Thomas Allbaugh

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Thomas Allbaugh

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I've been writing since the fourth grade, when my teacher allowed satire in our "What I Want for Christmas" stories. Today, I am convinced that writing is not just creating products, but more importantly an active way to reflect, discover new ideas, and process the world around us. I've managed to publish short fiction, essays, and poetry in a number of small journals. In "Apocalypse TV," my first novel, academic and popular culture collide in a Reality TV show explosion. ...more

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Thomas Allbaugh I loved entering the world of C.S. Lewis's _Out of the Silent Planet_. I would love to be stowed away with Ransom into that twilit journey to Malacand…moreI loved entering the world of C.S. Lewis's _Out of the Silent Planet_. I would love to be stowed away with Ransom into that twilit journey to Malacandra. I would love to be learning the languages of that world and experiencing the values of their goodness. That world as Lewis created it seems almost palpable to me. It seems secluded and removed from our world. (less)
Thomas Allbaugh I loved entering the world of C.S. Lewis's _Out of the Silent Planet_. I would love to be stowed away with Ransom into that twilit journey to Malacand…moreI loved entering the world of C.S. Lewis's _Out of the Silent Planet_. I would love to be stowed away with Ransom into that twilit journey to Malacandra. I would love to be learning the languages of that world and experiencing the values of their goodness. That world as Lewis created it seems almost palpable to me. It seems secluded and removed from our world. (less)
Average rating: 4.52 · 27 ratings · 22 reviews · 8 distinct works
Apocalypse TV

4.36 avg rating — 14 ratings3 editions
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Sacred Shadows and Latent L...

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Subtle Man Loses His Day Jo...

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The View from January

it was amazing 5.00 avg rating — 3 ratings4 editions
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Pretexts for Writing

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Pretexts for Writing

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The View from January

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For My Latest Blog

Friends, I’ve had technical difficulties over the last two years with keeping my website functional. Help is on the way. But till then, here is my latest Substack post–fyi. I hope you enjoy it. And subscribe, if you can.

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Published on July 16, 2024 09:20
Look Homeward, Angel
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read in January 1995
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A People’s Histor...
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Look Homeward, Angel by Thomas Wolfe
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Words Are Art by Natasha R. Minier-Robinson
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Bootlegger's Daughter by Margaret Maron
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The three stars are mainly due to the fact that I don't like this kind of mystery, the kind that doesn't allow the real skills of the detective, in this case, an attorney named Deborah Knott, to emerge. Instead, her announced involvement in the case ...more
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God Bless You, Mr. Rosewater by Kurt Vonnegut Jr.
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Read this my second year in college and enjoyed a second reading. I want to say that this Eliot Rosewater is Vonnegut's attempt to write about Prince Myshkin (Dostoyevsky's hero/saint/epileptic in The Idiot), but maybe not. Certainly, once again we g ...more
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Little Fires Everywhere by Celeste Ng
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I could see why this could get classified as a YA novel because so much of the narrative is consumed with close ups on the minds and POVs of adolescent characters. But this is also a complicated novel about motherhood and about the ways that American ...more
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Nine Horses by Billy Collins
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I read other poets. But I always have a place in my schedule for books by Billy Collins. So many of these unassuming poems lead me to the place of contemplating, for example, a leaf, where, just beyond the leaf, a sense of awe at being awake that I m ...more
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Annie Dillard
“I cannot imagine a sorrier pursuit than struggling for years to write a book that attempts to appeal to people who do not read in the first place.”
Annie Dillard, The Writing Life

Kurt Vonnegut Jr.
“Now lend me your ears. Here is Creative Writing 101:

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things—reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.”
Kurt Vonnegut jr.

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Thomas Marc, O'Connor and Cheever sound like an interesting combination. Saunders has a new book of short stories out that is great also.


message 1: by Marc

Marc This year I have been teaching lots of O'Connor and Cheever: I hope to continue this trend. I like George Saunders, so I had better read that book.


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