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Catherine Belsey

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Catherine Belsey



Catherine Belsey is currently Research Professor at Swansea University and formerly Distinguished Research Professor at Cardiff University. Best known for her pioneering book, Critical Practice (Methuen, 1980), Catherine Belsey has an international reputation as a deft and sophisticated critical theorist and subtle and eloquent critic of literature, particularly of Renaissance texts. Her main area of work is on the implications of poststructuralist theory for aspects of cultural history and criticism. Her present project is ’Culture and the Real’, a consideration of the limitations of contemporary constructivism in the light of Lacanian psychoanalysis. Professor Belsey chairs the Centre for Critical and Cultural Theory, a research forum for ...more

Average rating: 3.95 · 518,941 ratings · 10,847 reviews · 31 distinct worksSimilar authors
Poststructuralism: A Very S...

3.78 avg rating — 1,310 ratings — published 2002 — 24 editions
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Critical Practice

3.57 avg rating — 171 ratings — published 1980 — 22 editions
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Criticism: Ideas in Profile

3.71 avg rating — 42 ratings3 editions
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The Feminist Reader: Essays...

3.45 avg rating — 40 ratings — published 1989 — 9 editions
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Desire: Love Stories in Wes...

3.39 avg rating — 23 ratings — published 1994 — 4 editions
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The Subject of Tragedy: Ide...

3.37 avg rating — 19 ratings — published 1985 — 14 editions
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Why Shakespeare?

3.60 avg rating — 15 ratings — published 2007 — 7 editions
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Tales of the Troubled Dead:...

3.86 avg rating — 14 ratings2 editions
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Romeo and Juliet: Language ...

4.17 avg rating — 12 ratings — published 2014 — 12 editions
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A Future for Criticism

3.90 avg rating — 10 ratings — published 2010 — 11 editions
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Quotes by Catherine Belsey  (?)
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“Here the individual experience of thinking, 'how it feels', is presented as the ultimate evidence for the nature of thought. But as I hope Chapter 2 will make clear, language is not an imitation of thought, but its condition. It is only within language that the production of meaning is possible, however much our individual experience of producing meaning is one of stumbling and panic, and of looking for adequate formulations of what seems intuitive. Of course it is true that the written text does not necessarily reproduce the empirical process of thinking, but our analysis of the nature of thought need not confine itself to the question of how it feels to think. Frye's final appeal to experience, in conjunction with his account of a thought process culminating in 'a completely incommunicable intuition' places him within the same empiricist-idealist problematic as the New Critics. And for all its claims to science and systematicity, his own theory, like theirs, is fundamentally non-explanatory. Meaning for Frye inheres timelessly in 'verbal structures', intuitively available to readers in quite different ages and places because they recognize in them the echo of their own wishes and anxieties. But the only evidence for this concept of an essentially unchanging human nature is precisely the body of literary texts which the concept apparently offers to explain. The relationship between desire and language and between language and meaning is not discussed. At the same time, Frye's theory”
Catherine Belsey, Critical Practice

“We should not, therefore, try to get ‘behind’ the work, Barthes argues. There is nothing there. Instead, ‘the space of writing is to be ranged over, not pierced’ (and the metaphor suggests that the quest for intention generates a kind of violence). We should look at the text, Barthes urges, not through it. And his manifesto concludes with a ringing declaration: ‘the birth of the reader must be at the cost of the death of the Author’.”
Catherine Belsey, Poststructuralism: A Very Short Introduction

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