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Ed     Park

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Ed Park

Goodreads Author


Born
in Buffalo, New York, The United States
August 02

Website

Genre

Influences
Powell, Nabokov, Wodehouse, Portis, Keeler, Adler, Ingalls

Member Since
February 2007


I'm the author of the forthcoming memoir THREE TENSES: A TRANSMISSION FROM THE NINETIES (August 2026)—preorder it now!

My novel SAME BED DIFFERENT DREAMS (2023) was a finalist for the Pulitzer Prize, and won the Los Angeles Times Book Prize for fiction and the Asian Pacific American Award for Literature.

My debut novel, PERSONAL DAYS (2008), was a finalist for the PEN/Hemingway Award, the Asian American Literary Award, and the John Sargent Sr. First Novel Prize.

AN ORAL HISTORY OF ATLANTIS, a collection of stories written over 25 years, was longlisted for the PEN Faulkner Award and appeared on numerous best-of-the-year lists, including those of Time, Booklist, NPR, and the Boston Globe.

What else? I'm a founding editor of THE BELIEVER, and I
...more

THREE TENSES — starred PW review

I haven't posted in a while, as news and events for AN ORAL HISTORY OF ATLANTIS have subsided...but now there's a *new* book on the way — THREE TENSES, a memoir of sorts that I wrote in the ’90s, lost, and rediscovered in 2020.

I retyped the document (since I only had it on paper), just to have a digital file. As I typed and reread the manuscript, I thought: I love this. Later I wrote an essay abo Read more of this blog post »
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Published on April 30, 2026 13:26 Tags: three-tenses
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Ed’s Recent Updates

Ed Park wrote a new blog post

THREE TENSES — starred PW review

I haven't posted in a while, as news and events for AN ORAL HISTORY OF ATLANTIS have subsided...but now there's a *new* book on the way — THREE TENSES Read more of this blog post »
Erica Erica wants to read Discipline
Ed and 37 other people liked emily's review of Taiwan Travelogue:
Taiwan Travelogue by Yáng Shuāng-zǐ
"
‘There is an island deeply rooted in my—heart. The trees were dense with blossoms, the same colour as a violet sunset. Those are chinaberry flowers—khóo-līng-á. Why translate into Mandarin? And why publish in Taiwan? She said, “It is a promise I h
" Read more of this review »
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Quotes by Ed Park  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“A few insect skeletons lay scattered on the narrow sill, shiny and precise and sad as broken jewelry.”
Ed Park, Personal Days

“Maxine will sometimes compliment us on our hair or other aspects of our scruffy appearance. The next day, or even later the same day, she'll send an all-caps e-mail asking why a certain form is not on her desk. This will prompt a peppy reply, one barely stifling a howl of fear:

Hey Maxine!
The document you want was actually put in your in-box yesterday around lunchtime. I also e-mailed it to you and Russell. Let me know if you can't find it!
Thanks!
Laars

P.S. I'm also attaching it again as a Word doc, just in case.

There's so much wrong here: the fake-vague around lunchtime, the nonsensical Thanks, the quasi-casual postscript. The exclamation points look downright psychotic.”
Ed Park, Personal Days

“A: Is this the copy that you read as a kid?
E: Yes. Look at the edges--that turquoise color. It's lighter along the top, from where the sun hit it. Now look at this gorgeous color here, the long edge. Beautiful. Makes me nostalgic.
A: For what?
E: I don't know. The age of turquoise page edges. Somewhere there's a grad student doing her dissertation on the inks used in twentieth-century mass-market paperbacks. ”
Ed Park

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“A few insect skeletons lay scattered on the narrow sill, shiny and precise and sad as broken jewelry.”
Ed Park, Personal Days

“A: Is this the copy that you read as a kid?
E: Yes. Look at the edges--that turquoise color. It's lighter along the top, from where the sun hit it. Now look at this gorgeous color here, the long edge. Beautiful. Makes me nostalgic.
A: For what?
E: I don't know. The age of turquoise page edges. Somewhere there's a grad student doing her dissertation on the inks used in twentieth-century mass-market paperbacks. ”
Ed Park

“Maxine will sometimes compliment us on our hair or other aspects of our scruffy appearance. The next day, or even later the same day, she'll send an all-caps e-mail asking why a certain form is not on her desk. This will prompt a peppy reply, one barely stifling a howl of fear:

Hey Maxine!
The document you want was actually put in your in-box yesterday around lunchtime. I also e-mailed it to you and Russell. Let me know if you can't find it!
Thanks!
Laars

P.S. I'm also attaching it again as a Word doc, just in case.

There's so much wrong here: the fake-vague around lunchtime, the nonsensical Thanks, the quasi-casual postscript. The exclamation points look downright psychotic.”
Ed Park, Personal Days

“Power is lost or won, never created or destroyed. Power is a visitor to, not a possession of, those it empowers. The mad tend to crave it, many of the sane crave it, but the wise worry about its long-term side effects. Power is crack cocaine for your ego and battery acid for your soul. Power’s comings and goings, from host to host, via war, marriage, ballot box, diktat, and accident of birth, are the plot of history. The empowered may serve justice, remodel the Earth, transform lush nations into smoking battlefields, and bring down skyscrapers, but power itself is amoral.” Immaculée Constantin now looks up at me. “Power will notice you. Power is watching you now. Carry on as you are, and power will favor you. But power will also laugh at you, mercilessly, as you lie dying in a private clinic, a few fleeting decades from now. Power mocks all its illustrious favorites as they lie dying. ‘Imperious Caesar, dead and turn’d to clay, might stop a hole to keep the wind away.”
David Mitchell, The Bone Clocks

“We are in front of a fountain, whose jet she seems to be watching. 'Those are your thoughts and mine. Look where they all start from, how high they reach, and then how it's still prettier when they fall back. And then they dissolve immediately, driven back up with the same strength, then there's that broken spurt again, that fall ... and so on indefinitely.”
André Breton, Nadja

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