N+M

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N+M


Born
in Leominster, MA, The United States
June 15, 1986

Twitter

Genre

Influences
Movies/cinema, Japanese anime, comics/manga, video games, mythology/mo ...more


Average rating: 4.23 · 1,328 ratings · 561 reviews · 70 distinct worksSimilar authors
Noir (Crimson Shadow, #1)

3.74 avg rating — 324 ratings — published 2012 — 16 editions
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Death Metal

4.55 avg rating — 40 ratings — published 2011 — 10 editions
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Wicked Paints (Crimson Shad...

4.70 avg rating — 37 ratings — published 2012 — 2 editions
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The Fighter (Behind The Vai...

4.49 avg rating — 37 ratings — published 2012 — 2 editions
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Sins of the Father (Crimson...

4.61 avg rating — 36 ratings — published 2012 — 9 editions
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A Howl at the Moon

3.93 avg rating — 28 ratings — published 2013 — 4 editions
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Victim

4.74 avg rating — 23 ratings — published 2012
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Magic Murderer

4.80 avg rating — 20 ratings — published 2012
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Forbidden Dance (Crimson Sh...

4.79 avg rating — 19 ratings — published 2014 — 6 editions
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What Happens in Vegas

it was amazing 5.00 avg rating — 17 ratings — published 2012
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More books by N+M…
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Quotes by N+M  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Brian came in heavy at that moment on his guitar, the rapid, high-pitched squeal ranging back and forth as his fingers flew along the frets. As the intro's tempo grew more rapid, Bekka heard Derek's subtle bass line as it worked its way in. After another few seconds Will came in, slow at first, but racing along to match the others' pace. When their combined efforts seemed unable to get any heavier, David jumped into the mix.

As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response.

Bekka smiled to herself.

This is what she lived for.”
Nathan Squiers, Death Metal

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