James D.A. Terry's Blog: James Unleashed
December 3, 2025
The Ashgrave Street Mystery — Part Two
Lawson brushed dust from his jacket, coughing like he’d swallowed a moth. “Ledger’s got more names than a phone book,” he muttered. “If this is a conspiracy, it’s the worst kept secret in town.”
Justin squinted at him over the rim of his glasses. “You ever seen a phone book with red pencil? That’s not sloppy bookkeeping. That’s someone playing God with an eraser.”
Notcho Dog sneezed, sending a puff of dust into the air. She pawed at the ledger again, this time nudging it toward Justin as if to say, "Look closer, genius."
And closer he looked. The names weren’t just crossed out—they were annotated. Tiny doodles in the margins: stick figures, crude sketches of houses, even a cartoon dog with floppy ears.
Justin blinked. “This isn’t a death list. It’s… a rehearsal.”
Lawson frowned. “Rehearsal for what?”
Justin tapped the page. “For a play. The Coffynails weren’t erasing people—they were casting them. This ledger’s a script list. The girl with the ribbon? She wasn’t erased. She was recruited.”
Notcho barked once, sharp and triumphant, as if she’d solved it herself.
The Coffynail family hadn’t buried their daughter’s memory—they’d hidden her involvement in a secret theatre troupe that performed underground during the post-war years. The satchel carried scripts, not debts. The shoe was a costume piece that was left behind during rehearsal. And the ledger? A casting book, where names were crossed out when roles changed.
The “vanished” children weren’t victims at all. They were performers, spirited away to play parts in a clandestine company that staged biting social satire too risky for the public eye.
Lawson groaned. “So all this time, we thought we’d uncovered a murder ring, and it’s just… community theatre?”
Justin smirked. “Worst crime in Bonnechance: bad acting.”
Notcho wagged her tail, clearly pleased with the revelation. She pawed at the satchel again, pulling free a yellowed flyer: The Ashgrave Players Present: The Erasure Ledger — A Comedy in Three Acts.
Lawson read it aloud, then shook his head. “They even named the play after the ledger. That’s either genius or the laziest branding I’ve ever seen.”
The girl with the ribbon hadn’t been erased—she’d grown up, moved west, and was now a retired drama teacher living quietly in Vancouver. The ledger, once thought to be a death list, became proof of Bonnechance’s hidden history of resistance theatre.
Justin closed the satchel, brushing dust from his coat. The ledger, once thought to be a death list, was now revealed as a casting book—a relic of Bonnechance’s underground theatre. The Coffynail family hadn’t erased their daughter; they’d hidden her in plain sight, a performer in a troupe that dared to lampoon the powerful.
Lawson chuckled, shaking his head. “We thought we’d uncovered a murder ring, and it’s just community theatre. Worst crime in town: bad acting.”
Justin smirked, raising his cold double-double. “Turns out crawlspaces don’t just hide ghosts. Sometimes they hide punch lines.”
Notcho barked twice, tail wagging, as if to say Case closed.
The silence of the house lifted, replaced by something lighter. Outside, the streetlights steadied, their flicker gone. Ashgrave Street exhaled, its secrets aired out at last.
Justin squinted at him over the rim of his glasses. “You ever seen a phone book with red pencil? That’s not sloppy bookkeeping. That’s someone playing God with an eraser.”
Notcho Dog sneezed, sending a puff of dust into the air. She pawed at the ledger again, this time nudging it toward Justin as if to say, "Look closer, genius."
And closer he looked. The names weren’t just crossed out—they were annotated. Tiny doodles in the margins: stick figures, crude sketches of houses, even a cartoon dog with floppy ears.
Justin blinked. “This isn’t a death list. It’s… a rehearsal.”
Lawson frowned. “Rehearsal for what?”
Justin tapped the page. “For a play. The Coffynails weren’t erasing people—they were casting them. This ledger’s a script list. The girl with the ribbon? She wasn’t erased. She was recruited.”
Notcho barked once, sharp and triumphant, as if she’d solved it herself.
The Coffynail family hadn’t buried their daughter’s memory—they’d hidden her involvement in a secret theatre troupe that performed underground during the post-war years. The satchel carried scripts, not debts. The shoe was a costume piece that was left behind during rehearsal. And the ledger? A casting book, where names were crossed out when roles changed.
The “vanished” children weren’t victims at all. They were performers, spirited away to play parts in a clandestine company that staged biting social satire too risky for the public eye.
Lawson groaned. “So all this time, we thought we’d uncovered a murder ring, and it’s just… community theatre?”
Justin smirked. “Worst crime in Bonnechance: bad acting.”
Notcho wagged her tail, clearly pleased with the revelation. She pawed at the satchel again, pulling free a yellowed flyer: The Ashgrave Players Present: The Erasure Ledger — A Comedy in Three Acts.
Lawson read it aloud, then shook his head. “They even named the play after the ledger. That’s either genius or the laziest branding I’ve ever seen.”
The girl with the ribbon hadn’t been erased—she’d grown up, moved west, and was now a retired drama teacher living quietly in Vancouver. The ledger, once thought to be a death list, became proof of Bonnechance’s hidden history of resistance theatre.
Justin closed the satchel, brushing dust from his coat. The ledger, once thought to be a death list, was now revealed as a casting book—a relic of Bonnechance’s underground theatre. The Coffynail family hadn’t erased their daughter; they’d hidden her in plain sight, a performer in a troupe that dared to lampoon the powerful.
Lawson chuckled, shaking his head. “We thought we’d uncovered a murder ring, and it’s just community theatre. Worst crime in town: bad acting.”
Justin smirked, raising his cold double-double. “Turns out crawlspaces don’t just hide ghosts. Sometimes they hide punch lines.”
Notcho barked twice, tail wagging, as if to say Case closed.
The silence of the house lifted, replaced by something lighter. Outside, the streetlights steadied, their flicker gone. Ashgrave Street exhaled, its secrets aired out at last.
November 24, 2025
The Ashgrave Street Mystery Part 1
“For nothing is hidden that will not be made manifest, nor is anything secret that will not be known and come to light.” — Luke 8:17
The house on Ashgrave Street had seen better days. Its century-old bones creaked like a drunk trying to stand straight, and the wallpaper peeled in strips that looked like confessions trying to escape.
Justin Case balanced his steaming Doughnut Hole double-double, the coffee inside strong enough to cut through the dust. “Old houses don’t keep secrets,” he muttered. “They hoard them.”
Notcho Dog, his golden Sheprador partner, moved with quiet authority. Her amber eyes scanned the floorboards, tail stiffening, a signal she’d learned to give when something wasn’t right.
Lawson D. Woods, the kind of man who could find trouble in a locked filing cabinet, pried open a sealed crawlspace beneath the stairs. Dust billowed like smoke from a cheap revolver. Inside: a cracked leather satchel, a child’s shoe, and a ledger with names crossed out in red pencil.
Justin crouched, setting his rapidly cooling eye opener aside. “Ledger’s not numbers,” he said. “It’s people. And someone wanted them erased.”
Lawson swallowed hard. “This house belonged to the Coffynail family. Their daughter vanished in ’47. No trace.”
Notcho pressed her nose against the satchel, pawing gently until a faded photograph slipped free, a girl with a ribbon in her hair, smiling like she didn’t know the world could turn cruel.
The truth settled heavily in the room. The little girl hadn’t simply vanished; she had been erased. The satchel was hers, once filled with schoolbooks. The shoe was left behind when she was hidden in the crawlspace, a brief stop before being spirited away. And the ledger told the rest—her name crossed out in red pencil, one among many. She wasn’t the only child whose life had been cut short or concealed. The Coffynail’s had debts, reputations to protect, and secrets they were willing to bury deeper than any foundation.
Justin straightened, coat brushing the shadows. “This isn’t just one disappearance,” he said. “It’s a pattern. Every name in that ledger is a ghost walking this town. Crawlspaces don’t lie—they just wait for someone stubborn enough to pry them open.”
The silence of the house pressed in, heavy as guilt. Outside, the streetlights flickered, but inside, the conspiracy had already begun to hum.
This is Part One of the Ashgrave Street mystery—tune in next week for Part Two.
The house on Ashgrave Street had seen better days. Its century-old bones creaked like a drunk trying to stand straight, and the wallpaper peeled in strips that looked like confessions trying to escape.
Justin Case balanced his steaming Doughnut Hole double-double, the coffee inside strong enough to cut through the dust. “Old houses don’t keep secrets,” he muttered. “They hoard them.”
Notcho Dog, his golden Sheprador partner, moved with quiet authority. Her amber eyes scanned the floorboards, tail stiffening, a signal she’d learned to give when something wasn’t right.
Lawson D. Woods, the kind of man who could find trouble in a locked filing cabinet, pried open a sealed crawlspace beneath the stairs. Dust billowed like smoke from a cheap revolver. Inside: a cracked leather satchel, a child’s shoe, and a ledger with names crossed out in red pencil.
Justin crouched, setting his rapidly cooling eye opener aside. “Ledger’s not numbers,” he said. “It’s people. And someone wanted them erased.”
Lawson swallowed hard. “This house belonged to the Coffynail family. Their daughter vanished in ’47. No trace.”
Notcho pressed her nose against the satchel, pawing gently until a faded photograph slipped free, a girl with a ribbon in her hair, smiling like she didn’t know the world could turn cruel.
The truth settled heavily in the room. The little girl hadn’t simply vanished; she had been erased. The satchel was hers, once filled with schoolbooks. The shoe was left behind when she was hidden in the crawlspace, a brief stop before being spirited away. And the ledger told the rest—her name crossed out in red pencil, one among many. She wasn’t the only child whose life had been cut short or concealed. The Coffynail’s had debts, reputations to protect, and secrets they were willing to bury deeper than any foundation.
Justin straightened, coat brushing the shadows. “This isn’t just one disappearance,” he said. “It’s a pattern. Every name in that ledger is a ghost walking this town. Crawlspaces don’t lie—they just wait for someone stubborn enough to pry them open.”
The silence of the house pressed in, heavy as guilt. Outside, the streetlights flickered, but inside, the conspiracy had already begun to hum.
This is Part One of the Ashgrave Street mystery—tune in next week for Part Two.
November 1, 2025
Where Comfort Meets Complexity
If you’ve ever curled up with a cozy mystery and wished it had just a little more psychological bite—welcome to the world of brozy mystery.
Born from the quiet streets of Bonnechance and brewed with Canadian coffee, brozy mystery is a genre that invites readers to explore the shadows of perception without losing the warmth of community. It’s where architectural deception meets emotional truth, and where every clue is wrapped in layers of memory, guilt, and gentle misdirection.
In a brozy mystery, the sleuth isn’t just solving a crime—they’re navigating their own internal landscape. Whether it’s Justin Case sipping coffee on his top-floor porch or Notcho Dog fetching clues with floppy-eared wisdom, the characters are grounded, flawed, and deeply human.
What makes a mystery brozy?
• The violence stays offstage, but the emotional stakes run deep.
• The setting is intimate—porches, parlours, and foggy streets—but the architecture hides secrets.
• The tone is reflective, not grim. There’s comfort in the ritual, even as the truth unravels.
• And yes, there’s always coffee. Never tea.
Brozy mysteries are for readers who love a good puzzle but crave emotional realism. They’re for those who believe that the most haunting mysteries aren’t about who did it—but why we didn’t see it coming.
So if you’re ready to trade jump scares for quiet revelations, and chase clues with a golden sheprador by your side, Bonnechance is waiting.
Welcome to Brozy Mystery. The kettle’s not on, but the coffee’s hot.
Born from the quiet streets of Bonnechance and brewed with Canadian coffee, brozy mystery is a genre that invites readers to explore the shadows of perception without losing the warmth of community. It’s where architectural deception meets emotional truth, and where every clue is wrapped in layers of memory, guilt, and gentle misdirection.
In a brozy mystery, the sleuth isn’t just solving a crime—they’re navigating their own internal landscape. Whether it’s Justin Case sipping coffee on his top-floor porch or Notcho Dog fetching clues with floppy-eared wisdom, the characters are grounded, flawed, and deeply human.
What makes a mystery brozy?
• The violence stays offstage, but the emotional stakes run deep.
• The setting is intimate—porches, parlours, and foggy streets—but the architecture hides secrets.
• The tone is reflective, not grim. There’s comfort in the ritual, even as the truth unravels.
• And yes, there’s always coffee. Never tea.
Brozy mysteries are for readers who love a good puzzle but crave emotional realism. They’re for those who believe that the most haunting mysteries aren’t about who did it—but why we didn’t see it coming.
So if you’re ready to trade jump scares for quiet revelations, and chase clues with a golden sheprador by your side, Bonnechance is waiting.
Welcome to Brozy Mystery. The kettle’s not on, but the coffee’s hot.
My Take on Meta-Detective Fiction
There’s a moment in every mystery when the detective pauses—not because the clues are missing, but because they no longer make sense. That moment, stretched across an entire story, is where meta-detective fiction lives.
Meta-mystery doesn’t just ask whodunit. It asks why we solve at all. It’s a genre that turns the magnifying glass inward, inviting readers to question the rules of the game, the role of the detective, and even the reliability of the narrative itself.
As a writer who thrives on psychological realism and architectural deception, I find meta-mystery both thrilling and treacherous. It’s a funhouse mirror of storytelling—reflecting layers of motive, perception, and manipulation. But unlike traditional mysteries, it doesn’t promise resolution. It promises revelation.
In my Diggs Site Files, I lean into this tension:
• The setting isn’t just a backdrop—it’s a trigger; a porch beam, a misplaced window, a hallway that shouldn’t echo.
• The suspects aren’t just red herrings—they’re reflections of the detective’s own blind spots.
• And the resolution? It doesn’t tie everything up—it reveals what was never truly hidden.
Meta-detective fiction works best, in my view, when it’s grounded in emotional truth. The twists should feel earned. The confusion should serve a purpose. And the reader should walk away not just asking what happened, but what does it mean to solve?
It’s not for everyone. Some readers crave the comfort of a tidy whodunit. Others, like me, are drawn to the edge—where the mystery isn’t just in the plot, but in the act of detection itself.
So if you’ve ever felt like the clues are watching you back… welcome to the meta. The game is on.
Meta-mystery doesn’t just ask whodunit. It asks why we solve at all. It’s a genre that turns the magnifying glass inward, inviting readers to question the rules of the game, the role of the detective, and even the reliability of the narrative itself.
As a writer who thrives on psychological realism and architectural deception, I find meta-mystery both thrilling and treacherous. It’s a funhouse mirror of storytelling—reflecting layers of motive, perception, and manipulation. But unlike traditional mysteries, it doesn’t promise resolution. It promises revelation.
In my Diggs Site Files, I lean into this tension:
• The setting isn’t just a backdrop—it’s a trigger; a porch beam, a misplaced window, a hallway that shouldn’t echo.
• The suspects aren’t just red herrings—they’re reflections of the detective’s own blind spots.
• And the resolution? It doesn’t tie everything up—it reveals what was never truly hidden.
Meta-detective fiction works best, in my view, when it’s grounded in emotional truth. The twists should feel earned. The confusion should serve a purpose. And the reader should walk away not just asking what happened, but what does it mean to solve?
It’s not for everyone. Some readers crave the comfort of a tidy whodunit. Others, like me, are drawn to the edge—where the mystery isn’t just in the plot, but in the act of detection itself.
So if you’ve ever felt like the clues are watching you back… welcome to the meta. The game is on.
May 15, 2025
In Conversation with Gail Bowen
The evening air hums with quiet anticipation, the kind that settles over a room before the unravelling of a mystery. A soft glow spills from a single lamp, casting long shadows that dance across pages lined with intrigue. Outside, a crisp Saskatchewan breeze whispers through the trees, just enough to stir the imagination.
Within this setting of quiet contemplation, I have the privilege of speaking with Gail Bowen, an acclaimed author whose Joanne Kilbourn series has captivated readers with its nuanced characters and finely woven plots. A recipient of the Saskatchewan Order of Merit, Bowen brings both insight and artistry to the world of mystery fiction. Tonight, in this hushed space filled with the echoes of suspense and storytelling, she shares the inspirations, the discipline, and the enduring craft that make her novels so compelling.
Let’s step inside and uncover the mind behind the mysteries.
James: Who is Gail Bowen? Do your books give us any clues or insight into Gail Bowen?
Gail: Joanne is not me, but in many ways, she is like me. In Deadly Appearances, Joanne has three children and two dogs. She deeply loves them all. She's an academic who makes occasional appearances on CBC radio and TV. She teaches Sunday School; She's active politically. She lives in a world where she is lucky enough to have close friends who are diverse. She likes good food and good books. All this is true of me, except luckily for me, I have a husband, and I only know one person who was murdered.
James: Joanne Kilbourn may not be you, Gail, but it’s clear that she carries many threads of your life, your academic world, your political engagement, your love of good food and good books. That depth makes her feel so authentic to readers. Your comment about only knowing one person who was murdered is a striking contrast to Joanne’s world, underscoring how fiction allows writers to explore realities beyond their own experiences.
It’s fascinating how you’ve crafted a character who is shaped by your perspective yet entirely her own person. That balance between personal insight and creative storytelling is part of what makes your mysteries so compelling. Thank you for sharing this glimpse into your connection with Joanne!
What is your writing Kryptonite?
Gail: I am a very disciplined writer. In part, this comes from the fact that when I began writing, I had three school-age children, I taught a full academic load at First Nations University of Canada, and for seven years, I was Head of our English Department. I taught Sunday School and was politically active. I learned to write in the cracks. Since I began writing, I have written every day, even if it's only a few lines.
Now that I'm retired, I treat my writing like any job. I'm an early riser, so I generally answer emails, etc, before 7:00 a.m. I write until noon. After lunch, I have a nap and I start writing again at 2:00 p.m. I write till 4:30. I do the treadmill between 4:30 and 5:00, and then I'm free for the day.
My Kryptonite is anything that disturbs my routine.
James: Your dedication to writing is truly inspiring, Gail. The discipline you cultivated while balancing family, teaching, and political involvement speaks volumes about your commitment to storytelling. Writing “in the cracks” and making time every day, even for just a few lines, is a testament to your passion and perseverance.
Now that you have transitioned into retirement, your structured approach to writing, treating it like any job, shows how deeply ingrained it is in your daily life. It’s fascinating to see how routine fuels creativity, and I can appreciate how disruptions might feel like Kryptonite to your process. Thank you for sharing this insight into your writing life! It is a privilege to glimpse the rhythm behind your work.
What is your go-to writing fuel or favourite snack while working on a project?
Gail: I'm not much of a snacker, I drink one cup of coffee a day and one cup of Constant Comment tea. That's it. Boring, huh?
James: Not boring at all, Gail! It’s refreshing to hear about such a simple and mindful approach to daily habits. There’s something comforting about a well-chosen routine, and your preference for a single cup of coffee and Constant Comment tea adds a touch of consistency to your day. Sometimes, less is more, especially when it comes to the little rituals that keep life steady. Thanks for sharing this personal detail!
What is the most unexpected place you have found inspiration for a murder plot?
Gail: The inspiration for Deadly Appearances, my first Joanne Kilbourn Shreve novel, was an Old Tyme Political Picnic. It had everything that makes a great picnic: softball, horseshoes, count the jelly beans in the glass jar, barbecued chicken, corn on the cob, and lemon pie by the slice. It was perfect. We were celebrating Roy Romanow becoming the leader of our Saskatchewan NDP, and I noticed a pitcher of water on the podium where Roy would speak. I thought how lucky we were to live in Canada, where a pitcher of water for a political leader could be left unattended. And then I had the bad actor drop poison in the pitcher, and I was off to the races.
James: What a fascinating origin story for Deadly Appearances, Gail! The idyllic setting of the Old Tyme Political Picnic, with its classic games and comforting food, contrasts so sharply with the dark turn your imagination took. Your observation about the unattended pitcher of water is such a poignant reflection on the trust and security we often take for granted in Canada, and how quickly that sense of safety can become the foundation for a compelling mystery.
It is incredible how a single moment of inspiration can spark an entire novel. Thank you for sharing this glimpse into your creative process!
Do you feel like it is most important to have?
A) Strong characters
B) Mind-blowing Plot twists
C) Epic settings
Why?
Gail: Strong Characters and a solid plot are equally important. There's no need for an epic setting. I have written a small but useful text titled Sleuth. It's probably in everyone's local library, and it's very useful.
James: Your emphasis on strong characters and a solid plot is spot on, Gail. A compelling story does not need an epic setting; it needs depth, authenticity, and well-crafted intrigue, which your novels consistently deliver. Sleuth sounds like a valuable resource for writers looking to hone their craft, and I appreciate that it’s widely accessible in libraries. Thank you for sharing your insights!
How do you come up with names for your characters?
Gail: The one thing I am careful about is selecting surnames that reflect many cultures. When I came to Saskatchewan 50 years ago, the community was largely Caucasian, Ukrainian, and Indigenous. Now our province is much more diverse, and I choose surnames that reflect this.
James: That thoughtful approach to naming characters is so important, Gail. It is wonderful to see how your writing reflects the evolving diversity of Saskatchewan. By selecting surnames that represent many cultures, you are ensuring that your stories resonate with a broader audience and reflect the rich tapestry of the province today. It is a meaningful way to acknowledge the changes in your community while keeping your characters authentic. Thank you for sharing this insight!
Which of the characters that you have created do you relate to the most?
Gail: Definitely Joanne; after all these years, I still love writing about her and her relationship with her husband, Zack Shreve.
James: Joanne is such a compelling character, Gail, and it’s wonderful to hear that after all these years, you still find joy in writing about her and her relationship with Zack Shreve. That enduring connection speaks to the depth of their story and the richness of their evolution throughout your novels. It is always a pleasure to follow their journey. Thank you for continuing to bring them to life!
What part of Deadly Appearances did you have the most fun writing?
Gail: Deadly Appearances was my first novel, so everything was fun. It was like the first day of school -- all those crayons, brand new and bright.
James: What a wonderful way to describe the experience, Gail! There’s something magical about that first novel, every idea feels fresh, every page full of possibility, just like a new box of crayons waiting to bring a story to life. That sense of excitement and discovery shines through in Deadly Appearances, making it such a compelling debut. Thank you for sharing this glimpse into your writing journey!
Do you base any of your quirky characters on real people you have met? If so, how do they react when they find out?
Gail: I certainly find traits and behaviours in real people that I use, but I've never modelled a character on someone I knew.
James: That’s such an interesting approach, Gail. It makes sense that traits and behaviours from real people naturally find their way into your characters, but keeping them distinct ensures they remain fully fictional creations. It allows for a rich, dynamic cast that is not bound to any one individual’s story. Your ability to craft characters with depth and authenticity, without directly modelling them on real people, speaks to your skill as a writer. Thanks for sharing this insight!
How do you balance storytelling with deeper themes or messages in your work?
Gail: The answer to that question is discussed at length in Sleuth.
James: If you could have a cuppa with any author, dead or alive, who would you choose and what is the first question you would ask him or her?
Gail: There are so many writers I would love to have a cuppa with. T.S. Eliot, C.S. Lewis, Virginia Woolf, C.P. Snow, Philip Roth, Ruth Rendell, and Eleanor Wachtel, Ian Rankin. Peter Robinson, Howard Engel, Alison Gorden - I've had many meals with the last six.
James: That’s an incredible list, Gail! The idea of sharing a conversation over tea with writers like T.S. Eliot, Virginia Woolf, and C.S. Lewis is fascinating; they each brought such depth and originality to their work. And how wonderful that you’ve had the chance to share meals with Peter Robinson, Howard Engel, Alison Gorden, and others. Those connections must have led to some truly memorable discussions. Thank you for sharing this glimpse into the writers who inspire you!
Tell us three things about yourself that might surprise your readers.
Gail: Three Things that would surprise people about me
I can't drive a car.
I love Garth Brooks and all orchestral music, esp Prokofiev's Piano Concerto #3 - performed by Yuja Wang.
I love fish.
James: Those are such intriguing details, Gail! Not being able to drive might surprise many, but it’s a reminder that creativity thrives regardless of practical skills. Your love for both Garth Brooks and orchestral music, especially Prokofiev’s Piano Concerto No. 3 performed by Yuja Wang, shows such a fascinating and eclectic range of musical appreciation. And of course, loving fish adds a personal touch! These little revelations make for a wonderful glimpse into what makes you uniquely you. Thanks for sharing!
What is the single question no one ever asks you that you wish someone would ask?
Gail: I've been writing for thirty-five years. I think I've been asked everything. The most poignant question came in response to Joanne's need to forgive someone who betrayed her in 12 Rose Street. After that book was published, many people asked me if I could teach them how to forgive.
James: That’s such a powerful reflection, Gail. Forgiveness is one of the most profound and difficult human experiences, and it is incredible that 12 Rose Street resonated so deeply with readers. The fact that people turned to you, seeking guidance on how to forgive, speaks to the emotional depth of your storytelling. It is a reminder of how literature can spark real conversations about life’s most challenging moments. Thank you for sharing this poignant insight!
Pick one excerpt from one of your books that you would like to share with readers.
Gail: The excerpt I've chosen is from pages 188 and 189 of What’s Past is Prologue, the 21st novel in the Joanne Kilbourn Shreve series. It was published in 2022.
The speaker is Taylor Love-Shreve, the adopted daughter of Joanne and Zack Shreve. At twenty-two, Taylor is already a very successful visual artist. She is delivering a brief ’artist’s talk', establishing the context of the paintings the gallery's guests will see that night. The show is titled "Next?" and all the pieces in the show focus on a significant moment in Taylor's life. The painting is large: 177 centimetres by 111 centimetres.
"When I made this painting, I worked from a photo my mother, Joanne Kilbourn Shreve, took the day she brought me home to live with her and her children, Mieka, Peter and Angus. I was four years old.
"That's me in the red sweater kneeling in front of the coffee table in the living room, drawing a butterfly.
Details are important for me when I paint, I hope this painting shows exactly where I was at that moment.
Everyone in my family had died suddenly, and I was in a house I'd never been in before. You can see the shapes of the dining room furniture in the background, but there's no colour or depth there --- just darkness and shadows.
"That nimbus of light that surrounds me and the table and the crayons that I'd arranged in order -- the same order I use now -- and the drawing of the butterfly, that nimbus shows how I made a world small enough for me to feel safe in. I didn't understand anything. Joanne stayed with me all the time I was drawing, but she's not in the painting because I was afraid to let her in. The only thing I could understand for certain was that I could draw. I knew that as long as I could draw that butterfly and another one and another one and another one, I would be safe.
"It took a long time, but finally my mum, Joanne and Mieka, Peter and Angus made me understand that I could be safe outside that small nimbus of light. That painting marks the moment when I moved from the small, enclosed world I'd created to keep myself safe to the larger world of risks and endless possibilities. That was my NEXT? Thank you for coming tonight.
James: Thank you for sharing this excerpt, Gail. Taylor’s words are incredibly moving, offering such a powerful insight into the emotional depth of her journey. The way she describes creating a safe space within the painting, building her own world of light when everything else felt dark, is profoundly touching.
The transition she makes, from seeking security in art to embracing the larger world, is beautifully conveyed, and the painting itself serves as a lasting testament to that transformation. It’s a compelling exploration of resilience, identity, and healing. I appreciate this glimpse into What’s Past is Prologue, such a meaningful moment in Taylor’s story!
What made you choose this particular excerpt?
Gail: I chose this excerpt because it reveals how wounded a child can be if they suffer a sudden loss and how they are strong enough to create a small world where they feel safe. That world is the world of imagination, and it's often expressed in the arts but can be seen as well in the way we live our lives.
The passage also shows Joanne's instinct for knowing what others need and offering it.
James: This excerpt is so powerful, Gail. It beautifully illustrates how a child, in the face of profound loss, can build a safe space within their imagination, a world where they have control and comfort. That resilience, expressed through art, speaks to the healing nature of creativity and how it extends beyond the canvas into everyday life.
Joanne’s instinct to recognize and provide exactly what Taylor needed is deeply moving. Her presence, though absent from the painting, is felt in the way she gently created an environment where Taylor could begin to trust and heal. Thank you for sharing such a meaningful passage!
The evening settles in with a quiet hush, the kind that lingers after an unforgettable conversation. A soft glow from the window casts shifting patterns against the floor, subtle reminders of the stories shared and the insights revealed.
Gail, thank you for taking the time to speak with us, for offering such rich reflections on your writing, your characters, and the creative world you inhabit. Your generosity in sharing your experiences, whether about discipline, inspiration, or the ever-evolving landscape of storytelling, has been truly inspiring. Your words carry the depth of lived wisdom, and the way you weave emotion into mystery is nothing short of masterful.
As the night deepens, your stories continue to resonate, lingering like echoes in the quiet. With gratitude, we close this conversation, knowing that the mysteries you craft and the characters you bring to life will remain with us long after the final page is turned.
Within this setting of quiet contemplation, I have the privilege of speaking with Gail Bowen, an acclaimed author whose Joanne Kilbourn series has captivated readers with its nuanced characters and finely woven plots. A recipient of the Saskatchewan Order of Merit, Bowen brings both insight and artistry to the world of mystery fiction. Tonight, in this hushed space filled with the echoes of suspense and storytelling, she shares the inspirations, the discipline, and the enduring craft that make her novels so compelling.
Let’s step inside and uncover the mind behind the mysteries.
James: Who is Gail Bowen? Do your books give us any clues or insight into Gail Bowen?
Gail: Joanne is not me, but in many ways, she is like me. In Deadly Appearances, Joanne has three children and two dogs. She deeply loves them all. She's an academic who makes occasional appearances on CBC radio and TV. She teaches Sunday School; She's active politically. She lives in a world where she is lucky enough to have close friends who are diverse. She likes good food and good books. All this is true of me, except luckily for me, I have a husband, and I only know one person who was murdered.
James: Joanne Kilbourn may not be you, Gail, but it’s clear that she carries many threads of your life, your academic world, your political engagement, your love of good food and good books. That depth makes her feel so authentic to readers. Your comment about only knowing one person who was murdered is a striking contrast to Joanne’s world, underscoring how fiction allows writers to explore realities beyond their own experiences.
It’s fascinating how you’ve crafted a character who is shaped by your perspective yet entirely her own person. That balance between personal insight and creative storytelling is part of what makes your mysteries so compelling. Thank you for sharing this glimpse into your connection with Joanne!
What is your writing Kryptonite?
Gail: I am a very disciplined writer. In part, this comes from the fact that when I began writing, I had three school-age children, I taught a full academic load at First Nations University of Canada, and for seven years, I was Head of our English Department. I taught Sunday School and was politically active. I learned to write in the cracks. Since I began writing, I have written every day, even if it's only a few lines.
Now that I'm retired, I treat my writing like any job. I'm an early riser, so I generally answer emails, etc, before 7:00 a.m. I write until noon. After lunch, I have a nap and I start writing again at 2:00 p.m. I write till 4:30. I do the treadmill between 4:30 and 5:00, and then I'm free for the day.
My Kryptonite is anything that disturbs my routine.
James: Your dedication to writing is truly inspiring, Gail. The discipline you cultivated while balancing family, teaching, and political involvement speaks volumes about your commitment to storytelling. Writing “in the cracks” and making time every day, even for just a few lines, is a testament to your passion and perseverance.
Now that you have transitioned into retirement, your structured approach to writing, treating it like any job, shows how deeply ingrained it is in your daily life. It’s fascinating to see how routine fuels creativity, and I can appreciate how disruptions might feel like Kryptonite to your process. Thank you for sharing this insight into your writing life! It is a privilege to glimpse the rhythm behind your work.
What is your go-to writing fuel or favourite snack while working on a project?
Gail: I'm not much of a snacker, I drink one cup of coffee a day and one cup of Constant Comment tea. That's it. Boring, huh?
James: Not boring at all, Gail! It’s refreshing to hear about such a simple and mindful approach to daily habits. There’s something comforting about a well-chosen routine, and your preference for a single cup of coffee and Constant Comment tea adds a touch of consistency to your day. Sometimes, less is more, especially when it comes to the little rituals that keep life steady. Thanks for sharing this personal detail!
What is the most unexpected place you have found inspiration for a murder plot?
Gail: The inspiration for Deadly Appearances, my first Joanne Kilbourn Shreve novel, was an Old Tyme Political Picnic. It had everything that makes a great picnic: softball, horseshoes, count the jelly beans in the glass jar, barbecued chicken, corn on the cob, and lemon pie by the slice. It was perfect. We were celebrating Roy Romanow becoming the leader of our Saskatchewan NDP, and I noticed a pitcher of water on the podium where Roy would speak. I thought how lucky we were to live in Canada, where a pitcher of water for a political leader could be left unattended. And then I had the bad actor drop poison in the pitcher, and I was off to the races.
James: What a fascinating origin story for Deadly Appearances, Gail! The idyllic setting of the Old Tyme Political Picnic, with its classic games and comforting food, contrasts so sharply with the dark turn your imagination took. Your observation about the unattended pitcher of water is such a poignant reflection on the trust and security we often take for granted in Canada, and how quickly that sense of safety can become the foundation for a compelling mystery.
It is incredible how a single moment of inspiration can spark an entire novel. Thank you for sharing this glimpse into your creative process!
Do you feel like it is most important to have?
A) Strong characters
B) Mind-blowing Plot twists
C) Epic settings
Why?
Gail: Strong Characters and a solid plot are equally important. There's no need for an epic setting. I have written a small but useful text titled Sleuth. It's probably in everyone's local library, and it's very useful.
James: Your emphasis on strong characters and a solid plot is spot on, Gail. A compelling story does not need an epic setting; it needs depth, authenticity, and well-crafted intrigue, which your novels consistently deliver. Sleuth sounds like a valuable resource for writers looking to hone their craft, and I appreciate that it’s widely accessible in libraries. Thank you for sharing your insights!
How do you come up with names for your characters?
Gail: The one thing I am careful about is selecting surnames that reflect many cultures. When I came to Saskatchewan 50 years ago, the community was largely Caucasian, Ukrainian, and Indigenous. Now our province is much more diverse, and I choose surnames that reflect this.
James: That thoughtful approach to naming characters is so important, Gail. It is wonderful to see how your writing reflects the evolving diversity of Saskatchewan. By selecting surnames that represent many cultures, you are ensuring that your stories resonate with a broader audience and reflect the rich tapestry of the province today. It is a meaningful way to acknowledge the changes in your community while keeping your characters authentic. Thank you for sharing this insight!
Which of the characters that you have created do you relate to the most?
Gail: Definitely Joanne; after all these years, I still love writing about her and her relationship with her husband, Zack Shreve.
James: Joanne is such a compelling character, Gail, and it’s wonderful to hear that after all these years, you still find joy in writing about her and her relationship with Zack Shreve. That enduring connection speaks to the depth of their story and the richness of their evolution throughout your novels. It is always a pleasure to follow their journey. Thank you for continuing to bring them to life!
What part of Deadly Appearances did you have the most fun writing?
Gail: Deadly Appearances was my first novel, so everything was fun. It was like the first day of school -- all those crayons, brand new and bright.
James: What a wonderful way to describe the experience, Gail! There’s something magical about that first novel, every idea feels fresh, every page full of possibility, just like a new box of crayons waiting to bring a story to life. That sense of excitement and discovery shines through in Deadly Appearances, making it such a compelling debut. Thank you for sharing this glimpse into your writing journey!
Do you base any of your quirky characters on real people you have met? If so, how do they react when they find out?
Gail: I certainly find traits and behaviours in real people that I use, but I've never modelled a character on someone I knew.
James: That’s such an interesting approach, Gail. It makes sense that traits and behaviours from real people naturally find their way into your characters, but keeping them distinct ensures they remain fully fictional creations. It allows for a rich, dynamic cast that is not bound to any one individual’s story. Your ability to craft characters with depth and authenticity, without directly modelling them on real people, speaks to your skill as a writer. Thanks for sharing this insight!
How do you balance storytelling with deeper themes or messages in your work?
Gail: The answer to that question is discussed at length in Sleuth.
James: If you could have a cuppa with any author, dead or alive, who would you choose and what is the first question you would ask him or her?
Gail: There are so many writers I would love to have a cuppa with. T.S. Eliot, C.S. Lewis, Virginia Woolf, C.P. Snow, Philip Roth, Ruth Rendell, and Eleanor Wachtel, Ian Rankin. Peter Robinson, Howard Engel, Alison Gorden - I've had many meals with the last six.
James: That’s an incredible list, Gail! The idea of sharing a conversation over tea with writers like T.S. Eliot, Virginia Woolf, and C.S. Lewis is fascinating; they each brought such depth and originality to their work. And how wonderful that you’ve had the chance to share meals with Peter Robinson, Howard Engel, Alison Gorden, and others. Those connections must have led to some truly memorable discussions. Thank you for sharing this glimpse into the writers who inspire you!
Tell us three things about yourself that might surprise your readers.
Gail: Three Things that would surprise people about me
I can't drive a car.
I love Garth Brooks and all orchestral music, esp Prokofiev's Piano Concerto #3 - performed by Yuja Wang.
I love fish.
James: Those are such intriguing details, Gail! Not being able to drive might surprise many, but it’s a reminder that creativity thrives regardless of practical skills. Your love for both Garth Brooks and orchestral music, especially Prokofiev’s Piano Concerto No. 3 performed by Yuja Wang, shows such a fascinating and eclectic range of musical appreciation. And of course, loving fish adds a personal touch! These little revelations make for a wonderful glimpse into what makes you uniquely you. Thanks for sharing!
What is the single question no one ever asks you that you wish someone would ask?
Gail: I've been writing for thirty-five years. I think I've been asked everything. The most poignant question came in response to Joanne's need to forgive someone who betrayed her in 12 Rose Street. After that book was published, many people asked me if I could teach them how to forgive.
James: That’s such a powerful reflection, Gail. Forgiveness is one of the most profound and difficult human experiences, and it is incredible that 12 Rose Street resonated so deeply with readers. The fact that people turned to you, seeking guidance on how to forgive, speaks to the emotional depth of your storytelling. It is a reminder of how literature can spark real conversations about life’s most challenging moments. Thank you for sharing this poignant insight!
Pick one excerpt from one of your books that you would like to share with readers.
Gail: The excerpt I've chosen is from pages 188 and 189 of What’s Past is Prologue, the 21st novel in the Joanne Kilbourn Shreve series. It was published in 2022.
The speaker is Taylor Love-Shreve, the adopted daughter of Joanne and Zack Shreve. At twenty-two, Taylor is already a very successful visual artist. She is delivering a brief ’artist’s talk', establishing the context of the paintings the gallery's guests will see that night. The show is titled "Next?" and all the pieces in the show focus on a significant moment in Taylor's life. The painting is large: 177 centimetres by 111 centimetres.
"When I made this painting, I worked from a photo my mother, Joanne Kilbourn Shreve, took the day she brought me home to live with her and her children, Mieka, Peter and Angus. I was four years old.
"That's me in the red sweater kneeling in front of the coffee table in the living room, drawing a butterfly.
Details are important for me when I paint, I hope this painting shows exactly where I was at that moment.
Everyone in my family had died suddenly, and I was in a house I'd never been in before. You can see the shapes of the dining room furniture in the background, but there's no colour or depth there --- just darkness and shadows.
"That nimbus of light that surrounds me and the table and the crayons that I'd arranged in order -- the same order I use now -- and the drawing of the butterfly, that nimbus shows how I made a world small enough for me to feel safe in. I didn't understand anything. Joanne stayed with me all the time I was drawing, but she's not in the painting because I was afraid to let her in. The only thing I could understand for certain was that I could draw. I knew that as long as I could draw that butterfly and another one and another one and another one, I would be safe.
"It took a long time, but finally my mum, Joanne and Mieka, Peter and Angus made me understand that I could be safe outside that small nimbus of light. That painting marks the moment when I moved from the small, enclosed world I'd created to keep myself safe to the larger world of risks and endless possibilities. That was my NEXT? Thank you for coming tonight.
James: Thank you for sharing this excerpt, Gail. Taylor’s words are incredibly moving, offering such a powerful insight into the emotional depth of her journey. The way she describes creating a safe space within the painting, building her own world of light when everything else felt dark, is profoundly touching.
The transition she makes, from seeking security in art to embracing the larger world, is beautifully conveyed, and the painting itself serves as a lasting testament to that transformation. It’s a compelling exploration of resilience, identity, and healing. I appreciate this glimpse into What’s Past is Prologue, such a meaningful moment in Taylor’s story!
What made you choose this particular excerpt?
Gail: I chose this excerpt because it reveals how wounded a child can be if they suffer a sudden loss and how they are strong enough to create a small world where they feel safe. That world is the world of imagination, and it's often expressed in the arts but can be seen as well in the way we live our lives.
The passage also shows Joanne's instinct for knowing what others need and offering it.
James: This excerpt is so powerful, Gail. It beautifully illustrates how a child, in the face of profound loss, can build a safe space within their imagination, a world where they have control and comfort. That resilience, expressed through art, speaks to the healing nature of creativity and how it extends beyond the canvas into everyday life.
Joanne’s instinct to recognize and provide exactly what Taylor needed is deeply moving. Her presence, though absent from the painting, is felt in the way she gently created an environment where Taylor could begin to trust and heal. Thank you for sharing such a meaningful passage!
The evening settles in with a quiet hush, the kind that lingers after an unforgettable conversation. A soft glow from the window casts shifting patterns against the floor, subtle reminders of the stories shared and the insights revealed.
Gail, thank you for taking the time to speak with us, for offering such rich reflections on your writing, your characters, and the creative world you inhabit. Your generosity in sharing your experiences, whether about discipline, inspiration, or the ever-evolving landscape of storytelling, has been truly inspiring. Your words carry the depth of lived wisdom, and the way you weave emotion into mystery is nothing short of masterful.
As the night deepens, your stories continue to resonate, lingering like echoes in the quiet. With gratitude, we close this conversation, knowing that the mysteries you craft and the characters you bring to life will remain with us long after the final page is turned.
April 14, 2025
Emerging Canadian Mystery Writers
Next Generation of Crime Fiction
A New Wave of Canadian Crime Fiction
Canada has long been home to exceptional mystery writers, from Louise Penny to Giles Blunt. But a new generation of authors is making waves in the crime fiction scene, bringing fresh perspectives, diverse voices, and innovative storytelling to the genre. These emerging writers are redefining what it means to write a Canadian mystery, blending traditional elements with modern themes and unique settings.
The Rise of Fresh Voices
Canadian mystery fiction is evolving, with new authors tackling everything from psychological thrillers to cozy mysteries. Writers like Robert Rotenberg, known for his gripping legal thrillers set in Toronto, and Nita Prose, whose Maid series has captivated readers worldwide, are proving that Canadian crime fiction is as varied as the country itself.
Meanwhile, Kelley Armstrong continues to expand her Haven’s Rock series, set in the Yukon wilderness, offering a thrilling mix of suspense and survival. These authors are pushing boundaries, crafting stories that reflect Canada’s landscapes, cultures, and social issues.
The Influence of Setting & Identity
Emerging Canadian mystery writers are embracing the country’s diverse settings, from bustling cities to remote towns. Wayne Arthurson, a writer of Cree and French Canadian descent, infuses his novels with Indigenous perspectives, while Samantha M. Bailey explores psychological suspense in urban environments.
These authors are proving that Canadian mysteries are not just about crime—they are about identity, history, and the unique challenges of life in Canada.
James D. A. Terry: A Rising Voice in Canadian Mystery Fiction
Among the exciting new voices in Canadian crime fiction is James D. A. Terry, whose books deliver a fresh take on the mystery genre. His Justin Case Mysteries, set in Ontario, Canada— The Curious Case of the Vanishing Victims and The Raven’s Cryptic Clue—offer readers a mix of clever investigative work, engaging storytelling, and richly developed characters.
Meanwhile, his Paladin Mysteries, set in the UK— The Secret at Sinister Lake and Diamonds, Deception & Death—transport readers across the Atlantic, blending intrigue with atmospheric settings that heighten the tension and mystery. Whether exploring eerie disappearances or cryptic puzzles, James’s books capture the essence of a gripping mystery while incorporating the depth and nuance that make Canadian crime fiction stand out.
As Canadian mystery fiction continues to evolve, authors like James D. A. Terry are shaping the future of the genre, proving that storytelling in Canada is as vibrant and dynamic as ever.
Looking Ahead
With new voices emerging and established authors continuing to innovate, Canadian mystery fiction is thriving. Whether you’re drawn to psychological thrillers, historical mysteries, or cozy whodunits, there’s no shortage of compelling stories to explore.
Who are some of your favourite Canadian mystery writers? Let’s keep the conversation going!
A New Wave of Canadian Crime Fiction
Canada has long been home to exceptional mystery writers, from Louise Penny to Giles Blunt. But a new generation of authors is making waves in the crime fiction scene, bringing fresh perspectives, diverse voices, and innovative storytelling to the genre. These emerging writers are redefining what it means to write a Canadian mystery, blending traditional elements with modern themes and unique settings.
The Rise of Fresh Voices
Canadian mystery fiction is evolving, with new authors tackling everything from psychological thrillers to cozy mysteries. Writers like Robert Rotenberg, known for his gripping legal thrillers set in Toronto, and Nita Prose, whose Maid series has captivated readers worldwide, are proving that Canadian crime fiction is as varied as the country itself.
Meanwhile, Kelley Armstrong continues to expand her Haven’s Rock series, set in the Yukon wilderness, offering a thrilling mix of suspense and survival. These authors are pushing boundaries, crafting stories that reflect Canada’s landscapes, cultures, and social issues.
The Influence of Setting & Identity
Emerging Canadian mystery writers are embracing the country’s diverse settings, from bustling cities to remote towns. Wayne Arthurson, a writer of Cree and French Canadian descent, infuses his novels with Indigenous perspectives, while Samantha M. Bailey explores psychological suspense in urban environments.
These authors are proving that Canadian mysteries are not just about crime—they are about identity, history, and the unique challenges of life in Canada.
James D. A. Terry: A Rising Voice in Canadian Mystery Fiction
Among the exciting new voices in Canadian crime fiction is James D. A. Terry, whose books deliver a fresh take on the mystery genre. His Justin Case Mysteries, set in Ontario, Canada— The Curious Case of the Vanishing Victims and The Raven’s Cryptic Clue—offer readers a mix of clever investigative work, engaging storytelling, and richly developed characters.
Meanwhile, his Paladin Mysteries, set in the UK— The Secret at Sinister Lake and Diamonds, Deception & Death—transport readers across the Atlantic, blending intrigue with atmospheric settings that heighten the tension and mystery. Whether exploring eerie disappearances or cryptic puzzles, James’s books capture the essence of a gripping mystery while incorporating the depth and nuance that make Canadian crime fiction stand out.
As Canadian mystery fiction continues to evolve, authors like James D. A. Terry are shaping the future of the genre, proving that storytelling in Canada is as vibrant and dynamic as ever.
Looking Ahead
With new voices emerging and established authors continuing to innovate, Canadian mystery fiction is thriving. Whether you’re drawn to psychological thrillers, historical mysteries, or cozy whodunits, there’s no shortage of compelling stories to explore.
Who are some of your favourite Canadian mystery writers? Let’s keep the conversation going!
April 9, 2025
Crime and the Canadian Psyche:
Why We Love a Good Mystery
There’s something undeniably Canadian about curling up with a mystery novel while the wind howls outside and the snow piles high enough to swallow small cars whole. Maybe it’s a survival instinct—if we’re going to be stuck indoors for half the year, we might as well make sure we have a gripping whodunit to distract us from the existential threat of icicles the size of baseball bats hanging off the eaves.
But beyond the practicalities of winter reading, Canada’s obsession with crime fiction runs deeper—right into the collective psyche. We do not just consume mysteries; we create them. Some of the best crime writers hail from the True North, crafting tales that play with themes of isolation, moral ambiguity, and justice that arrives… eventually.
The Landscape Practically Begs for Secrets
Canada is big. Really big. Like, "drive for ten hours and still be surrounded by trees" big. Our geography lends itself naturally to mystery—the perfect setting for quiet disappearances, buried secrets, and the one nosy neighbour who knows too much but won’t say anything until Chapter 17. Think about it: a snowbound village in January with limited Wi-Fi and a single Tim Horton’s? That’s not just a town—it’s foreshadowing.
James D. A. Terry’s Justin Case Mysteries capture this essence brilliantly, especially in The Curious Case of the Vanishing Victims, where Case, his band of brothers from other mothers, and Notcho navigate a world of suspiciously quiet towns, morally tangled suspects, and a mystery as layered as the Canadian winter itself. The novel plays with the very themes that make Canadian crime fiction so compelling—small communities hiding big secrets, justice unfolding at a slow burn, and a protagonist who is not just chasing answers but wrestling with the weight of the unknown.
We are Polite… So We Like Our Darkness Filtered Through Fiction
Canadians are not great at confrontation. We bottle things up, smile politely, and then work through our inner turmoil via crime fiction. Instead of direct aggression, we prefer morally complex characters—detectives grappling with trauma, killers with a conscience, and endings that leave enough ambiguity for readers to chew over with a cup of Tim Horton’s tea.
History Has Taught Us to Suspect the Silence
Canada’s history, while often painted as peaceful, holds a quiet tension—colonial legacies, missing and murdered Indigenous women, unsolved disappearances, and hidden injustices. We might not always talk about them outright, but we process them through storytelling. Crime fiction becomes a way of wrestling with national guilt, a shadowboxing match with truth and justice.
We’re Raised to Value the Moral Grey
Unlike the traditional hard-boiled American noir where the detective chain-smokes and the femme fatale saunters in with a revolver, Canadian mysteries thrive in the murky middle. Our heroes are reluctant. Our villains are often victims of circumstance. Even our Mounties—the ultimate symbol of law and order—are frequently portrayed as flawed, conflicted, and deeply human.
Justice, But Make It Thoughtful
Canadians are not in crime fiction for the car chases (though we do appreciate a good snowmobile getaway). What we crave is the why. Why did the crime happen? What does it say about the community? How will the trauma ripple through generations? We read to understand—not just to be thrilled. We want justice, sure, but also reflection. Maybe even redemption.
In Conclusion: We’re Nice, Not Naïve
The Canadian psyche, polite as it may be, knows the world is complex, often unjust, and occasionally just… cold. Mysteries offer the promise that beneath the frozen lakes, behind the picket fences, and beyond the neighbour who always snow-blows your driveway without being asked, lies a truth waiting to be uncovered. And if we can solve it over a double-double and a butter tart? Even better.
So, what is your favourite Canadian mystery? And do you think our love for crime fiction makes us more human—or just a little too comfortable with eerie, snow-covered settings?
There’s something undeniably Canadian about curling up with a mystery novel while the wind howls outside and the snow piles high enough to swallow small cars whole. Maybe it’s a survival instinct—if we’re going to be stuck indoors for half the year, we might as well make sure we have a gripping whodunit to distract us from the existential threat of icicles the size of baseball bats hanging off the eaves.
But beyond the practicalities of winter reading, Canada’s obsession with crime fiction runs deeper—right into the collective psyche. We do not just consume mysteries; we create them. Some of the best crime writers hail from the True North, crafting tales that play with themes of isolation, moral ambiguity, and justice that arrives… eventually.
The Landscape Practically Begs for Secrets
Canada is big. Really big. Like, "drive for ten hours and still be surrounded by trees" big. Our geography lends itself naturally to mystery—the perfect setting for quiet disappearances, buried secrets, and the one nosy neighbour who knows too much but won’t say anything until Chapter 17. Think about it: a snowbound village in January with limited Wi-Fi and a single Tim Horton’s? That’s not just a town—it’s foreshadowing.
James D. A. Terry’s Justin Case Mysteries capture this essence brilliantly, especially in The Curious Case of the Vanishing Victims, where Case, his band of brothers from other mothers, and Notcho navigate a world of suspiciously quiet towns, morally tangled suspects, and a mystery as layered as the Canadian winter itself. The novel plays with the very themes that make Canadian crime fiction so compelling—small communities hiding big secrets, justice unfolding at a slow burn, and a protagonist who is not just chasing answers but wrestling with the weight of the unknown.
We are Polite… So We Like Our Darkness Filtered Through Fiction
Canadians are not great at confrontation. We bottle things up, smile politely, and then work through our inner turmoil via crime fiction. Instead of direct aggression, we prefer morally complex characters—detectives grappling with trauma, killers with a conscience, and endings that leave enough ambiguity for readers to chew over with a cup of Tim Horton’s tea.
History Has Taught Us to Suspect the Silence
Canada’s history, while often painted as peaceful, holds a quiet tension—colonial legacies, missing and murdered Indigenous women, unsolved disappearances, and hidden injustices. We might not always talk about them outright, but we process them through storytelling. Crime fiction becomes a way of wrestling with national guilt, a shadowboxing match with truth and justice.
We’re Raised to Value the Moral Grey
Unlike the traditional hard-boiled American noir where the detective chain-smokes and the femme fatale saunters in with a revolver, Canadian mysteries thrive in the murky middle. Our heroes are reluctant. Our villains are often victims of circumstance. Even our Mounties—the ultimate symbol of law and order—are frequently portrayed as flawed, conflicted, and deeply human.
Justice, But Make It Thoughtful
Canadians are not in crime fiction for the car chases (though we do appreciate a good snowmobile getaway). What we crave is the why. Why did the crime happen? What does it say about the community? How will the trauma ripple through generations? We read to understand—not just to be thrilled. We want justice, sure, but also reflection. Maybe even redemption.
In Conclusion: We’re Nice, Not Naïve
The Canadian psyche, polite as it may be, knows the world is complex, often unjust, and occasionally just… cold. Mysteries offer the promise that beneath the frozen lakes, behind the picket fences, and beyond the neighbour who always snow-blows your driveway without being asked, lies a truth waiting to be uncovered. And if we can solve it over a double-double and a butter tart? Even better.
So, what is your favourite Canadian mystery? And do you think our love for crime fiction makes us more human—or just a little too comfortable with eerie, snow-covered settings?
April 7, 2025
A Conversation with Renny deGroot
Welcome, everyone. I am so glad you could join us today in our cosy reading room—where the chairs are soft, the atmosphere is relaxed, and the coffee, tea, or hot chocolate is just right for settling in with a good story. Today, we have a very special guest whose stories have captivated readers across genres and continents. The soft flicker of the light from the flames upon the hearth dances across the room, casting a warm glow on the wooden beams and the plush chairs nestled around the fireplace. As the light dims, the room grows quieter, settling into the perfect ambiance for an intimate conversation.
I am delighted to welcome Renny deGroot, a celebrated Canadian author whose work spans historical fiction, nonfiction, and mysteries. Her debut novel, Family Business, was shortlisted for the Kobo Emerging Writer Prize, and her historical fiction works—including Torn Asunder, published in 2019—have earned numerous readers’ awards from the U.K., Canada, and the U.S., including an Honourable Mention from the Readers’ Favourite International Book Contest.
In 2019, Renny was commissioned to bring her storytelling skills to the real-life heroics of her former regiment in 32 Signal Regiment, Royal Canadian Corps of Signals: A History, a beautiful coffee-table book chronicling its military legacy.
In 2021, Renny turned her attention to mystery, launching the Garden Girl police procedural series set in Cape Breton, Nova Scotia. With Sea Child in 2022 and Heritage House in 2023—shortlisted for the prestigious Whistler Independent Book Award—the series continues to grow in depth and popularity.
And most recently, Renny has brought us a delightful new cozy mystery series set in Canadian cottage country, beginning with Lakeside Beauty, released in late 2023.
So, as the last rays of daylight fade away, pull your chair a little closer, wrap your hands around your mug, and get ready for a heartwarming and insightful conversation with the talented Renny deGroot.
James: Who is Renny deGroot? Do your books give us any clues or insight into Renny deGroot?
Renny: What a great question! As a first-generation Canadian of Dutch heritage, I was raised in Toronto and enjoyed a multicultural experience growing up. This comes across in most of my books. I celebrate our Canadian multiculturalism and always include a Dutch person in my books.
James: What a thoughtful response, Renny! I really admire how you incorporate your personal story and cultural heritage into your work. It's wonderful that you celebrate Canadian multiculturalism while highlighting your Dutch roots—such elements add an authentic and meaningful layer to your books. Thanks for sharing this insight!
What is your writing Kryptonite?
Renny: The one thing that interrupts me continually is Regal, my 19-month-old great Pyrenees. I don't get writer’s block, but the number of times she's interrupted me does cause re-writes and delays. But I forgive her because she probably knows me better than I know myself about when I need a break.
James: Sometimes, our furry companions have a sixth sense about when we need to step away and breathe. Regal might interrupt your flow, but it sounds like she is also your gentle reminder to pause and reset—perhaps not a Kryptonite, but a secret superpower in disguise.
What is your go-to writing fuel or favourite snack while working on a project?
Renny: If you mean what ‘fuels’ me, I drink copious amounts of tea and routinely consume President’s Choice Decadent Chocolate Chip Cookies.
James: What is the most unexpected place you have found inspiration for a murder plot?
Renny: My upcoming book (South View, book 2 of my Canadian Cottage Country Mystery series) was inspired by a post I once saw on my local community Facebook Group (the Shores of Rice Lake). The post was from a person who found an overcoat floating in the lake.
James: Wow, Renny, that is such a mysterious and unexpected detail to draw inspiration from! A coat floating in the lake immediately sparks so many questions and possibilities for a gripping murder plot. I can’t wait to see how you unravel this eerie scene in your book! It sounds absolutely captivating.
Do you feel like it is most important to have?
A) Strong characters
B) Mind-blowing Plot twists
C) Epic settings
Why?
Renny: That’s difficult to parse out because they are all so intertwined. If I am forced to choose, I’d say strong characters because if they are authentic and relatable, they can be taken out of their usual setting and still work elsewhere (on a trip, etc.). In terms of the plot twists, they are usually driven by the characters themselves through misunderstandings, their motivations, character quirks, etc.
James: Strong characters are the heartbeat of any story. When they’re well-developed and authentic, they naturally generate plot twists and can carry the narrative no matter the setting. It's their choices, flaws, and growth that keep readers invested—whether they're navigating epic landscapes or simply caught in a coffee shop misunderstanding. Great insight, Renny!
How do you come up with names for your characters?
Renny: It depends on the character. Some are simply created using research resources (i.e., most common female names in the 1960s, etc.), and some are more personal to me. My character, Piet Van Loo, was created as a tribute to my father, whose first name was Pieter. He came from a town in the Netherlands called Heiloo. I shortened that to make ‘Van Loo,’ meaning ‘from’ (Van), and Loo as an abbreviation of Heiloo.
James: That is such a meaningful approach, Renny. I like how you blend research with personal history—it gives your characters a real sense of depth and authenticity. Piet Van Loo is a perfect example. Knowing there is a tribute to your father in that name adds an emotional resonance that readers might not see on the surface, but I imagine they feel it in the character's presence. It is those kinds of details that really enrich a story.
Which of the characters that you have created do you relate to the most?
Renny: I relate to Shannon Coyne because she can be stubborn and do what she believes is right, even if it gets her in trouble. I’m also very fond of a character named Vanessa Hunt in my Cape Breton mystery series, and people who know me have commented that they see a lot of me in her. She’s strong-minded and takes umbrage when someone (like her fella) tries to tell her what to do or feels he needs to look after her. 😊
James: That is fantastic, Renny. It is always fascinating to see how parts of an author naturally find their way into their characters. Shannon’s determination and Vanessa’s strong spirit clearly resonate with you—and I like that your readers and friends have picked up on that, too. It speaks to how authentically you write them. Those layers of personality make your characters feel real, and I think readers connect even more deeply when they sense that bit of lived truth behind the fiction.
What part of Lakeside Beauty did you have the most fun writing?
Renny: I loved setting the book in my own locale. I used familiar streets and places, and in so doing, I felt I was celebrating this amazing place to live.
James: That is such a great way to bring a story to life, Renny. Using a real, familiar setting must have made the writing process feel so personal and rewarding. It is clear how much you cherish the place where you live, and that love comes through in the story. When an author writes about a setting they are passionate about, it adds a layer of authenticity that readers can really feel and connect with. It must have been a joy to share that with your readers!
Do you base any of your quirky characters on real people you have met? If so, how do they react when they find out?
Renny: No. Every character is an amalgamation of imagination and aspects of people I’ve met.
James: That is an interesting approach, Renny. It sounds like you take bits and pieces of real-life inspiration and blend them into something entirely new, which makes your characters feel fresh and unique. It must be fun to create a character who feels real, even if they are not directly based on anyone specific. I imagine that kind of freedom lets you explore all sorts of quirks and personalities!
How do you balance creating suspense while maintaining the warm and inviting tone of a cozy mystery?
Renny: It’s definitely a challenge for me. My other series is a police procedural and less cozy, so I need to keep reminding myself what I’m working on. I took courses at Trent U. in crime scene investigation and forensics, but those skills aren’t required for a cozy. I usually catch those moments of ‘too much information’ during the edits.
James: It is great to hear how you balance those two elements, Renny. I imagine it is a bit of a tightrope walk—keeping the suspense up without diving too deep into the gritty details. It is impressive that you have brought those crime scene and forensics skills into your writing, even if they do not always make it into the cosy side of things! The ability to catch those moments during edits shows just how much care you put into creating that perfect mix of intrigue and warmth. It is a real art to keep the tone light yet still keep readers on the edge of their seats.
If you could have a cuppa with any author, dead or alive, who would you choose and what is the first question you would ask him or her?
Renny: Charles Dickens is my favourite author. I’d ask him if he ever grew weary of writing or if it was a passion to the end.
James: What a fantastic choice, Renny! Charles Dickens is such an iconic author, and I can see why he would be your pick. His work is so rich and enduring. I like your question, too—it would be fascinating to know if his passion for writing ever wavered or if he truly remained driven throughout his career. I imagine it would be an incredible conversation, hearing firsthand about his dedication and how he viewed his own craft.
Tell us three things about yourself that might surprise your readers.
Renny: Only 3? OK – I spent 10 years in the Canadian Forces, I was once a private investigator (and armed guard), and I once lived outside in Nice, France, with a bunch of street musicians.
James: Wow, Renny, those are some seriously fascinating titbits! I am fascinated by how diverse your experiences are—from serving in the Canadian Forces to being a private investigator and armed guard. And living outside in Nice with street musicians sounds like something straight out of a novel! You have definitely lived a life full of stories—no wonder your writing is so rich and layered!
What is the single question no one ever asks you that you wish someone would ask?
Renny: I do a lot of in-person events and have been asked the most extraordinary questions, so this is tough. Perhaps it is ‘What influence did your parents have on your writing career?’
James: Well, Renny, you have only gone and made my job easy! Since you wished someone would ask you this question, who am I to deny such a request? So here it is—what influence did your parents have on your writing career? Were they undercover authors, bedtime story pros, or just really good at inspiring plot twists during family dinners?
Renny: HaHa—great question. My mother was my key cheerleader (sending my early poems to church newspapers, etc., and typing my little stories on an old portable typewriter). My father was a brilliant storyteller—entertaining family and friends with his embellished anecdotes (of growing up in the Netherlands during war years, immigration, etc.). Combined, they inspired and encouraged me to become the writer I am.
James: That is such a heart-warming answer, Renny—what a gift your parents gave you. Your mom sounds like the ultimate early publicist, and your dad clearly had a flair for turning life into legend. No wonder storytelling runs in your veins! I love how their support and creativity helped shape your journey.
Pick one excerpt from one of your books that you would like to share with readers.
Renny: This is an excerpt from my debut novel, a Historical Fiction called Family Business (shortlisted for the Kobo Emerging Writer prize), set in the Netherlands:
"A toast. To family." André held up his glass. Clink, clink, clink. The tinkle of glass tapping glass sounded musical.
"Opa, you didn't clink me." Wim stretched his arm across to touch his glass of lemonade against his grandfather's glass.
Everyone repeated the toast. "To family."
The dining room windows fogged over in the heat of the coal stove, the hot food laid out on the table, and all the people. Tiineke glanced at the window and saw, reflected in the glass, her father lifting her daughter high over his head. Elsa giggled and reached for his thinning hair. He caught Tiineke's reflection in the window and smiled at her.
It's like seeing something in a dream. She stood, mesmerized, looking at the image in the window. They were enclosed in this small world, with the darkness outside the backdrop.
Andréas was anxious to start the Sinterklaas celebrations. "Come, Mama, can we eat now?"
The spell was broken.
"Yes. Come everyone, squeeze in and let's start!"
James: What a beautiful, evocative excerpt, Renny. You’ve captured such a tender, intimate moment—one that feels both timeless and deeply rooted in tradition. I could almost hear the clink of the glasses and feel the warmth from that coal stove. It’s amazing how just a few lines can draw a reader right into the heart of a family. No wonder Family Business was shortlisted—it clearly strikes an emotional chord. Thank you for sharing that scene with us!
What made you choose this particular excerpt?
Renny: The excerpt is set in the winter of 1939 and foreshadows the escalating war's terrible cost on the Dutch population. It seems a relevant excerpt for the times we’re living in right now in Canada.
James: Thank you, Renny. That context adds such depth to your choice. The parallels between that moment in history and some of the uncertainties we are facing here in Canada today are striking. It’s a powerful reminder of how stories from the past can still resonate so strongly—and perhaps offer insight or even hope as we navigate our own times.
Renny, thank you so much for sharing your time, insights, and a truly poignant excerpt with us today. Your thoughtful reflections and deep connection to history remind us of the enduring power of literature to shed light on both the past and the present. It has been an absolute pleasure chatting with you. Your words carry both heart and history, which is a rare gift, and I know our readers will walk away enriched by your words. We look forward to seeing where your writing takes us next
I am delighted to welcome Renny deGroot, a celebrated Canadian author whose work spans historical fiction, nonfiction, and mysteries. Her debut novel, Family Business, was shortlisted for the Kobo Emerging Writer Prize, and her historical fiction works—including Torn Asunder, published in 2019—have earned numerous readers’ awards from the U.K., Canada, and the U.S., including an Honourable Mention from the Readers’ Favourite International Book Contest.
In 2019, Renny was commissioned to bring her storytelling skills to the real-life heroics of her former regiment in 32 Signal Regiment, Royal Canadian Corps of Signals: A History, a beautiful coffee-table book chronicling its military legacy.
In 2021, Renny turned her attention to mystery, launching the Garden Girl police procedural series set in Cape Breton, Nova Scotia. With Sea Child in 2022 and Heritage House in 2023—shortlisted for the prestigious Whistler Independent Book Award—the series continues to grow in depth and popularity.
And most recently, Renny has brought us a delightful new cozy mystery series set in Canadian cottage country, beginning with Lakeside Beauty, released in late 2023.
So, as the last rays of daylight fade away, pull your chair a little closer, wrap your hands around your mug, and get ready for a heartwarming and insightful conversation with the talented Renny deGroot.
James: Who is Renny deGroot? Do your books give us any clues or insight into Renny deGroot?
Renny: What a great question! As a first-generation Canadian of Dutch heritage, I was raised in Toronto and enjoyed a multicultural experience growing up. This comes across in most of my books. I celebrate our Canadian multiculturalism and always include a Dutch person in my books.
James: What a thoughtful response, Renny! I really admire how you incorporate your personal story and cultural heritage into your work. It's wonderful that you celebrate Canadian multiculturalism while highlighting your Dutch roots—such elements add an authentic and meaningful layer to your books. Thanks for sharing this insight!
What is your writing Kryptonite?
Renny: The one thing that interrupts me continually is Regal, my 19-month-old great Pyrenees. I don't get writer’s block, but the number of times she's interrupted me does cause re-writes and delays. But I forgive her because she probably knows me better than I know myself about when I need a break.
James: Sometimes, our furry companions have a sixth sense about when we need to step away and breathe. Regal might interrupt your flow, but it sounds like she is also your gentle reminder to pause and reset—perhaps not a Kryptonite, but a secret superpower in disguise.
What is your go-to writing fuel or favourite snack while working on a project?
Renny: If you mean what ‘fuels’ me, I drink copious amounts of tea and routinely consume President’s Choice Decadent Chocolate Chip Cookies.
James: What is the most unexpected place you have found inspiration for a murder plot?
Renny: My upcoming book (South View, book 2 of my Canadian Cottage Country Mystery series) was inspired by a post I once saw on my local community Facebook Group (the Shores of Rice Lake). The post was from a person who found an overcoat floating in the lake.
James: Wow, Renny, that is such a mysterious and unexpected detail to draw inspiration from! A coat floating in the lake immediately sparks so many questions and possibilities for a gripping murder plot. I can’t wait to see how you unravel this eerie scene in your book! It sounds absolutely captivating.
Do you feel like it is most important to have?
A) Strong characters
B) Mind-blowing Plot twists
C) Epic settings
Why?
Renny: That’s difficult to parse out because they are all so intertwined. If I am forced to choose, I’d say strong characters because if they are authentic and relatable, they can be taken out of their usual setting and still work elsewhere (on a trip, etc.). In terms of the plot twists, they are usually driven by the characters themselves through misunderstandings, their motivations, character quirks, etc.
James: Strong characters are the heartbeat of any story. When they’re well-developed and authentic, they naturally generate plot twists and can carry the narrative no matter the setting. It's their choices, flaws, and growth that keep readers invested—whether they're navigating epic landscapes or simply caught in a coffee shop misunderstanding. Great insight, Renny!
How do you come up with names for your characters?
Renny: It depends on the character. Some are simply created using research resources (i.e., most common female names in the 1960s, etc.), and some are more personal to me. My character, Piet Van Loo, was created as a tribute to my father, whose first name was Pieter. He came from a town in the Netherlands called Heiloo. I shortened that to make ‘Van Loo,’ meaning ‘from’ (Van), and Loo as an abbreviation of Heiloo.
James: That is such a meaningful approach, Renny. I like how you blend research with personal history—it gives your characters a real sense of depth and authenticity. Piet Van Loo is a perfect example. Knowing there is a tribute to your father in that name adds an emotional resonance that readers might not see on the surface, but I imagine they feel it in the character's presence. It is those kinds of details that really enrich a story.
Which of the characters that you have created do you relate to the most?
Renny: I relate to Shannon Coyne because she can be stubborn and do what she believes is right, even if it gets her in trouble. I’m also very fond of a character named Vanessa Hunt in my Cape Breton mystery series, and people who know me have commented that they see a lot of me in her. She’s strong-minded and takes umbrage when someone (like her fella) tries to tell her what to do or feels he needs to look after her. 😊
James: That is fantastic, Renny. It is always fascinating to see how parts of an author naturally find their way into their characters. Shannon’s determination and Vanessa’s strong spirit clearly resonate with you—and I like that your readers and friends have picked up on that, too. It speaks to how authentically you write them. Those layers of personality make your characters feel real, and I think readers connect even more deeply when they sense that bit of lived truth behind the fiction.
What part of Lakeside Beauty did you have the most fun writing?
Renny: I loved setting the book in my own locale. I used familiar streets and places, and in so doing, I felt I was celebrating this amazing place to live.
James: That is such a great way to bring a story to life, Renny. Using a real, familiar setting must have made the writing process feel so personal and rewarding. It is clear how much you cherish the place where you live, and that love comes through in the story. When an author writes about a setting they are passionate about, it adds a layer of authenticity that readers can really feel and connect with. It must have been a joy to share that with your readers!
Do you base any of your quirky characters on real people you have met? If so, how do they react when they find out?
Renny: No. Every character is an amalgamation of imagination and aspects of people I’ve met.
James: That is an interesting approach, Renny. It sounds like you take bits and pieces of real-life inspiration and blend them into something entirely new, which makes your characters feel fresh and unique. It must be fun to create a character who feels real, even if they are not directly based on anyone specific. I imagine that kind of freedom lets you explore all sorts of quirks and personalities!
How do you balance creating suspense while maintaining the warm and inviting tone of a cozy mystery?
Renny: It’s definitely a challenge for me. My other series is a police procedural and less cozy, so I need to keep reminding myself what I’m working on. I took courses at Trent U. in crime scene investigation and forensics, but those skills aren’t required for a cozy. I usually catch those moments of ‘too much information’ during the edits.
James: It is great to hear how you balance those two elements, Renny. I imagine it is a bit of a tightrope walk—keeping the suspense up without diving too deep into the gritty details. It is impressive that you have brought those crime scene and forensics skills into your writing, even if they do not always make it into the cosy side of things! The ability to catch those moments during edits shows just how much care you put into creating that perfect mix of intrigue and warmth. It is a real art to keep the tone light yet still keep readers on the edge of their seats.
If you could have a cuppa with any author, dead or alive, who would you choose and what is the first question you would ask him or her?
Renny: Charles Dickens is my favourite author. I’d ask him if he ever grew weary of writing or if it was a passion to the end.
James: What a fantastic choice, Renny! Charles Dickens is such an iconic author, and I can see why he would be your pick. His work is so rich and enduring. I like your question, too—it would be fascinating to know if his passion for writing ever wavered or if he truly remained driven throughout his career. I imagine it would be an incredible conversation, hearing firsthand about his dedication and how he viewed his own craft.
Tell us three things about yourself that might surprise your readers.
Renny: Only 3? OK – I spent 10 years in the Canadian Forces, I was once a private investigator (and armed guard), and I once lived outside in Nice, France, with a bunch of street musicians.
James: Wow, Renny, those are some seriously fascinating titbits! I am fascinated by how diverse your experiences are—from serving in the Canadian Forces to being a private investigator and armed guard. And living outside in Nice with street musicians sounds like something straight out of a novel! You have definitely lived a life full of stories—no wonder your writing is so rich and layered!
What is the single question no one ever asks you that you wish someone would ask?
Renny: I do a lot of in-person events and have been asked the most extraordinary questions, so this is tough. Perhaps it is ‘What influence did your parents have on your writing career?’
James: Well, Renny, you have only gone and made my job easy! Since you wished someone would ask you this question, who am I to deny such a request? So here it is—what influence did your parents have on your writing career? Were they undercover authors, bedtime story pros, or just really good at inspiring plot twists during family dinners?
Renny: HaHa—great question. My mother was my key cheerleader (sending my early poems to church newspapers, etc., and typing my little stories on an old portable typewriter). My father was a brilliant storyteller—entertaining family and friends with his embellished anecdotes (of growing up in the Netherlands during war years, immigration, etc.). Combined, they inspired and encouraged me to become the writer I am.
James: That is such a heart-warming answer, Renny—what a gift your parents gave you. Your mom sounds like the ultimate early publicist, and your dad clearly had a flair for turning life into legend. No wonder storytelling runs in your veins! I love how their support and creativity helped shape your journey.
Pick one excerpt from one of your books that you would like to share with readers.
Renny: This is an excerpt from my debut novel, a Historical Fiction called Family Business (shortlisted for the Kobo Emerging Writer prize), set in the Netherlands:
"A toast. To family." André held up his glass. Clink, clink, clink. The tinkle of glass tapping glass sounded musical.
"Opa, you didn't clink me." Wim stretched his arm across to touch his glass of lemonade against his grandfather's glass.
Everyone repeated the toast. "To family."
The dining room windows fogged over in the heat of the coal stove, the hot food laid out on the table, and all the people. Tiineke glanced at the window and saw, reflected in the glass, her father lifting her daughter high over his head. Elsa giggled and reached for his thinning hair. He caught Tiineke's reflection in the window and smiled at her.
It's like seeing something in a dream. She stood, mesmerized, looking at the image in the window. They were enclosed in this small world, with the darkness outside the backdrop.
Andréas was anxious to start the Sinterklaas celebrations. "Come, Mama, can we eat now?"
The spell was broken.
"Yes. Come everyone, squeeze in and let's start!"
James: What a beautiful, evocative excerpt, Renny. You’ve captured such a tender, intimate moment—one that feels both timeless and deeply rooted in tradition. I could almost hear the clink of the glasses and feel the warmth from that coal stove. It’s amazing how just a few lines can draw a reader right into the heart of a family. No wonder Family Business was shortlisted—it clearly strikes an emotional chord. Thank you for sharing that scene with us!
What made you choose this particular excerpt?
Renny: The excerpt is set in the winter of 1939 and foreshadows the escalating war's terrible cost on the Dutch population. It seems a relevant excerpt for the times we’re living in right now in Canada.
James: Thank you, Renny. That context adds such depth to your choice. The parallels between that moment in history and some of the uncertainties we are facing here in Canada today are striking. It’s a powerful reminder of how stories from the past can still resonate so strongly—and perhaps offer insight or even hope as we navigate our own times.
Renny, thank you so much for sharing your time, insights, and a truly poignant excerpt with us today. Your thoughtful reflections and deep connection to history remind us of the enduring power of literature to shed light on both the past and the present. It has been an absolute pleasure chatting with you. Your words carry both heart and history, which is a rare gift, and I know our readers will walk away enriched by your words. We look forward to seeing where your writing takes us next
April 3, 2025
The Canadian Sleuth
A Different Kind of Detective
The world of mystery fiction is full of brilliant detectives—some hard-boiled, some eccentric, and others deeply introspective. But what sets the Canadian sleuth apart? Why do Canadian detectives feel different from their British and American counterparts?
While Agatha Christie’s famous Belgian detective, Hercule Poirot, relied on impeccable logic and deductive reasoning, and Raymond Chandler’s Philip Marlowe took a cynical, action-driven approach, Canadian detectives carve out a unique space—one rooted in environment, culture, and a quiet resilience that mirrors the country itself.
The Community-Oriented Investigator
Unlike the lone-wolf detectives often found in American noir fiction, Canadian sleuths tend to be deeply connected to their communities. Whether it’s Chief Inspector Armand Gamache in Louise Penny’s Three Pines series or John Cardinal in Giles Blunt’s Algonquin Bay mysteries, these investigators often function within small, tight-knit settings. Their knowledge of the people around them isn’t just part of the job—it’s part of the mystery.
Rather than distrusting their surroundings, Canadian detectives use relationships to their advantage, uncovering clues not just through brilliant deduction but through understanding human nature. In a country where isolation is a looming threat—whether in the vast forests of British Columbia or the frozen expanse of the North—community bonds are a form of survival.
The Landscape as a Challenge
Canadian detectives rarely operate in bustling metropolises with an abundance of resources at their disposal. Instead, they often find themselves grappling with nature, where snowstorms can bury bodies and wilderness can swallow suspects whole.
Consider how Vicki Delany’s Molly Smith navigates the harsh winter of Trafalgar, British Columbia, or how Joanne Kilbourn, Gail Bowen’s famous sleuth, faces the shifting landscapes of Saskatchewan. The Canadian detective must work around geography—figuring out how to solve crimes when backup is miles away and nature itself is conspiring against them.
Justin Case: A Canadian Team Built on Dedication and Trust
One of the most exciting modern takes on the Canadian detective archetype can be found in James D. A. Terry's Justin Case Mysteries. In The Curious Case of the Vanishing Victims and The Raven's Cryptic Clue, Justin Case and his brothers from other mothers form a team built on unwavering dedication—a true reflection of Canadian camaraderie, loyalty, and resilience.
Like many great Canadian investigators, Justin doesn’t go it alone. His team is more than just a group of collaborators—they are a band of brothers, each bringing their own strengths, insights, and unwavering commitment to justice. Their bond is more than professional—it’s deeply personal, an unbreakable force that echoes the collaborative spirit found in many Canadian sleuth narratives.
And, of course, Notcho Dog—fiercely loyal, razor-sharp, and devoted beyond measure—rounds out the team with a tenacity that rivals even the best investigators. Notcho’s unwavering faith in her friends adds an emotional depth to the mysteries, proving that loyalty and heart matter just as much as intellect in the pursuit of truth.
This deep-rooted dedication—whether between brothers or lifelong companions—sets The Justin Case Mysteries apart. It showcases the distinctly Canadian approach to solving mysteries: not with bravado or recklessness, but with teamwork, trust, and an unrelenting drive for justice.
Morally Complex, Yet Fundamentally Good
Many great fictional detectives operate in a morally grey world, choosing pragmatism over ethics. Canadian sleuths, however, tend to be morally complex yet fundamentally good. They wrestle with difficult decisions but rarely become wholly cynical or hardened.
Gamache, for instance, maintains a strong belief in justice, even when faced with corruption. John Cardinal battles his own demons but remains deeply protective of his family and his town. These detectives recognize systemic flaws in law enforcement, yet they persist—not out of ego or personal gain, but out of duty.
Justin Case and his team follow this tradition in their own way. Their cases aren’t just about catching criminals—they’re about peeling back layers of deceit and challenging conventional assumptions about justice. In a genre where many detectives play by their own rules, Justin’s keen eye, collaborative spirit, and unwavering devotion make him stand out.
Conclusion: A Reflection of Canadian Identity
The Canadian detective embodies the country's quiet strength, navigating isolation, community ties, and the unforgiving land in pursuit of justice. Their resilience isn’t about bravado—it’s about a deeper understanding of the people and places that shape their investigations.
As crime fiction continues to evolve, the Canadian sleuth remains a compelling figure—someone both rooted in their environment and willing to challenge it. Their quiet persistence, deep empathy, and connection to the landscapes they traverse make them some of the most fascinating detectives in mystery fiction.
Who are your favourite Canadian sleuths?
The world of mystery fiction is full of brilliant detectives—some hard-boiled, some eccentric, and others deeply introspective. But what sets the Canadian sleuth apart? Why do Canadian detectives feel different from their British and American counterparts?
While Agatha Christie’s famous Belgian detective, Hercule Poirot, relied on impeccable logic and deductive reasoning, and Raymond Chandler’s Philip Marlowe took a cynical, action-driven approach, Canadian detectives carve out a unique space—one rooted in environment, culture, and a quiet resilience that mirrors the country itself.
The Community-Oriented Investigator
Unlike the lone-wolf detectives often found in American noir fiction, Canadian sleuths tend to be deeply connected to their communities. Whether it’s Chief Inspector Armand Gamache in Louise Penny’s Three Pines series or John Cardinal in Giles Blunt’s Algonquin Bay mysteries, these investigators often function within small, tight-knit settings. Their knowledge of the people around them isn’t just part of the job—it’s part of the mystery.
Rather than distrusting their surroundings, Canadian detectives use relationships to their advantage, uncovering clues not just through brilliant deduction but through understanding human nature. In a country where isolation is a looming threat—whether in the vast forests of British Columbia or the frozen expanse of the North—community bonds are a form of survival.
The Landscape as a Challenge
Canadian detectives rarely operate in bustling metropolises with an abundance of resources at their disposal. Instead, they often find themselves grappling with nature, where snowstorms can bury bodies and wilderness can swallow suspects whole.
Consider how Vicki Delany’s Molly Smith navigates the harsh winter of Trafalgar, British Columbia, or how Joanne Kilbourn, Gail Bowen’s famous sleuth, faces the shifting landscapes of Saskatchewan. The Canadian detective must work around geography—figuring out how to solve crimes when backup is miles away and nature itself is conspiring against them.
Justin Case: A Canadian Team Built on Dedication and Trust
One of the most exciting modern takes on the Canadian detective archetype can be found in James D. A. Terry's Justin Case Mysteries. In The Curious Case of the Vanishing Victims and The Raven's Cryptic Clue, Justin Case and his brothers from other mothers form a team built on unwavering dedication—a true reflection of Canadian camaraderie, loyalty, and resilience.
Like many great Canadian investigators, Justin doesn’t go it alone. His team is more than just a group of collaborators—they are a band of brothers, each bringing their own strengths, insights, and unwavering commitment to justice. Their bond is more than professional—it’s deeply personal, an unbreakable force that echoes the collaborative spirit found in many Canadian sleuth narratives.
And, of course, Notcho Dog—fiercely loyal, razor-sharp, and devoted beyond measure—rounds out the team with a tenacity that rivals even the best investigators. Notcho’s unwavering faith in her friends adds an emotional depth to the mysteries, proving that loyalty and heart matter just as much as intellect in the pursuit of truth.
This deep-rooted dedication—whether between brothers or lifelong companions—sets The Justin Case Mysteries apart. It showcases the distinctly Canadian approach to solving mysteries: not with bravado or recklessness, but with teamwork, trust, and an unrelenting drive for justice.
Morally Complex, Yet Fundamentally Good
Many great fictional detectives operate in a morally grey world, choosing pragmatism over ethics. Canadian sleuths, however, tend to be morally complex yet fundamentally good. They wrestle with difficult decisions but rarely become wholly cynical or hardened.
Gamache, for instance, maintains a strong belief in justice, even when faced with corruption. John Cardinal battles his own demons but remains deeply protective of his family and his town. These detectives recognize systemic flaws in law enforcement, yet they persist—not out of ego or personal gain, but out of duty.
Justin Case and his team follow this tradition in their own way. Their cases aren’t just about catching criminals—they’re about peeling back layers of deceit and challenging conventional assumptions about justice. In a genre where many detectives play by their own rules, Justin’s keen eye, collaborative spirit, and unwavering devotion make him stand out.
Conclusion: A Reflection of Canadian Identity
The Canadian detective embodies the country's quiet strength, navigating isolation, community ties, and the unforgiving land in pursuit of justice. Their resilience isn’t about bravado—it’s about a deeper understanding of the people and places that shape their investigations.
As crime fiction continues to evolve, the Canadian sleuth remains a compelling figure—someone both rooted in their environment and willing to challenge it. Their quiet persistence, deep empathy, and connection to the landscapes they traverse make them some of the most fascinating detectives in mystery fiction.
Who are your favourite Canadian sleuths?
March 31, 2025
Murder, Eh?
The Evolution of Canadian Crime Fiction
Canada, with its vast landscapes, diverse culture, and storied history, has been fertile ground for countless creative voices. Among these are the authors who have carved a distinct niche in the world of mystery fiction—a genre that thrives on suspense, intrigue, and keen storytelling. The journey of Canadian mystery fiction writers is as fascinating as the tales they craft, weaving a tapestry of evolution, identity, and literary breakthroughs.
The Early Days: Echoes of a Colonial Past
The roots of Canadian mystery fiction can be traced to the late 19th century. While crime fiction had already gained momentum globally, particularly in Britain and the United States, Canadian writers like Grant Allen began making their mark. Born on Wolfe Island in 1848, Allen is often credited as one of Canada's first crime writers. Despite spending much of his life in England, Allen's legacy as a Canadian-born writer established an early presence for the genre in the country's literary landscape.
The Mid-20th Century: Searching for Identity
For much of the 20th century, Canadian mystery writers navigated a complex literary identity. Positioned geographically and culturally between the British and American giants of the genre, many Canadian writers sought to appeal to international markets. While some, like Kenneth Millar, writing as Ross Macdonald, gained fame within the American hard-boiled tradition, others, such as Margaret Millar, dared to set their gripping tales in Canadian locales.
During this period, Canadian mystery fiction leaned heavily on influences from abroad. However, the works of authors like Frances Shelley Wees, David Montrose, and E. Louise Cushing began to infuse a distinctly Canadian flavour into their narratives, hinting at the genre's growing independence.
A New Wave of Crime Fiction
By the late 20th century, Canadian mystery fiction experienced a resurgence. Organizations like the Crime Writers of Canada (CWC), established in the early 1980s, played a pivotal role in championing the genre. The origins of the CWC, however, provide a funny anecdote. It’s said that during its founding moment in a pub called Dooley’s, there was a lively debate on whether the meeting counted as brainstorming over beers or something more substantial! The legendary critic Derrick Murdoch’s wit set the tone, and the group took shape amid laughter and camaraderie. This anecdote adds a touch of humour to the pivotal moment for Canadian crime writing.
The CWC not only provided a platform for Canadian authors but also celebrated their achievements through awards like the Derrick Murdoch Award for Lifetime Achievement. This era saw a diversification of styles and themes, with authors exploring not only traditional whodunits but also suspense thrillers, police procedurals, and cozies. Writers like Louise Penny, with her beloved Inspector Gamache series set in Quebec, brought international acclaim and firmly established Canada as a powerhouse in crime fiction.
The Present and Beyond: Canada’s Unique Voice
Today, Canadian mystery fiction stands tall on the global literary stage. Authors like Gail Bowen, Maureen Jennings, Alan Bradley, and Chevy Stevens continue to innovate, blending universal appeal with uniquely Canadian elements. From cold-climate settings to narratives exploring cultural and social issues, these authors have embraced Canada's identity and woven it seamlessly into their works.
The genre's popularity in Canada mirrors global trends, with crime and mystery fiction consistently ranking among the most-read categories. Whether set in bustling cities or the remote wilderness, Canadian mystery fiction offers readers stories that entertain, challenge, and inspire.
The Rise of New Voices in Canadian Mystery Fiction
In recent years, a new wave of Canadian mystery authors has emerged, bringing fresh perspectives and innovative storytelling to the genre. Writers like James D. A. Terry are making their mark with unique approaches that blend humour, suspense, and deeply engaging characters. Terry’s work, such as The Curious Case of the Vanishing Victims, showcases his talent for crafting intricate plots with a touch of wit and charm. His use of aptronyms—names that humourously reflect a character’s traits—adds a playful layer to his narratives, making his mysteries as entertaining as they are thought-provoking.
This new generation of authors is not only redefining the boundaries of Canadian crime fiction but also proving that the genre can be both profound and delightfully quirky. Their stories resonate with readers by exploring universal themes while maintaining a distinctly Canadian flavour. As these writers continue to gain recognition, they are ensuring that Canadian mystery fiction remains vibrant and relevant for years to come.
Conclusion
The journey of Canadian mystery fiction writers is a tale of persistence, evolution, and creativity. From the early influences of colonialism to the distinct voices of today, these authors have enriched the genre with their unique perspectives. As Canadian crime fiction continues to thrive, it promises to captivate readers with narratives that intrigue and resonate, keeping the spirit of mystery alive and well in the true North.
Whether you are a long-time fan or new to the genre, the works of Canadian mystery writers offer a treasure trove of thrilling adventures waiting to be uncovered. Happy reading, eh?
Canada, with its vast landscapes, diverse culture, and storied history, has been fertile ground for countless creative voices. Among these are the authors who have carved a distinct niche in the world of mystery fiction—a genre that thrives on suspense, intrigue, and keen storytelling. The journey of Canadian mystery fiction writers is as fascinating as the tales they craft, weaving a tapestry of evolution, identity, and literary breakthroughs.
The Early Days: Echoes of a Colonial Past
The roots of Canadian mystery fiction can be traced to the late 19th century. While crime fiction had already gained momentum globally, particularly in Britain and the United States, Canadian writers like Grant Allen began making their mark. Born on Wolfe Island in 1848, Allen is often credited as one of Canada's first crime writers. Despite spending much of his life in England, Allen's legacy as a Canadian-born writer established an early presence for the genre in the country's literary landscape.
The Mid-20th Century: Searching for Identity
For much of the 20th century, Canadian mystery writers navigated a complex literary identity. Positioned geographically and culturally between the British and American giants of the genre, many Canadian writers sought to appeal to international markets. While some, like Kenneth Millar, writing as Ross Macdonald, gained fame within the American hard-boiled tradition, others, such as Margaret Millar, dared to set their gripping tales in Canadian locales.
During this period, Canadian mystery fiction leaned heavily on influences from abroad. However, the works of authors like Frances Shelley Wees, David Montrose, and E. Louise Cushing began to infuse a distinctly Canadian flavour into their narratives, hinting at the genre's growing independence.
A New Wave of Crime Fiction
By the late 20th century, Canadian mystery fiction experienced a resurgence. Organizations like the Crime Writers of Canada (CWC), established in the early 1980s, played a pivotal role in championing the genre. The origins of the CWC, however, provide a funny anecdote. It’s said that during its founding moment in a pub called Dooley’s, there was a lively debate on whether the meeting counted as brainstorming over beers or something more substantial! The legendary critic Derrick Murdoch’s wit set the tone, and the group took shape amid laughter and camaraderie. This anecdote adds a touch of humour to the pivotal moment for Canadian crime writing.
The CWC not only provided a platform for Canadian authors but also celebrated their achievements through awards like the Derrick Murdoch Award for Lifetime Achievement. This era saw a diversification of styles and themes, with authors exploring not only traditional whodunits but also suspense thrillers, police procedurals, and cozies. Writers like Louise Penny, with her beloved Inspector Gamache series set in Quebec, brought international acclaim and firmly established Canada as a powerhouse in crime fiction.
The Present and Beyond: Canada’s Unique Voice
Today, Canadian mystery fiction stands tall on the global literary stage. Authors like Gail Bowen, Maureen Jennings, Alan Bradley, and Chevy Stevens continue to innovate, blending universal appeal with uniquely Canadian elements. From cold-climate settings to narratives exploring cultural and social issues, these authors have embraced Canada's identity and woven it seamlessly into their works.
The genre's popularity in Canada mirrors global trends, with crime and mystery fiction consistently ranking among the most-read categories. Whether set in bustling cities or the remote wilderness, Canadian mystery fiction offers readers stories that entertain, challenge, and inspire.
The Rise of New Voices in Canadian Mystery Fiction
In recent years, a new wave of Canadian mystery authors has emerged, bringing fresh perspectives and innovative storytelling to the genre. Writers like James D. A. Terry are making their mark with unique approaches that blend humour, suspense, and deeply engaging characters. Terry’s work, such as The Curious Case of the Vanishing Victims, showcases his talent for crafting intricate plots with a touch of wit and charm. His use of aptronyms—names that humourously reflect a character’s traits—adds a playful layer to his narratives, making his mysteries as entertaining as they are thought-provoking.
This new generation of authors is not only redefining the boundaries of Canadian crime fiction but also proving that the genre can be both profound and delightfully quirky. Their stories resonate with readers by exploring universal themes while maintaining a distinctly Canadian flavour. As these writers continue to gain recognition, they are ensuring that Canadian mystery fiction remains vibrant and relevant for years to come.
Conclusion
The journey of Canadian mystery fiction writers is a tale of persistence, evolution, and creativity. From the early influences of colonialism to the distinct voices of today, these authors have enriched the genre with their unique perspectives. As Canadian crime fiction continues to thrive, it promises to captivate readers with narratives that intrigue and resonate, keeping the spirit of mystery alive and well in the true North.
Whether you are a long-time fan or new to the genre, the works of Canadian mystery writers offer a treasure trove of thrilling adventures waiting to be uncovered. Happy reading, eh?
James Unleashed
"James Unleashed" is a captivating blend of mystery, storytelling, and humour, where author James D. A. Terry shares intriguing tales, writing insights, and the occasional wisdom from Notcho Dog.
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