,
Lindsay Byron

Lindsay Byron’s Followers (14)

member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo

Lindsay hasn't connected with their friends on Goodreads, yet.


Lindsay Byron

Goodreads Author


Born
The United States
Website

Genre

Member Since
January 2021


Lindsay Byron is a strip club veteran, former English professor, and lifelong writer based in Atlanta, Georgia. Lindsay developed a name for herself on social media as a storyteller under the alias of “Lux ATL.” She hails from Evilland, Virginia, the final capital of the Confederacy, where tobacco once was king, but now Oxycontin takes the throne. After a traumatic youth in this treacherous landscape, Lindsay escaped Evilland by dancing her way across strip club stages throughout the South--collecting three English degrees in the meantime--before finally finding her calling as a preacher for women’s empowerment in the role of Head Priestess of the Stripcoven, a rag-tag community of misfit girls. Lindsay holds a PhD in American Literature fr ...more

Average rating: 4.65 · 225 ratings · 44 reviews · 1 distinct workSimilar authors
Too Pretty to be Good

4.65 avg rating — 225 ratings3 editions
Rate this book
Clear rating

* Note: these are all the books on Goodreads for this author. To add more, click here.

Quotes by Lindsay Byron  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“When I was young, I drew self-portraits by the moonlight of my bedroom window, scribbling in crayon a woman on a pedestal with a painted face and a crooked smile, all curves and mystery. Me When I Grow Up, I would title these pieces, a prophecy scrawled in Blue Cyan. When my mother found my drawings, she worried that I had become enamored with whores. Little did she know, it was her, us, our foremothers I was drawing.

A troubled youth, they’ll say, daddy issues—these are the citations people will give when explaining why a girl turns into a woman like me. I am guilty of all of these and more. Yet stronger than these streams leading ever toward my fate, there is one reason that never makes the list: a portrait of a goddess, drawn by a child in the dark.

A half-orphan, the town slut, unlovable by all. The one the boys liked enough to touch, but not enough to claim. Hands clasped in the dark of closets, but not in the hallway at school. Did you know you can get paid for touching boys in closets?”
Lindsay Byron, Too Pretty to be Good

“When I was young, I drew self-portraits by the moonlight of my bedroom window, scribbling in crayon a woman on a pedestal with a painted face and a crooked smile, all curves and mystery. Me When I Grow Up, I would title these pieces, a prophecy scrawled in Blue Cyan. When my mother found my drawings, she worried that I had become enamored with whores. Little did she know, it was her, us, our foremothers I was drawing.

A troubled youth, they’ll say, daddy issues—these are the citations people will give when explaining why a girl turns into a woman like me. I am guilty of all of these and more. Yet stronger than these streams leading ever toward my fate, there is one reason that never makes the list: a portrait of a goddess, drawn by a child in the dark.

A half-orphan, the town slut, unlovable by all. The one the boys liked enough to touch, but not enough to claim. Hands clasped in the dark of closets, but not in the hallway at school. Did you know you can get paid for touching boys in closets?”
Lindsay Byron, Too Pretty to be Good

No comments have been added yet.