Catherine Belsey
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Poststructuralism: A Very Short Introduction
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published
2002
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24 editions
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Critical Practice
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published
1980
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22 editions
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Criticism: Ideas in Profile
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The Feminist Reader: Essays in Gender and the Politics of Literary Theory
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published
1989
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9 editions
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Desire: Love Stories in Western Culture
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published
1994
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4 editions
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The Subject of Tragedy: Identity and Difference in Renaissance Drama
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published
1985
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14 editions
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Why Shakespeare?
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published
2007
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7 editions
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Tales of the Troubled Dead: Ghost Stories in Cultural History
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Romeo and Juliet: Language and Writing
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published
2014
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12 editions
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A Future for Criticism
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published
2010
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11 editions
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“Here the individual experience of thinking, 'how it feels', is presented as the ultimate evidence for the nature of thought. But as I hope Chapter 2 will make clear, language is not an imitation of thought, but its condition. It is only within language that the production of meaning is possible, however much our individual experience of producing meaning is one of stumbling and panic, and of looking for adequate formulations of what seems intuitive. Of course it is true that the written text does not necessarily reproduce the empirical process of thinking, but our analysis of the nature of thought need not confine itself to the question of how it feels to think. Frye's final appeal to experience, in conjunction with his account of a thought process culminating in 'a completely incommunicable intuition' places him within the same empiricist-idealist problematic as the New Critics. And for all its claims to science and systematicity, his own theory, like theirs, is fundamentally non-explanatory. Meaning for Frye inheres timelessly in 'verbal structures', intuitively available to readers in quite different ages and places because they recognize in them the echo of their own wishes and anxieties. But the only evidence for this concept of an essentially unchanging human nature is precisely the body of literary texts which the concept apparently offers to explain. The relationship between desire and language and between language and meaning is not discussed. At the same time, Frye's theory”
― Critical Practice
― Critical Practice
“We should not, therefore, try to get ‘behind’ the work, Barthes argues. There is nothing there. Instead, ‘the space of writing is to be ranged over, not pierced’ (and the metaphor suggests that the quest for intention generates a kind of violence). We should look at the text, Barthes urges, not through it. And his manifesto concludes with a ringing declaration: ‘the birth of the reader must be at the cost of the death of the Author’.”
― Poststructuralism: A Very Short Introduction
― Poststructuralism: A Very Short Introduction
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