water tribe. Bo Lin himself has no genealogical connection to the Southern water tribe and he is not a water bender. Now lets go back into the real world. The crappy live action last airbender movie was the subject of a lot of criticism. A major talking point in that criticism was allegations of white washing. Specifically they had several Caucasian actors playing roles that would have been more loyal to the source material if they were played by people of color. For example in the movie the characters of Katara and Sokka are played by Caucasian actors when in the show they are portrayed as people of color. If the movie wanted to honor its source material more then they probably would have cast non white actors to play these roles. This point is just a drop in the bucket of criticism leveled at this movie. Now lets go back into the the legend of Korra. In Bolins movers it probably would have been better and made more sense if the character of Nuk Tuk would be played by an actor from the southern water tribe or a water bender. But instead it’s played by Bo Lin who is an earth bender from the earth kingdom. It played into the plot of the show but one could say that this character went through the in universe equivalent of whitewashing. It sure was subtle but I found an instance in the Legend of Korra where the creators of the show criticized the live action movie in a meta textual way. Just one final middle finger to M. Night Shyamalan.
Also in the season two episode the Guru guru Pahtik explains to Aang the seven chakras of the body. They explain it accurately and exhibit a cornerstone of yoga and meditation that originated in ancient India. This makes the show deeper and more vital. I love things like that, it was interesting to learn about chakras in an interesting way that played in perfectly to the narrative.
Now a days I hear of a deal to make a new live action series on Netflix rebooting the Last Airbender. Now I’m not to excited to hear the words live action when I think about this franchise and I heard the news that the original creators were attached to the show but they recently left because of creative differences. That doesn’t give me a lot of confidence in the upcoming series but I’ll probably watch it anyway. I don’t even really want a live action series that much I kind of want a third animated series following the adventures of the next avatar in the cycle. There’s a part of me that thinks stories should be updated and remade to relate to a new audience and a new generation. But maybe I’m straying away from that belief. I think the last Airbender is the Star Wars of my generation but the franchise has had a lot of missteps. It’s only until recently that I realized the stories and the Last Airbender and Star Wars are very similar.
Now I have to ask myself how has this story influenced my own story telling? I think the most important way is on a world building level. Like a said earlier the Last Airbender has a rich and vibrant world that feels so real. I even think that there should be an open world RPG based on the show. The world building is also tied in perfectly with the magic system of bending. Bending is integrated into the world in a way that it affects every character on the show. When I wrote the Universe Key I wanted to create a world that someone would love to live in and a magic system that had a major impact on the world as well as the people living in it. Both the Last Airbender and the Universe Key both have a war as their backdrop and my characters Brilan and Clara are loosely based on Sokka and Katara. Also I can’t help but admit the fact that some of the magic weapons spit out elements is based on bending. So I can say that the Last Airbender has influenced me heavily in my writing and my creative life. I hope that the franchise will become more popular in the pop culture zeitgeist. As time goes on I hope its influence will become deeper and richer.
But everything changed when they made the movie. The movie came out when I was sixteen and I’ll admit I was excited to see the characters I loved show up on the big screen in live action. When I left the theater the most of what I had to say was “They got a lot of the stuff wrong.” I can write forever about how bad the live action movie but I think that’s a task for another day. I can sum it all up by saying like most of the fans I hate the movie. Some of the fans even deny its existence and I can’t blame them for doing so in the slightest. So we all moved on with our lives until 2012 when Nick announced they were making a sequel series called the Legend of Korra. Even though the movie was crap this new series was a clear departure. I really like Legend of Korra. It was nice to go back to the world of avatar and the new series got the taste of the movie out of my mouth. I originally thought that nick would just do one season of Korra and it would just be a way for the fandom to say goodbye to the series once and for all. I was taken for a loop when they decided to do three more seasons of Korra. I was also thrown for another loop when I heard the final season wouldn’t be on TV but instead it would be on the Nick website. I could write more about the series but I really liked it. Some of the fandom doesn’t like the series and I don’t get those people at all. Over the years I bought both of the series on DVD and re-watch them from time to time. I even watched the series when it came out on Netflix and I was happy when it soared to the number one show on the streaming platform. I can probably keep watching the show as an adult and keep finding new things to appreciate or new meanings to find in the text. For example in season two when the gaang takes down Azulas drill she comes back and uses their strategy to take over Ba Sing Sei. The gaang takes down the drill from the inside and Azula takes down the city from the inside. That plays into a theme of fire nation defeat playing into their eventual victories. Theirs also a meta textual reading I found in it. In the episode bitter work Iroh explains a new fire bending technique to Zuko. To start off the lesson Iroh explains to him that he find influence from other bending forms. To become more powerful he should take wisdom from many different sources. Wisdom from all across the world will make him whole. He does this to explain that he developed his technique to redirect lighting from studying water benders. Meanwhile in the real world Bryan Konietzko and Michael Dante DiMartino were heavily influenced by Japanese anime when creating the Last Airbender. To create their fictional world they took inspiration from feudal japan, china, Buddhist monk culture and the tribes of the Inuit. Even though they were American animators their animation style for this was heavily influenced by anime from Japan. They fused that influence with western animation techniques to create their own unique art style. In the subsequent years a new kind of animated cartoon that I’ve heard some fans call Americanime arose. Some shows that would fit into this genre would be Samurai Jack and Teen Titans. These guys took wisdom from around the world and it made them better artists. Helped them make this groundbreaking show that the fandom fell in love with. Wisdom from all across the world made them more powerful just like Iroh in their show. The same way Iroh use his diverse wisdom to create his revolutionary technique Michael and Bryan used that same principle to create Avatar the last Airbender. I’ve also found a meta narrative within the Legend of Korra. In season 2 Bolin goes on a little side adventure of becoming a movie star. In their world they call them movers but it’s the same thing. In the movers Bo Lin plays a character called Nuk Tuk the hero of the south. The character is a water bending hero from the southern water tribe. Bo Lin himself has no genealogical connection to the Southern water tribe and he is not a water bender. Now lets go back into the real world. The crappy live action last airbender movie was the subject of a lot of criticism. A major talking point in that criticism was allegations of white washing. Specifically they had several Caucasian actors playing roles that would have been more loyal to the source material if they were played by people of color. For example in the movie the characters of Katara and Sokka are played by Caucasian actors when in the show they are portrayed as people of color. If the movie wanted to honor its source material more then they probably would have cast non white actors to play these roles. This point is just a drop in the bucket of criticism leveled at this movie. Now lets go back into the the legend of Korra. In Bolins movers it probably would have been better and made more sense if the character of Nuk Tuk would be played by an actor from the southern water tribe or a water bender. But instead it’s played by Bo Lin who is an earth bender from the earth kingdom. It played into the plot of the show but one could say that this character went through the in universe equivalent of whitewashing. It sure was subtle but I found an instance in the Legend of Korra where the creators of the show criticized the live action movie in a meta textual way. Just one final middle finger to M. Night Shyamalan.
Also in the season two episode the Guru guru Pahtik explains to Aang the seven chakras of the body. They explain it accurately and exhibit a cornerstone of yoga and meditation that originated in ancient India. This makes the show deeper and more vital. I love things like that, it was interesting to learn about chakras in an interesting way that played in perfectly to the narrative.
Now a days I hear of a deal to make a new live action series on Netflix rebooting the Last Airbender. Now I’m not to excited to hear the words live action when I think about this franchise and I heard the news that the original creators were attached to the show but they recently left because of creative differences. That doesn’t give me a lot of confidence in the upcoming series but I’ll probably watch it anyway. I don’t even really want a live action series that much I kind of want a third animated series following the adventures of the next avatar in the cycle. There’s a part of me that thinks stories should be updated and remade to relate to a new audience and a new generation. But maybe I’m straying away from that belief. I think the last Airbender is the Star Wars of my generation but the franchise has had a lot of missteps. It’s only until recently that I realized the stories and the Last Airbender and Star Wars are very similar.
Now I have to ask myself how has this story influenced my own story telling? I think the most important way is on a world building level. Like a said earlier the Last Airbender has a rich and vibrant world that feels so real. I even think that there should be an open world RPG based on the show. The world building is also tied in perfectly with the magic system of bending. Bending is integrated into the world in a way that it affects every character on the show. When I wrote the Universe Key I wanted to create a world that someone would love to live in and a magic system that had a major impact on the world as well as the people living in it. Both the Last Airbender and the Universe Key both have a war as their backdrop and my characters Brilan and Clara are loosely based on Sokka and Katara. Also I can’t help but admit the fact that some of the magic weapons spit out elements is based on bending. So I can say that the Last Airbender has influenced me heavily in my writing and my creative life. I hope that the franchise will become more popular in the pop culture zeitgeist. As time goes on I hope its influence will become deeper and richer.
The ultimate guide to writing strong female characters
Like most of you guys out there I’m a big fan of the Marvel cinematic universe. They’ve given us so many different female characters with exciting backstories and personalities. Like Black Widow who was captured at a young age and forced to be a badass fighter, or Captain Marvel who was captured at a young age and forced to be a badass fighter, or Gamora who was captured at a young age and forced to be a badass fighter, or Scarlet Witch who was captured at a young age and forced to be a badass fighter. Wait a minute. Oh my god they just made the same character four different times! So with repetition like this I asked myself a truly deep question. How can someone create a strong female character and actually have it be a strong female character? More specifically can a strong female character be strong not in spite of being female but because she’s female? In my contemplation on this subject three characters came to mind. They are all from the same TV show and that show is Avatar: the Last Airbender.
As fans of the show know it is filled with really good female characters but right now I just want to focus on three. They are Toph, Katara, and Azula. Three character that got a lot of screen time and were flushed out the most. Let’s start out with talking about Toph. Toph is a twelve year old blind girl and her character is truly a unique departure in the evolution of female characters and comes at writing female characters from a completely new angle. For Tophs character the writers took masculine traits and mapped them on to her. This makes Toph relate to the boys more because she doesn’t play into feminine stereotypes. She rejects things like putting on makeup, doing her hair, and bathing regularly in favor of getting dirty, laughing at bodily functions, using rude language. She rejects the feminine activities and replaces them with masculine actives. Also rejecting traditionally feminine traits in favor of traditionally masculine ones. This is the way I generally see most of the stereotypical strong female characters and it can be an easy path to go down from a writing stand point. At a certain point I do think the strong female character with masculine traits becomes a parody of itself. I can probably think of dozens of strong female characters that fall into this category so if you want an easy way of writing strong female characters this is probably the way to go.
But some people demand more from their strong female characters so let’s move on and talk about Katara. Katara is a unique strong female character because her strength comes from a place that most people wouldn’t see as a place to draw strength from, your mom. Katara displays the strength of a mother. She acts like a den mother to everyone in the group. So much so that Sokka almost forgot the face of his real mother and whenever he tries to think of her he can just see Katara. At some of her most powerful moments she cries out like she is scolding her opponents. In the first episode the inciting incident for the entire series happens because she scolds Sokka. Sounding very much like a mother disciplining her child. At times when the group is mentally and physically exhausted Katara is the only one to hold them together. Like a mother guiding her children. Also in the last episode of season two there’s this one shot where she’s holding Aangs dead body and it invokes the image of Michelangelo’s pieta statue where Katara would be the Virgin Mary the mother of Jesus. Just as Mary was the mother of Jesus so is Katara the mother figure of this group. She is a good example of being strong not in spite of her femininity but because of her femininity. Being a mother is a feminine role and it’s where she draws her strength. I’ve seen very few characters like this so in Katara I find something very unique.
Now let’s take a trip over to the dark side and talk about Azula. Azulas character is an interesting development in strong female characters and it comes from a very dark place. You see in a general sense women have a high capacity for emotional intelligence than men. This means that generally women can recognize their emotions and even control them better than men. In the show we see Katara as a very emotionally conscious character for example. But what if that emotional consciousness turns into emotional manipulation. That is the strength of Azula. There is a time in the show when she gets into a fight with Zuko and doesn’t have to through a single punch. She just dodges and hurls emotionally scarring insults at him until he tires himself out. She repeats this strategy multiple times throughout the show when fighting. She manipulates the emotions of her opponents. Wasting their time, wasting their energy and throwing them out of whack without even touching them. She uses her higher emotional intelligence to manipulate her enemies and her allies. It’s a generally feminine trait that has devastating consequences in this instance. Once again she is not strong in spite of her femininity but because of her femininity.
So what’s the lesson here? I think it’s this. A female character doesn’t have to give up female traits in order to be strong. If you really want to step things up make a female character that’s strength and femininity intertwine with one another. Because women can be feminine and strong at the same time they don’t have to choose between the two. I’ll end this by saying call your mom, she misses you.
As fans of the show know it is filled with really good female characters but right now I just want to focus on three. They are Toph, Katara, and Azula. Three character that got a lot of screen time and were flushed out the most. Let’s start out with talking about Toph. Toph is a twelve year old blind girl and her character is truly a unique departure in the evolution of female characters and comes at writing female characters from a completely new angle. For Tophs character the writers took masculine traits and mapped them on to her. This makes Toph relate to the boys more because she doesn’t play into feminine stereotypes. She rejects things like putting on makeup, doing her hair, and bathing regularly in favor of getting dirty, laughing at bodily functions, using rude language. She rejects the feminine activities and replaces them with masculine actives. Also rejecting traditionally feminine traits in favor of traditionally masculine ones. This is the way I generally see most of the stereotypical strong female characters and it can be an easy path to go down from a writing stand point. At a certain point I do think the strong female character with masculine traits becomes a parody of itself. I can probably think of dozens of strong female characters that fall into this category so if you want an easy way of writing strong female characters this is probably the way to go.
But some people demand more from their strong female characters so let’s move on and talk about Katara. Katara is a unique strong female character because her strength comes from a place that most people wouldn’t see as a place to draw strength from, your mom. Katara displays the strength of a mother. She acts like a den mother to everyone in the group. So much so that Sokka almost forgot the face of his real mother and whenever he tries to think of her he can just see Katara. At some of her most powerful moments she cries out like she is scolding her opponents. In the first episode the inciting incident for the entire series happens because she scolds Sokka. Sounding very much like a mother disciplining her child. At times when the group is mentally and physically exhausted Katara is the only one to hold them together. Like a mother guiding her children. Also in the last episode of season two there’s this one shot where she’s holding Aangs dead body and it invokes the image of Michelangelo’s pieta statue where Katara would be the Virgin Mary the mother of Jesus. Just as Mary was the mother of Jesus so is Katara the mother figure of this group. She is a good example of being strong not in spite of her femininity but because of her femininity. Being a mother is a feminine role and it’s where she draws her strength. I’ve seen very few characters like this so in Katara I find something very unique.
Now let’s take a trip over to the dark side and talk about Azula. Azulas character is an interesting development in strong female characters and it comes from a very dark place. You see in a general sense women have a high capacity for emotional intelligence than men. This means that generally women can recognize their emotions and even control them better than men. In the show we see Katara as a very emotionally conscious character for example. But what if that emotional consciousness turns into emotional manipulation. That is the strength of Azula. There is a time in the show when she gets into a fight with Zuko and doesn’t have to through a single punch. She just dodges and hurls emotionally scarring insults at him until he tires himself out. She repeats this strategy multiple times throughout the show when fighting. She manipulates the emotions of her opponents. Wasting their time, wasting their energy and throwing them out of whack without even touching them. She uses her higher emotional intelligence to manipulate her enemies and her allies. It’s a generally feminine trait that has devastating consequences in this instance. Once again she is not strong in spite of her femininity but because of her femininity.
So what’s the lesson here? I think it’s this. A female character doesn’t have to give up female traits in order to be strong. If you really want to step things up make a female character that’s strength and femininity intertwine with one another. Because women can be feminine and strong at the same time they don’t have to choose between the two. I’ll end this by saying call your mom, she misses you.
The Legend of Korra: What went wrong?
As most of you know I’m a big fan of Avatar: The Last Airbender. I was really excited when I heard they were making a sequel series called the Legend of Korra. Unfortunately the sequel series didn’t live up to some fans expectations and didn’t get the same critical praise that the first show got. So with the series long wrapped up let’s ask ourselves what went wrong. How could a show that tackled such complex topics such as racism, communism, police brutality, the societal repercussions of advancing technology, religious extremism, civil war, war profiteering, propaganda, anarchism, monarchy, fascism, and PTSD possibly miss the mark this badly. There are little things that happened that I could just pass off as the root of the problem like Nickelodeon cutting their budget, or not having enough episodes to flush out their stories or being generally disrespected by their network. But I think the problem goes deeper than that.
I think it’s this the Legend of Korra punishes the fans of the first show for liking the first show. It all started in the first season. The villain Amon uses a technique to take away a person’s bending. A technique that the audience had seen in the previous show by Aang in the final episode of the series. He used it for good and to save the world but Amon used it for evil. It was twisted for nefarious purposes. The first time I watched Amon use it on the show I was devastated that something so sacred could turn into something evil. The audience was being punished for connecting to that technique from the original show. The next part of this comes in season three. The next thing that gets inverted is the nation of Airbenders.
Going back to the original show we actually learned very little about the air nomads. We were told that they were a nation of monks who loved meditation, spirituality and pacifism. They had vegetarian diets and great senses of humor. Their genocide was a tragedy but we learned about them through Aang. What little we learned we could deduce that the air nomads where nice people. Fast forward to season three of Legend of Korra and we are introduced to Zaheer. A villain who was given the power of air bending and he was well versed in the philosophy of the air nomads. This villain takes the philosophy and goes off the edges with it. He turned the Airbender philosophy of freedom and turned it into anarchy. He imposed this anarchy onto the world by assassinating world leaders and trying to kill Korra. Everything the audience loved about the airbenders and subsequently about Aang was twisted by this villain and turned rotten. Once again the show is punishing the audience for liking what happened in the original show.
My last piece of evidence is the biggest. It has to do with something that Niche would call the death of god. On the original show Aang traveled all over the world. Almost everywhere he went he could tell people that he was the avatar and people would love him. They would respect his authority and help him in any way they could. Even though they hadn’t seen the avatar in over 100 years they loved him and he gave people hope. Needless to say the audience parroted this sentiment and favored the avatar. Knowing the avatar is a special savior whose authority is respected. Now all throughout the legend of Korra this belief in the avatar is slowly eroded away. With every villain Korra faces her authority as the avatar is dwindled slowly but surely. Amon came in the beginning and convinced a large portion of the population that benders are evil and the avatar is the ultimate evil. When President Reiko takes power in republic city he doesn’t do anything to help Korra at all. He doesn’t recognize her authority. Unaloc tries to replace her and turn himself into the dark avatar. This true death of god metaphor is ilustated when Unavaatu tears down that giant statue of Aang in the bay of republic city. When the spirit vines take over republic city the entire city blames the avatar and her approval ratings go down to single digits. At this point the entire city hates her and Rieko kicks her out. Later on the earth queen puts a bounty on her head just for doing the right thing. Essentially the entire earth kingdom hates her.
When she goes away for three years the world essentially moves on from her. The average world citizen doesn’t think the world needs the avatar and Kuvira convinced all of her followers of the same. So watching this series is like slowly watching the god and savior of the fandom die. Even Korras duties to the world fade away. The avatar is supposed to be the bridge between the physical world and the spirit world but when she opened the spirit portals she doesn’t need to bridge them anymore. She combined them into one world. The avatar is supposed to have connections to their previous incarnations to access the wisdom of the past. But when she went through harmonic convergence she lost her connections to her previous lives. She’s supposed to be able to bend all the elements but by the end of the series the military has mech suits that can spit out fire and lightning bolts. It starts to become possible that even non benders can gain the powers of the avatar using enough of their advanced technology. By the end of the whole thing the audience could question what being the avatar even means. With all this it does kind of alienate the audience that fell in love with the last Airbender and maybe it had a hard time gaining a new audience at the same time. But what do you guys think? Is the legend of Korra a misunderstood masterpiece or did it fail to live up to the expectations of the last Airbender?
I think it’s this the Legend of Korra punishes the fans of the first show for liking the first show. It all started in the first season. The villain Amon uses a technique to take away a person’s bending. A technique that the audience had seen in the previous show by Aang in the final episode of the series. He used it for good and to save the world but Amon used it for evil. It was twisted for nefarious purposes. The first time I watched Amon use it on the show I was devastated that something so sacred could turn into something evil. The audience was being punished for connecting to that technique from the original show. The next part of this comes in season three. The next thing that gets inverted is the nation of Airbenders.
Going back to the original show we actually learned very little about the air nomads. We were told that they were a nation of monks who loved meditation, spirituality and pacifism. They had vegetarian diets and great senses of humor. Their genocide was a tragedy but we learned about them through Aang. What little we learned we could deduce that the air nomads where nice people. Fast forward to season three of Legend of Korra and we are introduced to Zaheer. A villain who was given the power of air bending and he was well versed in the philosophy of the air nomads. This villain takes the philosophy and goes off the edges with it. He turned the Airbender philosophy of freedom and turned it into anarchy. He imposed this anarchy onto the world by assassinating world leaders and trying to kill Korra. Everything the audience loved about the airbenders and subsequently about Aang was twisted by this villain and turned rotten. Once again the show is punishing the audience for liking what happened in the original show.
My last piece of evidence is the biggest. It has to do with something that Niche would call the death of god. On the original show Aang traveled all over the world. Almost everywhere he went he could tell people that he was the avatar and people would love him. They would respect his authority and help him in any way they could. Even though they hadn’t seen the avatar in over 100 years they loved him and he gave people hope. Needless to say the audience parroted this sentiment and favored the avatar. Knowing the avatar is a special savior whose authority is respected. Now all throughout the legend of Korra this belief in the avatar is slowly eroded away. With every villain Korra faces her authority as the avatar is dwindled slowly but surely. Amon came in the beginning and convinced a large portion of the population that benders are evil and the avatar is the ultimate evil. When President Reiko takes power in republic city he doesn’t do anything to help Korra at all. He doesn’t recognize her authority. Unaloc tries to replace her and turn himself into the dark avatar. This true death of god metaphor is ilustated when Unavaatu tears down that giant statue of Aang in the bay of republic city. When the spirit vines take over republic city the entire city blames the avatar and her approval ratings go down to single digits. At this point the entire city hates her and Rieko kicks her out. Later on the earth queen puts a bounty on her head just for doing the right thing. Essentially the entire earth kingdom hates her.
When she goes away for three years the world essentially moves on from her. The average world citizen doesn’t think the world needs the avatar and Kuvira convinced all of her followers of the same. So watching this series is like slowly watching the god and savior of the fandom die. Even Korras duties to the world fade away. The avatar is supposed to be the bridge between the physical world and the spirit world but when she opened the spirit portals she doesn’t need to bridge them anymore. She combined them into one world. The avatar is supposed to have connections to their previous incarnations to access the wisdom of the past. But when she went through harmonic convergence she lost her connections to her previous lives. She’s supposed to be able to bend all the elements but by the end of the series the military has mech suits that can spit out fire and lightning bolts. It starts to become possible that even non benders can gain the powers of the avatar using enough of their advanced technology. By the end of the whole thing the audience could question what being the avatar even means. With all this it does kind of alienate the audience that fell in love with the last Airbender and maybe it had a hard time gaining a new audience at the same time. But what do you guys think? Is the legend of Korra a misunderstood masterpiece or did it fail to live up to the expectations of the last Airbender?
