Luděk Čertík

“I forded the Santa Fe below Fort White and headed south across the Alachua Prairie where the early Indians and Spaniards ran their cattle. To the east that early morning, strange dashes of red color shone through the blowing tops of prairie sedges where the sun touched the crowns of sandhill cranes. Their wild horn and hollow rattle drifted back on a fresh wind as the big birds drifted over the savanna. That blood-red glint of life in the brown grasslands, that long calling--why should such fleeting moments pierce the heart? And yet they do. That was what Charlie my Darling made me see. They do.”
― Peter Matthiessen, Shadow Country

“Before my eyes daily as we sailed way down upon the Suwannee River were visions of spring furrows at Clouds Creek, the warmed earth opened up behind the plow; of wildflowered meadows, cool and verdant, and airy open woods along the shaded creeks, winding southeast to the Edisto. That spring landscape turned forever and away in my mind's eye, changing softly into gold greens of upland summer in that lost land where I was born, the country of my forefathers, the heart of home. Clouds Creek—my earth—was the wellspring and the source of Edgar Watson, all the Eden he had ever wished or hoped to find.”
― Peter Matthiessen, Shadow Country

“How can I number the worlds to which the eye gives me entry? - the world of light, of colour, of shape, of shadow: of mathematical precision in the snowflake, the ice formation, the quartz crystal, the patterns of stamen and petal: of rhythm in the fluid curve and plunging line of the mountain faces. Why some blocks of stone, hacked into violent and tortured shapes, should so profoundly tranquillise the mind I do not know.

Perhaps the eye imposes its own rhythm on what is only a confusion: one has to look creatively to see this mass of rock as more than jag and pinnacle - as beauty. Else why did men for so many centuries think mountains repulsive? A certain kind of consciousness interacts with the mountain-forms to create this sense of beauty. Yet the forms must be there for the eye to see. And forms of a certain distinction: mere dollops won't do it.

It is, as with all creation, matter impregnated with mind: but the resultant issue is a living spirit, a glow in the consciousness, that perishes when the glow is dead. It is something snatched from non-being, that shadow which creeps in on us continuously and can be held off by continuous creative act. So, simply to look on anything, such as a mountain, with the love that penetrates to its essence, is to widen the domain of being in the vastness of non-being. Man has no other reason for his existence.”
― Nan Shepherd, The Living Mountain

“It is the eye that discovers the mystery of light, not only the moon and the stars and the vast splendours of the Aurora, but the endless changes the earth undergoes under changing lights.”
― Nan Shepherd, The Living Mountain