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Gillian G. Gaar

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The United States
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January 2015


I write regularly about music, entertainment, and travel. I enjoy taking pictures for my articles and books as well. My very first book was "She's A Rebel: The History of Women in Rock & Roll," first published in 1992, and updated in 2002; Yoko Ono wrote the book's preface, and it still gives me a thrill to see her name on the cover. Other areas of expertise include Nirvana, the Beatles, and Elvis, all of whom I've written books about. I've also written for a variety of publications around the world, including Mojo, Rolling Stone, Goldmine (where I had regular Beatles and Elvis columns), and many others. I was also a senior editor at legendary Seattle music publication "The Rocket." ...more

Average rating: 3.85 · 2,053 ratings · 308 reviews · 51 distinct worksSimilar authors
In Utero

3.61 avg rating — 701 ratings — published 2006 — 13 editions
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She's A Rebel: The History ...

3.79 avg rating — 357 ratings — published 1992 — 10 editions
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Treasures of Nirvana

4.17 avg rating — 84 ratings — published 2011 — 13 editions
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Elvis: The Legend: The Auth...

4.46 avg rating — 57 ratings8 editions
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Return Of The King: Elvis P...

4.23 avg rating — 53 ratings — published 2010 — 10 editions
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Entertain Us: The rise of N...

4.20 avg rating — 51 ratings — published 2012 — 9 editions
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Hendrix: The Illustrated Story

3.96 avg rating — 54 ratings8 editions
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World Domination: The Sub P...

3.98 avg rating — 46 ratings2 editions
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100 Things Beatles Fans Sho...

3.71 avg rating — 49 ratings — published 2013 — 6 editions
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The Rough Guide to Nirvana 1

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3.82 avg rating — 38 ratings — published 2009 — 4 editions
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More books by Gillian G. Gaar…
Quotes by Gillian G. Gaar  (?)
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“Vinyl—short for polyvinyl chloride or PVC—was first produced in the early 1930s and almost immediately was used in radio program transcriptions.”
Gillian G. Gaar, In the Groove: The Vinyl Record and Turntable Revolution

“So, many rock and soul releases continued to be issued in mono; and if they were available in both stereo and mono editions, often considerably less attention was paid to the stereo iteration. This was more pronounced in the United Kingdom, even after the British Invasion had made British rock a huge force in the record business. With a markedly lower average income, young British rock fans were far less likely to have stereo equipment than their American counterparts.”
Gillian G. Gaar, In the Groove: The Vinyl Record and Turntable Revolution

“Edison developed a 12-inch 80rpm (revolutions per minute) disc that could fit up to twenty minutes a side in the mid-1920s, but this also failed due to poor sound and the high cost of the equipment needed to play it.”
Gillian G. Gaar, In the Groove: The Vinyl Record and Turntable Revolution

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