Adam S. McHugh's Blog
November 15, 2025
Ferd and the Magic Hat!
Announcing Ferd and the Magic Hat!
In a golden valley at the foot of gentle, green mountains, there is a village that appears to be made of gingerbread. This village is named Solvang. It is a real place, a fairy tale come true, where sunbaked fields and palm trees give way to thatched roofs that resemble mounds of chocolate shavings and criss-crossed wooden beams that look like zigzags of icing.
Settled by Danish immigrants over 100 years ago, Solvang, California, in the heart of the Santa Ynez Valley, is an enchanted town all year, sprinkled with wooden windmills and Danish bakeries that serve up a rainbow of gooey treasures, but at Christmastime its magic is on full display. It is at that time of year, Scandinavian folklore suggests, that mischievous tiny creatures called nisser emerge from their dwellings to animate the holiday season, bringing treats to animals and gifts to children.
Ferd and the Magic Hat is a children’s picture book that tells the story of one of these quirky creatures. He is the namesake of a man named Ferdinand “Ferd” Sorensen, who is called the Father of Danish architecture in Solvang and was even knighted by the Queen of Denmark for his creative influences. Ferd Sorensen built the first Danish windmill in Solvang and eventually helped inspire the town council to recreate storybook Copenhagen in the Santa Ynez Valley. He installed weathervanes inspired by the fairy tales of Hans Christian Andersen, stork nests above gabled roofs, ornate woodwork in Solvang Restaurant, and the Dragonspire atop King Christian Tower.
In Ferd and the Magic Hat, Ferd the nisse wakes up at the dawn of the Christmas season in a wooden windmill on a hill. He has a pointy hat with enough light to power Christmas in his beloved village, until it gets snatched away by a pesky stork! Will he be able to retrieve it in time to light the big Christmas tree in the town square tonight? He’s going to need the aid of his animal friends, who are usually more hungry than they are helpful, if he’s going to make the whole town glow.
Solvang is called “The Danish Capital of America” and is also considered one of the most Christmassy towns in the country. In Ferd and the Magic Hat, you can join Ferd on his delicious adventure and experience the magic of Christmas in Solvang!
Note: If you would like a copy mailed to you or as a gift to a child or picture-book loving grownup in your life, email me adammchugh@gmail.com - $30 with free shipping in a padded green envelope with snowflake stickers. Or you can purchase on Amazon. Which comes in a boring brown box. Only 1000 copies in print with almost 500 already sold.
About the Authors: Adam and Kate McHugh live just outside Solvang on a farm for retired horses and bouncy barn cats. Adam is the author of several books, including the award-winning memoir Blood From a Stone, which helped inspire the story of Ferd and the Magic Hat. Kate fell under the magic spell of books as a little girl, and she has been telling stories ever since. As an English professor, high school teacher, and children’s librarian, Kate loves enticing others to discover the wonders of words, too.
About the Illustrator: Allie Daigle is a freelance illustrator who has designed and illustrated dozens of children’s books, as well as posters, advertisements, and even labels for craft beer. She graduated from the University of Connecticut with a Bachelor of Fine Art in Illustration and Design. To see more of Allie’s work visit her website https://alliedaigle.com/
In a golden valley at the foot of gentle, green mountains, there is a village that appears to be made of gingerbread. This village is named Solvang. It is a real place, a fairy tale come true, where sunbaked fields and palm trees give way to thatched roofs that resemble mounds of chocolate shavings and criss-crossed wooden beams that look like zigzags of icing.
Settled by Danish immigrants over 100 years ago, Solvang, California, in the heart of the Santa Ynez Valley, is an enchanted town all year, sprinkled with wooden windmills and Danish bakeries that serve up a rainbow of gooey treasures, but at Christmastime its magic is on full display. It is at that time of year, Scandinavian folklore suggests, that mischievous tiny creatures called nisser emerge from their dwellings to animate the holiday season, bringing treats to animals and gifts to children.
Ferd and the Magic Hat is a children’s picture book that tells the story of one of these quirky creatures. He is the namesake of a man named Ferdinand “Ferd” Sorensen, who is called the Father of Danish architecture in Solvang and was even knighted by the Queen of Denmark for his creative influences. Ferd Sorensen built the first Danish windmill in Solvang and eventually helped inspire the town council to recreate storybook Copenhagen in the Santa Ynez Valley. He installed weathervanes inspired by the fairy tales of Hans Christian Andersen, stork nests above gabled roofs, ornate woodwork in Solvang Restaurant, and the Dragonspire atop King Christian Tower.
In Ferd and the Magic Hat, Ferd the nisse wakes up at the dawn of the Christmas season in a wooden windmill on a hill. He has a pointy hat with enough light to power Christmas in his beloved village, until it gets snatched away by a pesky stork! Will he be able to retrieve it in time to light the big Christmas tree in the town square tonight? He’s going to need the aid of his animal friends, who are usually more hungry than they are helpful, if he’s going to make the whole town glow.
Solvang is called “The Danish Capital of America” and is also considered one of the most Christmassy towns in the country. In Ferd and the Magic Hat, you can join Ferd on his delicious adventure and experience the magic of Christmas in Solvang!
Note: If you would like a copy mailed to you or as a gift to a child or picture-book loving grownup in your life, email me adammchugh@gmail.com - $30 with free shipping in a padded green envelope with snowflake stickers. Or you can purchase on Amazon. Which comes in a boring brown box. Only 1000 copies in print with almost 500 already sold.
About the Authors: Adam and Kate McHugh live just outside Solvang on a farm for retired horses and bouncy barn cats. Adam is the author of several books, including the award-winning memoir Blood From a Stone, which helped inspire the story of Ferd and the Magic Hat. Kate fell under the magic spell of books as a little girl, and she has been telling stories ever since. As an English professor, high school teacher, and children’s librarian, Kate loves enticing others to discover the wonders of words, too.
About the Illustrator: Allie Daigle is a freelance illustrator who has designed and illustrated dozens of children’s books, as well as posters, advertisements, and even labels for craft beer. She graduated from the University of Connecticut with a Bachelor of Fine Art in Illustration and Design. To see more of Allie’s work visit her website https://alliedaigle.com/
April 29, 2024
Santa Barbara Brought Me Back from the Dead
I used to walk up the hill to visit the Queen of the Missions on late Sunday afternoons. I would perch on her steps as the sun fell into the sea, her twin bell-towers sheltering me from the breezes rustling down Mission Canyon. I would let my gaze be swept out beyond the lawn and roses to the Spanish tiles glowing in the waning light, and finally to the rippling slate blue of the Santa Barbara Channel and the peaks of Santa Cruz Island.
Sometimes, from my viewpoint, I would think about the Santa Cruz Island Wine Company, which boasted the largest winery and vineyard in the area at the turn of the 20th century. It was said at the time that “the most romantic vineyard is out at sea.” That operation is long gone, but a few years ago, the Rusack Winery took cuttings of the few remaining Santa Cruz zinfandel and mission grape vines, still clambering up trees 100 years later on the back side of the island, and planted them in Ballard Canyon near Los Olivos. The past is not dead as long as there are dusty bottles and old vines.
I may have moved here to join the wine industry, but it didn’t take long until I found the history of Santa Barbara to be just as intoxicating as its wine. Spanish sea captain Sebastián Vizcaíno gave the modern
name to the area when, tossed in violent seas in our Channel on his voyage up the California coast, he cried out to Santa Barbara for rescue on the eve of the saint’s feast day. That was December 4, 1602.
Almost two centuries later, what would come to be called the Queen of the Missions was baptized on December 4, 1786, set in an amphitheater of hills above her burgeoning pueblo. Sailors would use her as a beacon for steering safely into port. Santa Barbara has been saving people ever since.
Before I relocated here nine years ago, I lived about 30 miles east of Los Angeles and worked as a hospice chaplain and grief counselor. I would drive to homes and facilities all throughout the San Gabriel Valley and East L.A., to sit with people who had been given a terminal diagnosis and with their families who were watching their loved ones die.
Sometimes I would be holding a patient’s hand when she took her last breath. I worked many shifts in the middle of the night on what we called “death visits.” I would get called to be with a family after a patient had died, to help handle the mortuary arrangements, to hear the stories the family was desperate to tell about the person they had just lost, and to be a comforting presence for the few minutes we had together.
When I told people what I did for a living, they would often respond, “Oh, that takes such a special person.” I knew I wasn’t that special. It was sacred, necessary, strange, deeply meaningful work. But it was also a slow leak on my soul, and my capacity for joy and celebration was slowly, but inexorably, deflating. Sometimes I worried my patients weren’t the only ones who were dying.
During those hospice years, it was the Santa Ynez Valley that became my refuge. I would blast right by Santa Barbara on my way over the mountains to the vines stitched along the hillsides. Often I would go round-trip in one day, sometimes when my hospice shift began at midnight that night, just to smell the air crackling with the vapors of pinot noir and to partake for a few hours in a world that felt so astonishingly alive. I fantasized about giving it all up, disappearing into wine country, and fading into myth. But I never thought I would actually do it.
My book Blood from a Stone: A Memoir of How Wine Brought Me Back from the Dead was published in October, and it tells the story of how my hospice career ended and how my life in L.A. unglamorously fell apart. And it tells the story of how I moved to Santa Barbara, where my work and participation in the tight-knit wine community downtown helped me to heal and begin to put a new life together. My Sunday evening meditations at the Mission helped.
Santa Barbara has always been a healing place. In the 1870s, after the golden spike was driven into the transcontinental railroad, doctors back east began prescribing the climate of Santa Barbara to their convalescent patients. The salty sea air combined with the south-facing beaches that lounged under the long arc of the sun was considered medicine for the sick.
Or you could take the short journey into the foothills of the Santa Ynez Mountains and recuperate in natural hot springs. So wealthy patients took the train to San Francisco and boarded a steamer to Santa Barbara, where they checked into the Arlington Hotel and stayed for weeks or months. Santa Barbara boomed as a high-class health resort, earning itself the nickname “The Sanitorium of the Pacific.”
Down the beach a few clicks, the little village of Summerland was founded in the 1880s as a Spiritualist colony, by a group of people who were intent on communicating with the spirits of the deceased, which, let’s be honest, is weird. But it does seem there is a long history of Santa Barbara calling people back from the dead. And I am grateful to be one of them.
Eventually, the call of the vines of Santa Ynez became irresistible for me, and I made the climb over the mountains. But Santa Barbara is still my healing place.
Adam McHugh’s new book is Blood from a Stone: A Memoir of How Wine Brought Me Back from the Dead. Follow him on Instagram at @adammchughwine.
Sometimes, from my viewpoint, I would think about the Santa Cruz Island Wine Company, which boasted the largest winery and vineyard in the area at the turn of the 20th century. It was said at the time that “the most romantic vineyard is out at sea.” That operation is long gone, but a few years ago, the Rusack Winery took cuttings of the few remaining Santa Cruz zinfandel and mission grape vines, still clambering up trees 100 years later on the back side of the island, and planted them in Ballard Canyon near Los Olivos. The past is not dead as long as there are dusty bottles and old vines.
I may have moved here to join the wine industry, but it didn’t take long until I found the history of Santa Barbara to be just as intoxicating as its wine. Spanish sea captain Sebastián Vizcaíno gave the modern
name to the area when, tossed in violent seas in our Channel on his voyage up the California coast, he cried out to Santa Barbara for rescue on the eve of the saint’s feast day. That was December 4, 1602.
Almost two centuries later, what would come to be called the Queen of the Missions was baptized on December 4, 1786, set in an amphitheater of hills above her burgeoning pueblo. Sailors would use her as a beacon for steering safely into port. Santa Barbara has been saving people ever since.
Before I relocated here nine years ago, I lived about 30 miles east of Los Angeles and worked as a hospice chaplain and grief counselor. I would drive to homes and facilities all throughout the San Gabriel Valley and East L.A., to sit with people who had been given a terminal diagnosis and with their families who were watching their loved ones die.
Sometimes I would be holding a patient’s hand when she took her last breath. I worked many shifts in the middle of the night on what we called “death visits.” I would get called to be with a family after a patient had died, to help handle the mortuary arrangements, to hear the stories the family was desperate to tell about the person they had just lost, and to be a comforting presence for the few minutes we had together.
When I told people what I did for a living, they would often respond, “Oh, that takes such a special person.” I knew I wasn’t that special. It was sacred, necessary, strange, deeply meaningful work. But it was also a slow leak on my soul, and my capacity for joy and celebration was slowly, but inexorably, deflating. Sometimes I worried my patients weren’t the only ones who were dying.
During those hospice years, it was the Santa Ynez Valley that became my refuge. I would blast right by Santa Barbara on my way over the mountains to the vines stitched along the hillsides. Often I would go round-trip in one day, sometimes when my hospice shift began at midnight that night, just to smell the air crackling with the vapors of pinot noir and to partake for a few hours in a world that felt so astonishingly alive. I fantasized about giving it all up, disappearing into wine country, and fading into myth. But I never thought I would actually do it.
My book Blood from a Stone: A Memoir of How Wine Brought Me Back from the Dead was published in October, and it tells the story of how my hospice career ended and how my life in L.A. unglamorously fell apart. And it tells the story of how I moved to Santa Barbara, where my work and participation in the tight-knit wine community downtown helped me to heal and begin to put a new life together. My Sunday evening meditations at the Mission helped.
Santa Barbara has always been a healing place. In the 1870s, after the golden spike was driven into the transcontinental railroad, doctors back east began prescribing the climate of Santa Barbara to their convalescent patients. The salty sea air combined with the south-facing beaches that lounged under the long arc of the sun was considered medicine for the sick.
Or you could take the short journey into the foothills of the Santa Ynez Mountains and recuperate in natural hot springs. So wealthy patients took the train to San Francisco and boarded a steamer to Santa Barbara, where they checked into the Arlington Hotel and stayed for weeks or months. Santa Barbara boomed as a high-class health resort, earning itself the nickname “The Sanitorium of the Pacific.”
Down the beach a few clicks, the little village of Summerland was founded in the 1880s as a Spiritualist colony, by a group of people who were intent on communicating with the spirits of the deceased, which, let’s be honest, is weird. But it does seem there is a long history of Santa Barbara calling people back from the dead. And I am grateful to be one of them.
Eventually, the call of the vines of Santa Ynez became irresistible for me, and I made the climb over the mountains. But Santa Barbara is still my healing place.
Adam McHugh’s new book is Blood from a Stone: A Memoir of How Wine Brought Me Back from the Dead. Follow him on Instagram at @adammchughwine.
August 17, 2023
Blood From a Stone
Two hours north of Los Angeles, or however long it takes you to crawl 120 miles along LA freeways, just past the Santa Barbara beaches there is a 90 degree dogleg-right in the 101 freeway. As you veer around the bend, a tunnel materializes suddenly before you, which burrows through a jagged peak of sandstone. It is my portal to another world.
This tunnel is but a football field long, but when you emerge on the other side it is as though a wormhole has transported you to another time and place. The climate changes dramatically. The shivering, fogbound coastline is replaced by high flying skies and pointed sunlight. Crispy chaparral on bare slopes gives way to a forest of live oak that climbs the brief but steep pass over the mountains. After your ascent, there is a short stretch of flat road, a deep breath on the way for you to admire the hills and vines criss-crossing your path, before you drop into the Santa Ynez Valley. Here is the wine backcountry, where GPS guidance is as lost as you while you ford dry creeks to taste Pinot Noir in corrugated shacks and A-frame barns and tuck into creaky tables in old stagecoach stops.
For years I fled from LA to cross the threshold of this magic tunnel as often as I could. I would even do the drive roundtrip in one day if that is all the time off I had. My world down south was full of grief and loss, some belonging to others, some belonging to me. I was a chaplain and grief counselor working in hospice. I sat at the bedsides of people taking their last breaths. I tried to provide a teaspoon of comfort for their loved ones on one of the worst nights of their lives. I listened to and held all their questions, memories, and emotions. It was profound and strange work. And it was often exhausting.
On my hardest hospice nights I would fantasize about taking the gateway through that magic tunnel. Everything in my world seemed to be fading and dying, but the world beyond that tunnel felt so full of life and abundance, where nothing ever dies. Santa Ynez seemed like a garden always in bloom, its vineyards coursing with life and energy and its people dining joyfully at a long table with a bottle of wine set at every place.
I lost my hospice job a few years ago. I was thoroughly burned out and suffering from what is called compassion fatigue. The place I went to heal was the Santa Ynez Valley. It took a while. But on one drive through the tunnel the portal must have closed behind me, because I haven’t gone back.
Adam McHugh is the author of Blood From a Stone: A Memoir of How Wine Brought Me Back from the Dead
