Kevin Ho

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Greg
1,289 books | 62 friends

Frank
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Kevin Ho

Goodreads Author


Born
in Hartford, CT, The United States
Twitter

Member Since
May 2009

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Average rating: 4.4 · 30 ratings · 3 reviews · 12 distinct works
Smooth Operations

4.33 avg rating — 15 ratings — published 2008
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How to Get Started in Freel...

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4.38 avg rating — 13 ratings3 editions
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Amplifying Science Communic...

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it was amazing 5.00 avg rating — 1 rating3 editions
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SCIENCE X MARKETING

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it was amazing 5.00 avg rating — 1 rating4 editions
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China's Reckoning: The Cent...

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China's Reckoning: The Cent...

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THE SHAPE OF POWER (ETHAN H...

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THE SHAPE OF POWER

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LA FORME DU POUVOIR

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LA FORME DU POUVOIR

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The Creative Act:...
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Branding by Michael            Johnson
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The Dinner Party by Freida McFadden
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The Creative Act by Rick Rubin
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The Art of Noticing by Rob  Walker
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The Dinner Party by Freida McFadden
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Dear Debbie by Freida McFadden
Dear Debbie
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The Roommate by Kiersten Modglin
The Roommate
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Home Before Dark by Riley Sager
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The Intruder by Freida McFadden
The Intruder
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Dear Debbie by Freida McFadden
Dear Debbie
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More of Kevin's books…
Gary Provost
“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.”
Gary Provost

Lydia Davis
“We feel an affinity with a certain thinker because we agree with him; or because he shows us what we were already thinking; or because he shows us in a more articulate form what we were already thinking; or because he shows us what we were on the point of thinking; or what we would sooner or later have thought; or what we would have thought much later if we hadn’t read it now; or what we would have been likely to think but never would have thought if we hadn’t read it now; or what we would have liked to think but never would have thought if we hadn’t read it now.”
Lydia Davis, Almost No Memory

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