N+M
Born
in Leominster, MA, The United States
June 15, 1986
Twitter
Genre
Influences
Movies/cinema, Japanese anime, comics/manga, video games, mythology/mo
...more
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Noir (Crimson Shadow, #1)
16 editions
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published
2012
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Death Metal
10 editions
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published
2011
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Wicked Paints (Crimson Shadow, #0.5)
2 editions
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published
2012
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The Fighter (Behind The Vail, #0.5)
2 editions
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published
2012
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Sins of the Father (Crimson Shadow, #2)
9 editions
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published
2012
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A Howl at the Moon
4 editions
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published
2013
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Victim
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published
2012
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Magic Murderer
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published
2012
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Forbidden Dance (Crimson Shadow #3)
6 editions
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published
2014
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What Happens in Vegas
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published
2012
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“Brian came in heavy at that moment on his guitar, the rapid, high-pitched squeal ranging back and forth as his fingers flew along the frets. As the intro's tempo grew more rapid, Bekka heard Derek's subtle bass line as it worked its way in. After another few seconds Will came in, slow at first, but racing along to match the others' pace. When their combined efforts seemed unable to get any heavier, David jumped into the mix.
As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response.
Bekka smiled to herself.
This is what she lived for.”
― Death Metal
As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response.
Bekka smiled to herself.
This is what she lived for.”
― Death Metal
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