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Jenai Auman

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Jenai Auman

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Walter Brueggemann, Wilda Gafney

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January 2014

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Jenai Auman is a Filipina American writer and artist. She draws from her years in church leadership as well as her trauma-informed training to write on healing, hope, and the way forward. She is passionate about providing language so readers can find a faith that frees. She received her bachelor's degree in behavioral health science and is currently pursuing a master's in spiritual formation at Northeastern Seminary. Jenai lives in Houston, Texas, with her husband, Tyler, and their sons, Quinn and Graham. ...more

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Jenai Auman I'm not sure I've ever had writer's block.

When I was writing my debut book, Othered, there were a few times I wrote myself into a corner. I was well a…more
I'm not sure I've ever had writer's block.

When I was writing my debut book, Othered, there were a few times I wrote myself into a corner. I was well and truly stuck. It's not that I didn't know what to say next, but I was stuck because I couldn't figure out how to say it. The thoughts and ideas existed in my head and made sense, but communicating them to someone else is another thing.

I had a due date for the manuscript, though, and I gave myself a goal word count to aim for every day. So, I approached the stuckness, which I suppose was writer's block, like it was an escape room. I tried breaching the topic from a bunch of different angles. I also would try to communicate the idea by switching my writing style. Sometimes writing or journaling on the same topic in poetry gave me the words I needed to write it in the book.

But if I ever have writer's block, and I really have no idea where to go, I go for a walk or find another way to let my mind wander. Sometimes if I can move my body, the words move too.(less)
Jenai Auman I love writing because I am able to use my voice. I am able to say the things I've been wanting to say, but likely held myself back from saying for fe…moreI love writing because I am able to use my voice. I am able to say the things I've been wanting to say, but likely held myself back from saying for fear of how it would affect my belonging with other people.

When I write, I practice what it means to belong to myself. And through writing, I am able to invite others to do the same.(less)
Average rating: 4.23 · 114 ratings · 44 reviews · 1 distinct workSimilar authors
Othered: Finding Belonging ...

4.23 avg rating — 114 ratings9 editions
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Why We Need Mischief

The OTHERED Substack is becoming The Order of Holy Mischief

Like everyone else, I’ve been slack-jawed watching the news and admiring the photos coming from the Artemis II mission. Scientists and star-poets have reminded us of the expansiveness and beauty of the universe. They’ve done so at a time when wonder and delight here earthside feels at an all time low. The work of the Integrity crew

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Published on April 15, 2026 07:02
Born Beloved: Whe...
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Why We Need Mischief


The OTHERED Substack is becoming The Order of Holy Mischief


Like everyone else, I’ve been slack-jawed watching the news and admiring the photos comin Read more of this blog post »
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Walking the Way of Harriet Tubman by Therese Taylor-Stinson
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The Goldfinch by Donna Tartt
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The Art Thief by Michael Finkel
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Live Laugh Love by Kristin Kobes Du Mez
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Born Beloved by Tyler G. Hill
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Love like a Mother by Elizabeth Berget
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Communion by bell hooks
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Of Prophets, Priests, and Poets by Brian J. Walsh
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More of Jenai's books…
Alexandre Dumas
“All human wisdom is contained in these two words - Wait and Hope”
Alexandre Dumas, The Count of Monte Cristo

Alexandre Dumas
“Moral wounds have this peculiarity - they may be hidden, but they never close; always painful, always ready to bleed when touched, they remain fresh and open in the heart.”
Alexandre Dumas, The Count of Monte Cristo

Dorothy L. Sayers
“Perhaps it is no wonder that the women were first at the Cradle and last at the Cross. They had never known a man like this Man - there never has been such another. A prophet and teacher who never nagged at them, never flattered or coaxed or patronised; who never made arch jokes about them, never treated them either as "The women, God help us!" or "The ladies, God bless them!"; who rebuked without querulousness and praised without condescension; who took their questions and arguments seriously; who never mapped out their sphere for them, never urged them to be feminine or jeered at them for being female; who had no axe to grind and no uneasy male dignity to defend; who took them as he found them and was completely unself-conscious. There is no act, no sermon, no parable in the whole Gospel that borrows its pungency from female perversity; nobody could possibly guess from the words and deeds of Jesus that there was anything "funny" about woman's nature.”
Dorothy L. Sayers, Are Women Human? Penetrating, Sensible and Witty Essays on the Role of Women in Society

P.G. Wodehouse
“I’m not absolutely certain of my facts, but I rather fancy it’s Shakespeare – or, if not, some equally brainy bird – who says that it’s always just when a fellow is feeling particularly braced with things in general that Fate sneakes up behind him with a bit of lead piping”
P.G. Wodehouse, Carry On, Jeeves

Leo Tolstoy
“He thought of nothing, wished for nothing, but not to be left behind the peasants, and to do his work as well as possible. He heard nothing but the swish of scythes, and saw before him Tit's upright figure mowing away, the crescent-shaped curve of the cut grass, the grass and flower heads slowly and rhythmically falling before the blade of his scythe, and ahead of him the end of the row, where would come the rest.

Suddenly, in the midst of his toil, without understanding what it was or whence it came, he felt a pleasant sensation of chill on his hot, moist shoulders. He glanced at the sky in the interval for whetting the scythes. A heavy, lowering storm cloud had blown up, and big raindrops were falling. Some of the peasants went to their coats and put them on; others--just like Levin himself--merely shrugged their shoulders, enjoying the pleasant coolness of it.

Another row, and yet another row, followed--long rows and short rows, with good grass and with poor grass. Levin lost all sense of time, and could not have told whether it was late or early now. A change began to come over his work, which gave him immense satisfaction. In the midst of his toil there were moments during which he forgot what he was doing, and it came all easy to him, and at those same moments his row was almost as smooth and well cut as Tit's. But so soon as he recollected what he was doing, and began trying to do better, he was at once conscious of all the difficulty of his task, and the row was badly mown.”
Leo Tolstoy, Anna Karenina
tags: levin

44997 Christian Nonfiction Lovers Book Club — 1136 members — last activity Apr 08, 2026 06:29AM
Do you love Christian nonfiction? Amidst the romance, thrillers, Sci-fi, and YA, this group offers room for discussion on real-life, faith, and spir ...more
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