Howard Reich

“I’ll tell you an incident that happened right at the Brown Derby [restaurant] since I’ve been here in Honolulu,” Armstrong tells a friend on one of the recordings. “You remember that white boy, he’s a sailor or something, on one of these battleships, on Pearl Harbor, and he caught my show, and I come to find out he has damn near every record I made from childbirth. “He come up and shook my hand after the whole show was over . . . and he said, ‘You know, I don’t like Negroes.’ “Right to my [expletive] face, that [expletive] told me. And so I said, ‘Well, I admire your [expletive] sincerity.’ “And he said, ‘I don’t like Negroes, but you’re one [expletive] I’m crazy about. I’ve got every [expletive] record.’ “I’ve said it for years. You take the majority of white people,” continued Armstrong, “they always got one [expletive] at least that they’re just crazy about, [expletive]. Every white man in the world got one [expletive] at least that they just love his dirty drawers.”
― Howard Reich, Portraits in Jazz