Gustav Kobbé

Gustav Kobbé’s Followers (3)

member photo
member photo
member photo

Gustav Kobbé


Born
in New York City, The United States
March 04, 1857

Died
July 27, 1918


Gustav Kobbé, M.A. was an American music critic and author, best known for his guide to the operas, The Complete Opera Book, first published (posthumously) in the United States in 1919 and the United Kingdom in 1922.

Average rating: 3.88 · 162 ratings · 20 reviews · 175 distinct works
The Complete Opera Book The...

4.11 avg rating — 96 ratings — published 1918 — 62 editions
Rate this book
Clear rating
The Loves of Great Composers

3.21 avg rating — 29 ratings — published 1905 — 74 editions
Rate this book
Clear rating
How to Appreciate Music

3.07 avg rating — 14 ratings — published 1906 — 47 editions
Rate this book
Clear rating
The Portable Kobbe's Opera ...

by
4.25 avg rating — 8 ratings — published 1994 — 3 editions
Rate this book
Clear rating
Wagner's Ring of the Nibelung

it was amazing 5.00 avg rating — 4 ratings — published 1889 — 22 editions
Rate this book
Clear rating
How to Understand Wagner's ...

really liked it 4.00 avg rating — 4 ratings — published 2010 — 12 editions
Rate this book
Clear rating
Signora: A Child Of The Ope...

it was amazing 5.00 avg rating — 1 rating — published 2008 — 15 editions
Rate this book
Clear rating
The Great Operas of Vincenz...

it was amazing 5.00 avg rating — 1 rating2 editions
Rate this book
Clear rating
Kobbe's Illustrated Opera

by
really liked it 4.00 avg rating — 1 rating — published 1989 — 4 editions
Rate this book
Clear rating
New Jersey Coast and Pines

by
really liked it 4.00 avg rating — 1 rating — published 1982 — 18 editions
Rate this book
Clear rating
More books by Gustav Kobbé…
Quotes by Gustav Kobbé  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“With a musical work, no matter how intellectual or dramatic its foundation, its test ever will be its value as pure music.”
Gustav Kobbé, How to Appreciate Music

“All art begins with a groping after form, then attains form, and then emancipates itself from too great insistence upon rigidity of form without, however, reverting to its early formless condition.”
Gustav Kobbé, How to Appreciate Music