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Rashaun J. Allen

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Born
in Brooklyn, The United States
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July 2012

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Rashaun J. Allen is an Instructor of English at Westchester Community College, who was also the first Fulbright scholar in SUNY Stony Brook’s MFA in Creative Writing & Literature program history. A Vermont Studio Center and Arts, Letters, and Numbers residency recipient whose three independently published poetry chapbooks: A Walk Through Brooklyn, In The Moment, and The Blues Cry For A Revolution became Amazon Kindle Best Sellers in African American Poetry. He was a Finalist for the 2021 Zone 3 Press Creative Nonfiction Award and longlisted for the 2020 Dzanc Diverse Voice Prize. He has been a 2019 Tupelo Press 30/30 Project Poet, nominated for Sundress Publication’s 2018 Best of the Net Anthology in Creative Non-Fiction, and was a 2017 Ste ...more

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Rashaun J. Allen I like to go for a run.
Rashaun J. Allen Writing wherever you're at. Some of my best ideas come in the weirdest places. …moreWriting wherever you're at. Some of my best ideas come in the weirdest places. (less)
Average rating: 4.82 · 17 ratings · 11 reviews · 4 distinct works
The Blues Cry For A Revolution

4.78 avg rating — 9 ratings2 editions
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A Walk Through Brooklyn

4.80 avg rating — 5 ratings — published 2010 — 4 editions
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The Tishman Review July 2017

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it was amazing 5.00 avg rating — 2 ratings
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In The Moment

it was amazing 5.00 avg rating — 1 rating — published 2012 — 3 editions
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My Installed Poem Commemorating The Previously Enslaved.

“RXR builds a luxury apartment on top of unmarked graves” could have easily been a headline on a Westchester paper.

About 16 months ago, I submitted a proposal to write a commemorative poem. I was a lil’ skeptical since every other submission I applied for required the poem to go with the application. But this one was different. It was from a construction company. The task was to create a poem rec

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Published on July 23, 2024 05:35
High Yella: A Mod...
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Rashaun’s Recent Updates

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The Repetition of Exceptional Weeks by Rajnesh Chakrapani
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The Skeptic's Annotated Bible by Steve  Wells
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High Yella by Steve Majors
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Tell My Mother I Gone to Cuba by Sharon Milagro Marshall
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Tell My Mother I Gone To Cuba: Stories of Early Twentieth-Century Migration From Barbados by Sharon Milagro was thought provoking yet dry. Thought provoking in that I was unaware of the depth Barbadians carved out lives through the generations in Cub ...more
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Rooted by Lyanda Lynn Haupt
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How We Do It by Jericho Brown
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How We Do It: Black Writers On Craft, Practice, and Skill, edited by Jericho Brown, is an excellent book on black craft. It contains 32 different essays (including a Jericho Brown in Conversation with Michael Dumanis and An Interview with Barry Jenki ...more
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Brown Girl, Brownstones by Paule Marshall
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I didn't know what to expect when I picked up Brown Girl, Brownstones by Paule Marshall. Surprisingly, it was just what I needed. A story about a 1st-generation Bajan-American growing up in Brooklyn, New York, during the 1940s. One of my favorite asp ...more
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Stokely Speaks by Stokely Carmichael
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The Best That You Can Do by Amina Gautier
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Maurice Sendak
“A book is really like a lover. It arranges itself in your life in a way that is beautiful.”
Maurice Sendak

Benjamin Franklin
“Either write something worth reading or do something worth writing.”
Benjamin Franklin

Maya Angelou
“I've learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.”
Maya Angelou

Gary Provost
“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.”
Gary Provost

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