Samuel DenHartog's Blog: The Road to 1,440 - Posts Tagged "nightmares"

Venture into the Shadows with "Twenty-One Nightmares"

Hello, my fellow thrill-seekers and lovers of the macabre!

Today, we are going to plunge into my new psychological horror novel, Twenty-One Nightmares. Prepare to descend into a world where the line between reality and terror is as thin as a shadow in the moonlight.

"Twenty-One Nightmares" invites you to step into the shoes of Alicia, a woman plagued by a series of harrowing dreams. Each chapter unfolds a new nightmare, more disturbing and gripping than the last. From the depths of a drowning city to the twisted corridors of an endless maze, Alicia's sleep is a canvas for horrors that blur the boundaries of her reality. It's a story that weaves a rich tapestry of suspense, emotion, and introspection.

This is not just a collection of nightmares; it's an exploration of the psyche, a journey through the darkest corners of the human mind. Alicia's dreams are more than figments of imagination; they manifest her deepest fears and unresolved traumas. As the line between her nightmares and waking life becomes increasingly blurred, we are left to wonder: what is the root of these terrors? You'll find yourself not just fearing for Alicia but also empathizing with her, understanding that sometimes our nightmares reveal more about us than our waking life.

So, brace yourselves for a journey bound to unsettle and fascinate in equal measure. Twenty-One Nightmares promises to be an immersive experience, a reminder that sometimes the scariest monsters lurk within the recesses of our own minds.

Here's to the things that go bump in the night!
Samuel DenHartog
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Published on February 02, 2024 04:07 Tags: horror, nightmares, psychological, suspense, terror, thriller

The Road to 1,440

Samuel DenHartog
I'm Samuel DenHartog, and at 51, at the end of November of 2023, I've embarked on a remarkable journey as a writer. My diverse background in computer programming, video game development, and film prod ...more
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