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Anywhere but Earth
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published
2011
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4 editions
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Gender Studies: Terms and Debates
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published
2003
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4 editions
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Ruins Extraterrestrial
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published
2007
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2 editions
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Tesseracts Ten: A Celebration of New Canadian Speculative Fiction
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published
2006
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3 editions
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The Hunger of Those Who Built It
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Gender Studies: Terms and Debates
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published
2003
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Fireweed: A Feminist Quarterly (Issue 31, Weird Writing)
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published
1990
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By, For and About
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published
1994
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2 editions
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Fireweed: A Feminist Quarterly (Issue 21: Short Stories)
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(Gender Studies: Terms and Debates) [By: Cranny-Francis, Anne] [Nov, 2002]
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Wendy’s Recent Updates
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"What is so often missing—well, entirely missing—from what we have of Shakespeare's plays are the stage directions we rely on today. As a result, we often miss both meaning and humor. For example, Rosalind in As You Like It repeatedly brags that she c"
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"I really loved "The Hunger of Those Who Built It". This was one of those books that completely immersed me in its world, and I was genuinely surprised to realize it was over 400 pages because it never felt that long. It was engaging from beginning to"
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Wendy Waring
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Jul 09, 2026 06:21AM
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"This was an incredible read, both because it is a wonderful story in its own right and because the issues and the quote from Ursula K. Le Guin's speech "Hunger" are dear to me. I feel confident I will not read anything better this year. It is the bes"
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"Read courtesy of the publisher, Stelliform Press. It's out in September.
Wendy Waring does an intriguing narrative thing in this novel. The first 60 or so pages alternate between Lou, who has managed to infiltrate The Oxbow - an exclusive and exclusio" Read more of this review » |
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Wendy Waring
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“There’s a vast underground network for goodness at work in this world—a web of people who’ve put reading at the center of their lives because they know from experience that reading makes them more expansive, generous people…”
― A Swim in a Pond in the Rain
― A Swim in a Pond in the Rain
“To put it another way: having gone about as high up Hemingway Mountain as I could go, having realized that even at my best I could only ever hope to be an acolyte up there, resolving never again to commit the sin of being imitative, I stumbled back down into the valley and came upon a little shit-hill labeled “Saunders Mountain.”
“Hmm,” I thought. “It’s so little. And it’s a shit-hill.”
Then again, that was my name on it.
This is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve. It is less, less than we wanted it to be, and yet it’s more, too—it’s small and a bit pathetic, judged against the work of the great masters, but there it is, all ours.
What we have to do at that point, I think, is go over, sheepishly but boldly, and stand on our shit-hill, and hope it will grow.”
― A Swim in a Pond in the Rain
“Hmm,” I thought. “It’s so little. And it’s a shit-hill.”
Then again, that was my name on it.
This is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve. It is less, less than we wanted it to be, and yet it’s more, too—it’s small and a bit pathetic, judged against the work of the great masters, but there it is, all ours.
What we have to do at that point, I think, is go over, sheepishly but boldly, and stand on our shit-hill, and hope it will grow.”
― A Swim in a Pond in the Rain
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