André Bazin

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André Bazin


Born
in Angers, France
April 18, 1918

Died
November 11, 1958

Genre


Writings of French critic and film theorist André Bazin influenced the development of cinema of New Wave.

André Bazin founded the renowned and pioneering journal, Cahiers du cinéma.

Bazin saw and argued to depict "objective reality," such as documentaries of the Italian neo-realism school and "invisible" directors, such as Howard Winchester Hawks. He advocated the use of deep focus as George Orson Welles and wide shots as Jean Renoir "in depth," and he preferred "true continuity" through mise en scène over experiments in editing and visual effects. This preference placed him in opposition of the 1920s and 1930s to those who emphasized ability to manipulate reality. Theory of Bazin to leave the interpretation of a scene to the spectator link
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Average rating: 4.11 · 3,852 ratings · 207 reviews · 123 distinct worksSimilar authors
What is Cinema? Volume I

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4.13 avg rating — 1,883 ratings — published 1967 — 18 editions
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Qu'est-ce que le cinéma?

4.11 avg rating — 726 ratings — published 1958 — 5 editions
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What is Cinema?: Volume 2

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4.18 avg rating — 561 ratings — published 1971 — 15 editions
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Orson Welles: A Critical View

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3.94 avg rating — 165 ratings — published 1972 — 16 editions
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The Cinema of Cruelty: From...

3.90 avg rating — 138 ratings — published 1975 — 16 editions
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Jean Renoir: Períodos, film...

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3.99 avg rating — 73 ratings — published 1973 — 19 editions
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Charlie Chaplin

3.98 avg rating — 55 ratings — published 1985 — 16 editions
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Bazin at Work

4.42 avg rating — 19 ratings — published 1997 — 7 editions
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French Cinema of the Occupa...

really liked it 4.00 avg rating — 17 ratings — published 1981 — 7 editions
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André Bazin and Italian Neo...

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4.07 avg rating — 14 ratings — published 2011 — 7 editions
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More books by André Bazin…
Qu'est-ce que le cinema ? T...
(4 books)
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4.14 avg rating — 3,171 ratings

Quotes by André Bazin  (?)
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“The cinema substitutes for our gaze a world more in harmony with our desires.”
André Bazin

“it was montage that gave birth to film as an art, setting it apart from mere animated photography, in short, creating a language.”
André Bazin, What is Cinema?: Volume 1

“The preoccupation of Rossellini when dealing with the face of the child in Allemania Anno Zero is the exact opposite of that of Kuleshov with the close-up of Mozhukhin. Rossellini is concerned to preserve its mystery.”
André Bazin, What is Cinema?: Volume 1