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Suzanne Paschall

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Suzanne Paschall

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Member Since
December 2010

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Average rating: 4.2 · 15 ratings · 2 reviews · 5 distinct works
Action Tracking: Master You...

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4.25 avg rating — 8 ratings2 editions
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Left Out: Saskatchewan's ND...

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4.60 avg rating — 5 ratings — published 2010
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Birth Of A Boom: Lives & Le...

3.50 avg rating — 4 ratings — published 2009
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Birth of a Boom: Lives & Le...

0.00 avg rating — 0 ratings — published 2009
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Birth Of A Boom: Lives & Le...

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More books by Suzanne Paschall…
Violin: A Novel
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Out of the Woods:...
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A Man in Love: A ...
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The Mermaid Chair by Sue Monk Kidd
The Mermaid Chair
by Sue Monk Kidd (Goodreads Author)
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Violin by Anne Rice
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Out of the Woods by Gregg Olsen
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Ruler of the Night by David Morrell
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A Man in Love by Martin Walser
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Murder as a Fine Art by David Morrell
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The Witch’s Lens by Luanne G. Smith
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The Dovekeepers by Alice Hoffman
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The Witch’s Lens by Luanne G. Smith
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Almost Surely Dead by Amina Akhtar
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More of Suzanne's books…
“Sometimes I feel like relationships consist of telling your same life stories to different people until someone finally appreciates them.”
Kate Rockland, Falling Is Like This

Charlotte Eriksson
“... so this is for us.
This is for us who sing, write, dance, act, study, run and love
and this is for doing it even if no one will ever know
because the beauty is in the act of doing it.
Not what it can lead to.
This is for the times I lose myself while writing, singing, playing
and no one is around and they will never know
but I will forever remember
and that shines brighter than any praise or fame or glory I will ever have,
and this is for you who write or play or read or sing
by yourself with the light off and door closed
when the world is asleep and the stars are aligned
and maybe no one will ever hear it
or read your words
or know your thoughts
but it doesn’t make it less glorious.
It makes it ethereal. Mysterious.
Infinite.
For it belongs to you and whatever God or spirit you believe in
and only you can decide how much it meant
and means
and will forever mean
and other people will experience it too
through you.
Through your spirit. Through the way you talk.
Through the way you walk and love and laugh and care
and I never meant to write this long
but what I want to say is:
Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself
and let your very existence be your song, your poem, your story.
Let your very identity be your book.
Let the way people say your name sound like the sweetest melody.

So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountain
where no one will ever hear
and your very existence will be the most hypnotising scar.
Make your life be your art
and you will never be forgotten.”
Charlotte Eriksson, Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving

Edward Young
“Affliction is a good man's shining time.”
Edward Young

Stig Åvall Severinsen
“If only the physical aspects of hatha yoga are used, it is called ghatastha yoga (ghata means “physical effort”). Modern expressions like “fitness yoga” and “power yoga” that flourish within gym classes are within the same category, even if they do not derive from the original exercises’ rhythm and succession. In many instances “power yoga” has a positive effect on physical health; but if there is no aim to ease the mind, to gain self-insight and control of your thoughts, and to experience the divine within you and within the universe, the deeper meaning of yoga and - possibly life - is lost.”
Stig Åvall Severinsen, Breatheology

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This group is for anyone who enjoys the writings of Malcolm Gladwell.
185 What's the Name of That Book??? — 120031 members — last activity 12 minutes ago
Can't remember the title of a book you read? Come search our bookshelves and discussion posts. If you don’t find it there, post a description on our U ...more
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