Letizia Sechi

“«I picked out this little Khassidic village because it was nowhere, because I wanted to get lost, because no real doctor would ever set foot in a miserable hole like Drozh.»",”
― Daniel Pearlman, The Colonel's Jeep

“The process doesn’t end there. Stories are more than just images. As you continue in the tale, you get to know the characters, motivations and conflicts that make up the core of the story. This requires more parts of the brain. Some parts process emotion. Others infer the thoughts of others, letting us empathize with their experiences. Yet other parts package the experience into memories for future reflection”
― Livia Blackburne, Dalle parole al cervello

“He crossed the stage, pushed the bench back and sat, hands resting on the keyboard cover. After a moment, he took off the cloth, and uncovered the keyboard. He rested his fingers on the keys, but didn’t depress them, simply sitting there for a moment, in the dark and silent auditorium, and closed his eyes.

He belonged here. Not on a stage, but with a piano. It was the only place he felt alive. The groupies, the concerts, the strangely worshipful perks of fame, none of them made him feel complete like these moments alone did.”
― Kristine Kathryn Rusch

“The Boy looked at him for a long time before responding. “Well, as long as you’re my friend, I’ll never ignore you,” he said with conviction. “I know what it’s like to be invisible to other people.”
― Mike Resnick