Rodrigo Rey Rosa

Rodrigo Rey Rosa’s Followers (156)

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Rodrigo Rey Rosa


Born
in Ciudad de Guatemala, Guatemala
November 04, 1958

Genre


Rodrigo Rey Rosa is perhaps the most prominent writer on the Guatemalan literary scene. Along with the work of writers like Roberto Bolaño, Horacio Castellanos Moya, and Fernando Vallejo, Rey Rosa’s fiction has been widely translated and internationally acclaimed. His books include Dust on Her Tongue, The Beggar’s Knife, and The Pelcari Project, all of which were translated into English by the late Paul Bowles. In addition to his many novels and story collections, Rey Rosa has translated books by Bowles, Norman Lewis, François Augiéras, and Paul Léautaud.

Average rating: 3.53 · 3,145 ratings · 443 reviews · 54 distinct worksSimilar authors
Severina

3.46 avg rating — 675 ratings — published 2011 — 20 editions
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El material humano

3.73 avg rating — 375 ratings — published 2009 — 15 editions
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Chaos, A Fable

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3.16 avg rating — 270 ratings — published 2016 — 12 editions
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Los sordos

3.10 avg rating — 242 ratings — published 2011 — 14 editions
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The African Shore

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3.73 avg rating — 172 ratings — published 2000 — 13 editions
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The Good Cripple

3.56 avg rating — 147 ratings — published 1996 — 12 editions
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The Country of Toó

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3.45 avg rating — 105 ratings — published 2018 — 5 editions
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Ningún lugar sagrado

3.73 avg rating — 93 ratings — published 1998 — 4 editions
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Cárcel de árboles

4.08 avg rating — 73 ratings
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Dust on Her Tongue

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3.77 avg rating — 78 ratings — published 1989 — 2 editions
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More books by Rodrigo Rey Rosa…
Quotes by Rodrigo Rey Rosa  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“¿De dónde provienen las palabras, que mi mano conoce y yo ignoro?”
Rodrigo Rey Rosa

“Consolémonos por ignorar las relaciones que pueden existir entre una araña y un anillo de Saturno, y sigamos examinando lo que está a nuestro alcance. Voltaire.”
Rodrigo Rey Rosa, El material humano

“Ahmed, who regarded himself as an expert on the works and handwriting of Borges, had accepted the book because he was confident that sooner or later he'd find a buyer: a learned fool or a swindler, in either case, a snob. Maybe he would sell it for a fortune one day. Maybe not. And maybe one day Severina will tear out some of her hair and scatter it over my body.”
Rodrigo Rey Rosa

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