Pitirim A. Sorokin

Pitirim A. Sorokin’s Followers (45)

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Pitirim A. Sorokin


Born
in Syktyvkar, Russian Federation
January 21, 1889

Died
February 10, 1968

Genre


The first edition of his 1942 book Man and Society in Calamity lists him as "Doctor of Sociology; Chairman of Department of Sociology, Harvard University; Former President of international Institute of Sociology". ...more

Average rating: 3.9 · 273 ratings · 39 reviews · 128 distinct worksSimilar authors
The Crisis of Our Age

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Social and Cultural Dynamic...

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The American Sex Revolution

3.47 avg rating — 17 ratings — published 1956 — 7 editions
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Ways & Power Of Love: Techn...

4.38 avg rating — 13 ratings — published 2002 — 5 editions
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Social and Cultural Mobility

3.85 avg rating — 13 ratings4 editions
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The Sociology of Revolution

4.56 avg rating — 9 ratings — published 1967 — 8 editions
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A Long Journey: The Autobio...

3.50 avg rating — 10 ratings — published 1963 — 3 editions
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Bir Bunalım Çağında Toplum ...

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4.38 avg rating — 8 ratings11 editions
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Man and Society in Calamity

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3.18 avg rating — 11 ratings — published 1942 — 19 editions
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Leaves From a Russian Diary

4.25 avg rating — 8 ratings — published 1924 — 9 editions
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More books by Pitirim A. Sorokin…
Quotes by Pitirim A. Sorokin  (?)
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“Instead of being depicted as a child of God, a bearer of the highest values attainable in this empirical world, and hence sacred, man is reduced to a mere inorganic or organic complex, not essentially different from billions of similar complexes. In so far as materialism identifies him and his cultural values with matter and mechanical motion, it cannot fail to strip him and his values of any exceptional and unique position in the world. Since they are but a complex of antoms, and since the events of human history are but a variety of the mechanical motions of atoms, neither man nor his culture can be regarded as sacred, as constituting the supreme end value, or as reflections of the Divine in the material world. In a word, materialistic sensory science and philosophy utterly degrade man and the truth itself.”
Pitirim Sorokin

“The fine arts are one of the most sensitive mirrors of society and culture of which they are an important part. What society and culture are, such will their fine arts be. If the culture is predominantly sensate, sensate also will be its dominant fine arts. If the culture is unintegrated, chaotic and eclectic also will be its fine arts. Since contemporary Western culture is predominantly sensate, and since the crisis consists in the disintegration of its dominant supersystem, so the contemporary crisis in the fine arts must also exhibit a desintegration of the sensate form of our painting and sculpture, music, literature, drama and architecture.”
Pitirim Sorokin

“The communists and fascists in politics are the analogues of the modernists in the fine arts. Both groups are in rebellion against the dominant sensate politico-economic and art systems; but both are essentially sensate. Accordingly, neither group can consitute the politico-economic or art system of the future. They are mainly destroyers and rebels – not constructive builders. They flourish only under the conditions peculiar to a period of transition. Being charged with destructive force, the modernists are too chaotic and distorted to serve as the bearers of a permanent art culture.”
Pitirim Sorokin

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