Stephen Sachs

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Stephen Sachs

Goodreads Author


Born
in San Francisco, The United States
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Member Since
September 2012


Stephen Sachs is the author of eighteen produced plays. They include Fatherland, Human Interest Story, his Deaf/Hearing love story, Arrival & Departure (Critic's Choice, LA Times), his stage adaptation of William Goldman's screenplay for All the President's Men, his stage adaptation of Claudia Rankine's Citizen: An American Lyric (winner 2016 Stage Raw Award for Best Stage Adaptation, Fountain Theatre and Kirk Douglas in Los Angeles and Pure Theatre, Charleston, SC), Heart Song (Fountain Theatre and Florida Rep), Cyrano (LA Drama Critics Circle Award, Best New Play) and Bakersfield Mist (2012 Elliot Norton Award, Best New Play) which received a 3-month run on London’s West End starring Kathleen Turner and McDiarmid and is now being produced ...more

Average rating: 3.88 · 58 ratings · 6 reviews · 6 distinct worksSimilar authors
Bakersfield Mist

3.67 avg rating — 33 ratings — published 2014 — 4 editions
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Sweet Nothing in My Ear: A ...

4.44 avg rating — 16 ratings
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Bakersfield Mist

3.40 avg rating — 5 ratings — published 2015
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Fatherland

really liked it 4.00 avg rating — 3 ratings
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Miss Julie: Freedom Summer

really liked it 4.00 avg rating — 1 rating
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Re-Creating the Circle: The...

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0.00 avg rating — 0 ratings — published 2011 — 5 editions
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Slouching Towards...
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A masterwork that unspools like a visceral, fever dream. The book's audacity thrilled me. Not because it rushes forth in one unceasing, heated, writhing sentence. Not because Kraus' hyper-detailing of war wounds and battlefields is purposely vivid an ...more
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Joan Didion
“I'm not telling you to make the world better, because I don't think that progress is necessarily part of the package. I'm just telling you to live in it. Not just to endure it, not just to suffer it, not just to pass through it, but to live in it. To look at it. To try to get the picture. To live recklessly. To take chances. To make your own work and take pride in it. To seize the moment. And if you ask me why you should bother to do that, I could tell you that the grave's a fine and private place, but none I think do there embrace. Nor do they sing there, or write, or argue, or see the tidal bore on the Amazon, or touch their children. And that's what there is to do and get it while you can and good luck at it.”
Joan Didion

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