Gojkov

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Magdale...
332 books | 212 friends

Jarkko ...
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Иванка ...
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Ena Kat...
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Gojkov

Goodreads Author


Born
August 11, 1965

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Member Since
August 2012

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Клаузура

Појам клаузура је синоним за затворен простор у који се одлази добровољно: лат. claudere – закључати, затворити, clausura – затвор, брава, затварање; манастирска усамљеност; писмени задатак на завршним и др. испитима који се ради у закључаној просторији, под надзором чланова испитне комисије. Повлачење од света због писања, сликања, вајања, компоновања – или скидања са тежих наркотика.

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Published on February 17, 2024 01:47
Average rating: 4.56 · 25 ratings · 1 review · 11 distinct works
Grand hotel

3.67 avg rating — 6 ratings — published 1993 — 5 editions
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Pisanje po vodi

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it was amazing 5.00 avg rating — 3 ratings — published 2006 — 2 editions
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Potištenost

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4.67 avg rating — 3 ratings — published 2012 — 5 editions
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Tužne šansone

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4.67 avg rating — 3 ratings — published 2013 — 3 editions
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Opšta mesta

4.67 avg rating — 3 ratings — published 1998 — 3 editions
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Other People's Memories

it was amazing 5.00 avg rating — 2 ratings — published 2011
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Slepi putnik: album fotogra...

it was amazing 5.00 avg rating — 1 rating — published 1994
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Les chansons tristes

it was amazing 5.00 avg rating — 1 rating — published 2005
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Re - časopis za umjetnost i...

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0.00 avg rating — 0 ratings — published 2005
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Re - časopis za umjetnost i...

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0.00 avg rating — 0 ratings — published 2012
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The Decline and F...
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Gojkov Gojkov is now friends with Sofia Larsson
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More of Gojkov's books…
“The Rig Veda was a ritual canon, not a racial manifesto. If you sacrificed in the right way to the right gods, which required performing the great traditional prayers in the traditional language, you were an Aryan; otherwise you were not. The Rig Veda made the ritual and linguistic barrier clear, but it did not require or even contemplate racial purity.10”
David W. Anthony, The Horse, the Wheel, and Language: How Bronze-Age Riders from the Eurasian Steppes Shaped the Modern World

“When you look in the mirror you see not just your face but a museum. Although your face, in one sense, is your own, it is composed of a collage of features you have inherited from your parents, grandparents, great-grandparents, and so on. The lips and eyes that either bother or please you are not yours alone but are also features of your ancestors, long dead pergaps as individuals but still very much alive as fragments in you. Even complex qualities such as your sense of balance, musical abilities, shyness in crowds, or susceptbility to sickness have been lived before. We carry the past around with us all the time, and not just in our bodies. It lives also in our customs, including the way we speak. The past is a set of invisible lenses we wear constantly, and through these we perceive de world and the world perceives us. We stand always on the shoulders of our ancestors, wheter or not we look down to acknowledge them.”
David W. Anthony, The Horse, the Wheel, and Language: How Bronze-Age Riders from the Eurasian Steppes Shaped the Modern World

“It is oddly ironic that capitalist archaeologists made the mode of production central to their definition of the Neolithic, and Marxist archaeologists ignored it.”
David W. Anthony, The Horse, the Wheel, and Language: How Bronze-Age Riders from the Eurasian Steppes Shaped the Modern World

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