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Tina Packer
Born
in Wolverhampton, The United Kingdom
September 28, 1938
More books by Tina Packer…
“If you abandon yourself in order to be in a relationship, you cannot be in a relationship”
― Women of Will: Following the Feminine in Shakespeare's Plays
― Women of Will: Following the Feminine in Shakespeare's Plays
“[...] The idea of honor in battle has been passed down for generations. It went from Greece to Rome, to the medieval world and the Crusades. It was beloved of Sir Philip Sidney, Essex and Southampton [...]. In many ways, the British Empire was founded on it [...] The idea came to a halt in the First World War [...] The poets, led by Wilfred Owen, told the truth about it "[...] The old lie : 'Dulce el decorum est pro patria mori'.
[...]Henry IV Part I is a play with much "honor". Honor is its central theme. So let's examine Henry IV Part I for a moment, to understand the ingredients of "honor". [...] You will notice there are not many women in these plays [about honor]-and when they appear, they are usually whores or faifthful wives. Honor is not a woman's story[...] 'What is honour? A word', (...) a mere scutcheon" [says] Falstaff's iconoclasm and truthful vision about honor.
{...]There are several things we can see in all this. The first is that war is a man´s game, it is intolerable, and the only way you can get people to do it is to make the alternative seem a hundred times worse [...] Therefore, valor must be glorified, if not deified. [...]”
― Women of Will: Following the Feminine in Shakespeare's Plays
[...]Henry IV Part I is a play with much "honor". Honor is its central theme. So let's examine Henry IV Part I for a moment, to understand the ingredients of "honor". [...] You will notice there are not many women in these plays [about honor]-and when they appear, they are usually whores or faifthful wives. Honor is not a woman's story[...] 'What is honour? A word', (...) a mere scutcheon" [says] Falstaff's iconoclasm and truthful vision about honor.
{...]There are several things we can see in all this. The first is that war is a man´s game, it is intolerable, and the only way you can get people to do it is to make the alternative seem a hundred times worse [...] Therefore, valor must be glorified, if not deified. [...]”
― Women of Will: Following the Feminine in Shakespeare's Plays
“[Elisabeth Woodville] doesn't take up arms to get her own way. But she is just as resolute as either Joan [of Arc] or Magaret [D'Anjou] about getting what she wants. What does she use instead? She uses sexuality.
You may ask, what is wrong with that? Women have been using their sexuality to get what they want from time immemorial (...). And if there is no other way to exert power, then to use your will to procure your will is probably a good idea.
However, if what you are implicitly promising (...) is not actually what you want to do, and in order to deliver you must separate yourself from yourself, then it does have its shortcomings as a negotiating tool. You pay a price; you separate yourself from your body. I say this from a woman's point of view. (...) And, as some of my young feminist friends have pointed out, you cannot change a corrupt system by using its own tools”
― Women of Will: Following the Feminine in Shakespeare's Plays
You may ask, what is wrong with that? Women have been using their sexuality to get what they want from time immemorial (...). And if there is no other way to exert power, then to use your will to procure your will is probably a good idea.
However, if what you are implicitly promising (...) is not actually what you want to do, and in order to deliver you must separate yourself from yourself, then it does have its shortcomings as a negotiating tool. You pay a price; you separate yourself from your body. I say this from a woman's point of view. (...) And, as some of my young feminist friends have pointed out, you cannot change a corrupt system by using its own tools”
― Women of Will: Following the Feminine in Shakespeare's Plays
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