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Richard Sanders

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Born
in Rockville Center, NY, The United States
Website

Twitter

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Member Since
April 2011

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If I have to describe myself, I’d say I’m a bumbling, half-assed, streetwise mystic looking for meaning in this crazy world. I can also say I worked for 25 years as an Executive Editor at Entertainment Weekly and People magazine. Other highlights on my CV: As a recovering addict and alcoholic, I’ve spent time in jail, rehab and a psych ward, and I’ve managed to stay sane and alive since then. I’ve tried to capture the struggle for spiritual survival, every day, every hour, every moment, in my books.



You can follow me on Facebook
http://on.fb.me/l02cd4

or Twitter
http://bit.ly/ii7Kn1

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Richard Sanders I learned to write overnight. Literally. By the time I was 14, I knew I was a lousy writer and a bored reader and consequently I was carrying a C- ave…moreI learned to write overnight. Literally. By the time I was 14, I knew I was a lousy writer and a bored reader and consequently I was carrying a C- average in English through my freshman high school year. I sucked at the subject and I didn’t care. One day the teacher came in and started passing out books. Sitting in the back (my usual place), I heard the groans as the books were passed back. When I saw the title, Shakespeare’s The Merchant of Venice, I groaned too. Then we started reading the first act.
I spent a lot of time daydreaming when I was a kid, filming scenes from imaginary movies in my head. One of my favorite scenes involved three men talking on a pier by a lagoon. Which, of course, is the opening scene of The Merchant of Venice. Now I know the similarity was merely coincidental, but at the time it hit me like a lightning strike. The idea that I could have something in common with the world’s greatest writer, that we’d shared the same daydream, stunned the hell out of me. And it shocked me enough to make me actually pay attention to what I was reading.
One of the first things I noticed was the pronounced rhythm and flow of Shakespeare’s language. Which of course is what you get when you’re reading iambic pentameter. But I’d never been conscious of rhythm in any writing before. It made me realize, for the first time, that good writing has a beat to it. It has moves. It’s like music. And I realized too that a rhythmic beat was exactly what was missing from my own flat and plodding C- essays in school.
We had to write an essay on the first act that night. I went home planning to test my musical theory. Of course I really couldn’t use iambic pentameter as a model for prose, so I checked out one of my parents’ old college textbooks on world literature. I found some nice rich tempos in Nietzsche’s Thus Sprach Zarathustra and Baudelaire’s Flowers of Evil. I have no idea what I said about the first act, but by putting some cadence in the words, I got an A+ on the essay. First time in my life. And I got an A in the course—again, first time in my life.
From that night on, I knew I knew how to write. There were many other lessons to learn about writing, sure, but as long as I could think of writing as music, I knew had the basics down.






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The one

The one who supplied me with what I needed in life

Will also give me what I need in death

—Chuang Tzu

How To Call Your Dead Mother
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Published on October 17, 2019 12:22
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Quotes by Richard Sanders  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Don't let men get too happy. It would kill me. (581 Ways To Kill Your Boss)”
Richard Sanders, 581 Ways To Kill Your Boss

“If I were a man, I’d definitely sleep with myself. In other words, if you tell me to go fuck myself, I take it as a compliment.—581 Ways To Kill Your Boss”
Richard Sanders

“People who think their shit is gold suffer unusually high rates of hepatitis B.”
Richard Sanders, 581 Ways To Kill Your Boss

“People who think their shit is gold suffer unusually high rates of hepatitis B.”
Richard Sanders, 581 Ways To Kill Your Boss

“If I were a man, I’d definitely sleep with myself. In other words, if you tell me to go fuck myself, I take it as a compliment.—581 Ways To Kill Your Boss”
Richard Sanders

“Don't let me get too happy. It would kill me.”
Richard Sanders, 581 Ways To Kill Your Boss

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