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Brian Astbury

Goodreads Author

Born

South Africa

Twitter

brianastbury

Genre

Nonfiction, Theatre, Writing

Member Since

August 2012

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In the 70’s Brian Astbury founded and ran South Africa’s first non-racial theatre/arts venue, The Space, where he commissioned plays like Sizwe Banzi is dead, The Island and Statements after an arrest under the Immorality Act. The Space was the first theatre to engage resident playwrights. Athol Fugard, Pieter-Dirk Uys, Geraldine Aron (all of whom have since enjoyed successful careers on the international stage) and Fatima Dike, South Africa’s first black woman playwright, among others. Throughout its seven-year existence it survived entirely on the proceeds of its box office, never receiving any subsidies from an unsympathetic Government. Currently, many of the mainstays of post-Apartheid’s theatre and television community began life at Th In the 70’s Brian Astbury founded and ran South Africa’s first non-racial theatre/arts venue, The Space, where he commissioned plays like Sizwe Banzi is dead, The Island and Statements after an arrest under the Immorality Act. The Space was the first theatre to engage resident playwrights. Athol Fugard, Pieter-Dirk Uys, Geraldine Aron (all of whom have since enjoyed successful careers on the international stage) and Fatima Dike, South Africa’s first black woman playwright, among others. Throughout its seven-year existence it survived entirely on the proceeds of its box office, never receiving any subsidies from an unsympathetic Government. Currently, many of the mainstays of post-Apartheid’s theatre and television community began life at The Space.

In the 80’s he moved to London when his wife, the actor Yvonne Bryceland, joined the National Theatre Company. He became a teacher, first at LAMDA, then, in the 90’s at Mountview. Here he started to teach actors how to devise and write their own scripts.

In 1989 he set up Arts Threshold to teach graduate students how to survive by staging their own work. Their first production – The Guise by David Mowat, directed by Astbury – won a Fringe First Award at the Edinburgh Festival and was invited to tour to Romania, Hong Kong and America. From their theatre base in Paddington the group staged productions throughout the year. Everyone worked without pay, all proceeds of the box office going to keep the venue running. Director, Rufus Norris – currently Director of the National Theatre; designer, Katrina Lindsay – winner of a Tony Award in New York for her stage designs, and currently also designing for the National Theatre; actor Julie Hesmondhalgh and many others received their first opportunities through Arts Threshold.

In 2003 he joined E15 Acting School where he set up the Contemporary Theatre Practice course to teach actors, directors and writers the arts of survival through production of their own material. Later he headed the MA in Professional Theatre for Writers and Directors, before retiring in 2008.

He has come out of retirement to start a new course - The Forge Initiative – at the Academy of Performance Training in Guildford. This is a course in survival for graduate theatre practitioners that will train working companies of directors, actors, writers and film-makers to create, write, publicise and produce the kind of energised, committed theatre that they all believe in.

Over the years Astbury has formulated techniques for training actors, writers and directors in collaboration with his students. Many of these techniques have their basis in the use of energy and emotion to free the practitioner’s imagination, allowing actors to understand and be able to access the mysterious state known as ‘being in the moment’. He has also developed methods of accessing and freeing the imagination of actors and writers through the use of mind-mapping and image-streaming. This is particularly useful in areas such as Devising, Line Learning, Character Development. It is also of help to dyslexics, as it frees them from the exigencies of printed text.

The development of these techniques forms the basis of his book – Trusting the Actor . He is currently working on two further books. Create Theatre - a DIY Manual puts together further techniques for acting, as well as more practical methods for surviving in the real world. Everyone Can Write is a practical manual (subtitled How NOT to learn how to write) based on Astbury's experience of teaching actors the basics of narrative structure and how to write their own plays.
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Brian Astbury’s books

Average rating: 4.3 · 27 ratings · 7 reviews · 12 distinct works

	Trusting the Actor: New Techniques for Actor Training 4.28 avg rating — 18 ratings — published 2011 — 3 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Everyone Can Write: How NOT to learn how to write 4.33 avg rating — 3 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Jelly it was amazing 5.00 avg rating — 2 ratings — published 2011 — 3 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Trust Life: Crossroads and Cycles liked it 3.00 avg rating — 2 ratings — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Everyone Can Write: How NOT to Learn How to Write it was amazing 5.00 avg rating — 1 rating	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Trust Life: Crossroads and Cycles it was amazing 5.00 avg rating — 1 rating — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	ORESTES - Athol Fugard's Lost Play 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	The Everyone Can Write Workbook 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	The Actor's Workbook 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	10 Beautiful Things 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars

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Brian Astbury's Blog

Nobody wants me?! See if I care....

So, there I was, comprehensively rejected by the Publishing Industry. Humph! I thought, tied my text in a handkerchief, hung it on a stick, put this over my shoulder, and set off tramping into the cold, cold world alone. 'I'll show them!' I thought, 'They'll regret it when I sell thousands and thousands of copies... somewhere...'

Research brought me to Lulu. Here I could self-publish. As always I Read more of this blog post »

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Published on August 29, 2013 04:54

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Brian is Currently Reading

Brian Astbury is currently reading

Supersense: From Superstition to Religion - The Brain Science of Belief

by Bruce M. Hood

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Sep 05, 2013 03:57AM

Brian Astbury is currently reading

Economyths: How the Science of Complex Systems is Transforming Economic Thought

by David Orrell (Goodreads Author)

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Aug 29, 2013 04:00AM

Brian’s Quotes

“It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil trying to keep up long enough to put down what he says and does.”
― William Faulkner

tags: characters, writing

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