Kevin Williamson
Born
in New Bern, North Carolina
March 14, 1965
Twitter
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Origins (The Vampire Diaries: Stefan's Diaries, #1)
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published
2010
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16 editions
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The Ripper (The Vampire Diaries: Stefan's Diaries, #4)
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published
2011
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5 editions
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Bloodlust (The Vampire Diaries: Stefan's Diaries, #2)
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2011
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2 editions
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The Vampire Diaries: Stefan's Diaries #3: The Craving
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2011
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5 editions
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The Asylum (The Vampire Diaries: Stefan's Diaries, #5)
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2012
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4 editions
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The Vampire Diaries: Stefan's Diaries #6: The Compelled
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2012
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5 editions
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The Vampire Diaries TV Pilot (1x01)
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The Vampire Diaries: Unlocking the Secrets of Mystic Falls
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Scream: A Screenplay
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published
1997
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2 editions
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Dawson's Creek: Higher Elementary 1
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published
2003
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“We talk like we know what’s going on, but we don’t. We don’t know anything. We’re really young and we’re gonna screw up a lot. We’re gonna keep changing our minds and even sometimes our hearts. And through all that, the only real thing we can offer each other is forgiveness. I couldn’t do that. Or at least, I did it too late. Don’t make my mistake. Don’t let yourself be so angry you stop loving. Because one day you’ll wake up from that anger and the person you love will be gone.”
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“They'll have to try like hell to catch me this time. They will try like hell. And even if they don't find you, what kind of way is that to live? You'll always be alone, no one will ever be on your side, and you'll always live in danger of betrayal. I live that way now. But you can't just turn your back on all your responsibilities and run away from them, Major Danby insisted. It's such a negative mood. It's escapist. Yossarian laughed with buoyant scorn and shook his head. I'm not running away from my responsibilities. I'm running to them. There's nothing negative about running away to save my life."
Hetson: As I said in class, a lot of critics find that moment too sentimental. An author ham-fistedly reaching in and injecting an amoral tale with a moral. An embarrassing betrayal of all the dark comedy that came before it. But me? I've always kind of liked it. It has such a nice, hopeful ring to it. Do you see my point?”
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Hetson: As I said in class, a lot of critics find that moment too sentimental. An author ham-fistedly reaching in and injecting an amoral tale with a moral. An embarrassing betrayal of all the dark comedy that came before it. But me? I've always kind of liked it. It has such a nice, hopeful ring to it. Do you see my point?”
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