Andrew Bridgeman's Blog - Posts Tagged "thriller"
Book Launch 99¢ Kindle Sale
Starting tomorrow, September 26, through October 14th we'll be doing a 99¢ Kindle sale. If you've been planning to read FORTUNATE SON, you might want to jump on this. If you've already read it and you think others might enjoy it too, please spread the word.
We need to jumpstart the Amazon algorithm so that people can start finding the book.
As alway, leaving a review is so helpful to authors like me.
Okay, sales pitch is over. Thanks!!
We need to jumpstart the Amazon algorithm so that people can start finding the book.
As alway, leaving a review is so helpful to authors like me.
Okay, sales pitch is over. Thanks!!
Why I Write Thrillers
"What's your book about?"
When literary agent Janet Reid asked me that question at the 2019 Writer's Digest Conference in New York City, I thought I had an answer. I'd been writing for three years, crafting what I believed was a compelling historical novel set in 1740s New Hampshire. I had characters with depth, dialogue that rang true, and sentences that were crisp and literary.
But as I stammered through my response about a boy growing up in colonial times, Janet shook her head. "No," she said. "I want to know what your book is ABOUT."
In that moment, she diagnosed my writing disease: I had characters and a setting, but I didn't have a story.
That seven-hour ride home to New Hampshire changed everything. By the time I reached my driveway, I'd made a decision that would reshape my entire writing career—I was going to put my story in the drawer and begin again.
With a thriller.
The Story Muscle
The weakest part of my story muscle was plot—the engine that drives storytelling. That's why I chose thrillers. There's no hiding. Thrillers demand relentless forward momentum. Every scene must power toward the next. Every chapter must end with a hook. Every character decision must raise the stakes.
This wasn't about choosing an easier path—it was about choosing the genre that would force me to develop the writing muscle I needed most. Plot. Suspense. The ability to tell a story that grips readers and doesn't let go.
Don't get me wrong—thrillers can and should have beautiful prose. They can be cinematic and literary. But elegant sentences must always serve the story’s momentum.
The shift was liberating. Instead of getting lost in research about colonial farming techniques, I could focus entirely on the human element—on moral complexity, difficult choices, and the razor's edge between right and wrong that makes for compelling characters. I could explore themes of family loyalty, buried secrets, and the prices we pay for our past decisions without losing narrative drive.
The psychological landscape became my playground, and that's where the best stories live.
Finding My Voice
What surprised me most was how naturally thriller writing came. Those years of developing my craft hadn't been wasted—they'd been preparation. The character depth I'd learned to create served me well when building protagonists facing impossible choices. The dialogue skills translated perfectly to tense confrontations and revelations. The literary sensibilities helped me craft thrillers with substance beneath the suspense.
But more than that, I discovered that thrillers matched something fundamental about how I see the world. Life is unpredictable. Good people make bad choices. The past never stays buried. Trust is fragile, and the people closest to us often harbor the deepest secrets.
These aren't just plot devices in my novels—they're the human truths that fascinate and frighten me.
What This Means for You
When you pick up one of my books, you're getting a story built on that hard-earned understanding of what makes narrative work. Every twist serves a purpose. Every revelation emerges from character, not coincidence. Every ending feels both surprising and inevitable because it grew from the conflicts and choices that came before.
I write thrillers because they force me to honor the contract between author and reader: I will tell you a story that matters, populated by people who feel real, driven by stakes that keep climbing until the very last page.
That's what Janet Reid taught me that day in New York, even if she didn't realize it. She wasn't just asking about plot points or character arcs. She was asking about the fundamental promise every story makes to its reader.
What are my books about?
Keeping that promise.
Who Are Your Favorite Thriller Authors? Comment below and share your thoughts.
Fortunate Son
When literary agent Janet Reid asked me that question at the 2019 Writer's Digest Conference in New York City, I thought I had an answer. I'd been writing for three years, crafting what I believed was a compelling historical novel set in 1740s New Hampshire. I had characters with depth, dialogue that rang true, and sentences that were crisp and literary.
But as I stammered through my response about a boy growing up in colonial times, Janet shook her head. "No," she said. "I want to know what your book is ABOUT."
In that moment, she diagnosed my writing disease: I had characters and a setting, but I didn't have a story.
That seven-hour ride home to New Hampshire changed everything. By the time I reached my driveway, I'd made a decision that would reshape my entire writing career—I was going to put my story in the drawer and begin again.
With a thriller.
The Story Muscle
The weakest part of my story muscle was plot—the engine that drives storytelling. That's why I chose thrillers. There's no hiding. Thrillers demand relentless forward momentum. Every scene must power toward the next. Every chapter must end with a hook. Every character decision must raise the stakes.
This wasn't about choosing an easier path—it was about choosing the genre that would force me to develop the writing muscle I needed most. Plot. Suspense. The ability to tell a story that grips readers and doesn't let go.
Don't get me wrong—thrillers can and should have beautiful prose. They can be cinematic and literary. But elegant sentences must always serve the story’s momentum.
The shift was liberating. Instead of getting lost in research about colonial farming techniques, I could focus entirely on the human element—on moral complexity, difficult choices, and the razor's edge between right and wrong that makes for compelling characters. I could explore themes of family loyalty, buried secrets, and the prices we pay for our past decisions without losing narrative drive.
The psychological landscape became my playground, and that's where the best stories live.
Finding My Voice
What surprised me most was how naturally thriller writing came. Those years of developing my craft hadn't been wasted—they'd been preparation. The character depth I'd learned to create served me well when building protagonists facing impossible choices. The dialogue skills translated perfectly to tense confrontations and revelations. The literary sensibilities helped me craft thrillers with substance beneath the suspense.
But more than that, I discovered that thrillers matched something fundamental about how I see the world. Life is unpredictable. Good people make bad choices. The past never stays buried. Trust is fragile, and the people closest to us often harbor the deepest secrets.
These aren't just plot devices in my novels—they're the human truths that fascinate and frighten me.
What This Means for You
When you pick up one of my books, you're getting a story built on that hard-earned understanding of what makes narrative work. Every twist serves a purpose. Every revelation emerges from character, not coincidence. Every ending feels both surprising and inevitable because it grew from the conflicts and choices that came before.
I write thrillers because they force me to honor the contract between author and reader: I will tell you a story that matters, populated by people who feel real, driven by stakes that keep climbing until the very last page.
That's what Janet Reid taught me that day in New York, even if she didn't realize it. She wasn't just asking about plot points or character arcs. She was asking about the fundamental promise every story makes to its reader.
What are my books about?
Keeping that promise.
Who Are Your Favorite Thriller Authors? Comment below and share your thoughts.
Fortunate Son
