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Kevin Ho

Goodreads Author


Born
in Hartford, CT, The United States
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Member Since
May 2009

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Average rating: 4.45 · 33 ratings · 7 reviews · 12 distinct works
Smooth Operations

4.33 avg rating — 15 ratings — published 2008
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How to Get Started in Freel...

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4.38 avg rating — 13 ratings3 editions
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THE SHAPE OF POWER (ETHAN H...

it was amazing 5.00 avg rating — 2 ratings
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THE SHAPE OF POWER

it was amazing 5.00 avg rating — 1 rating2 editions
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China's Reckoning: The Cent...

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China's Reckoning: The Cent...

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LA FORME DU POUVOIR

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LA FORME DU POUVOIR

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ANNA GABRIEL AND THE UNICOR...

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ANNA GABRIEL AND THE UNICOR...

0.00 avg rating — 0 ratings2 editions
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The Dungeon Anarc...
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Mating in Captivi...
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Twilight
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Kevin’s Recent Updates

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The Dungeon Anarchist's Cookbook by Matt Dinniman
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Mating in Captivity by Esther Perel
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When You Disappeared by John Marrs
When You Disappeared
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Twilight by Stephenie Meyer
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The Dungeon Anarchist's Cookbook by Matt Dinniman
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Kevin Ho started reading
The Dungeon Anarchist's Cookbook by Matt Dinniman
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A Crowdfunder's Strategy Guide by Jamey Stegmaier
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There Is No Good Card for This by Kelsey Crowe
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You Can Tell Me by Melinda Leigh
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When You Disappeared by John Marrs
When You Disappeared
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More of Kevin's books…
Gary Provost
“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.”
Gary Provost

Lydia Davis
“We feel an affinity with a certain thinker because we agree with him; or because he shows us what we were already thinking; or because he shows us in a more articulate form what we were already thinking; or because he shows us what we were on the point of thinking; or what we would sooner or later have thought; or what we would have thought much later if we hadn’t read it now; or what we would have been likely to think but never would have thought if we hadn’t read it now; or what we would have liked to think but never would have thought if we hadn’t read it now.”
Lydia Davis, Almost No Memory

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