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Jonathan Jones

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History, Art History

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JONATHAN JONES is art critic for The Guardian and writes for numerous art magazines. He appears regularly on the BBC and gives talks at the Tate Modern.

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Jonathan Jones's Blog

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Máret Ánne Sara’s Turbine Hall review – did no one think to ask her for a little bit more?

Tate Modern, London
The Sámi artist may use reindeer skulls and bones, but her spiralling wooden fences are so slight they fail to impose themselves on the venue’s vast space – or the imagination

The Tate Turbine Hall, in case you didn’t know, is quite big. It gives an artist a unique opportunity to work on an epic scale and animate this colossal post-industrial space all the way from piazza floor t

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Jonathan Jones’s books

Average rating: 4.03 · 1,143 ratings · 124 reviews · 179 distinct works • Similar authors

	The Lost Battles : Leonardo, Michelangelo, and the Artistic Duel that Defined the Renaissance 3.73 avg rating — 370 ratings — published 2010 — 12 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Artemisia Gentileschi by Jonathan Jones, Artemisia Gentileschi (illustrator) 3.66 avg rating — 129 ratings — 4 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Earthly Delights: A History of the Renaissance 4.46 avg rating — 54 ratings — published 2023	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	The Loves of the Artists: Art and Passion in the Renaissance 3.84 avg rating — 61 ratings — published 2012 — 9 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Tracey Emin 4.27 avg rating — 44 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Sensations: The Story of British Art from Hogarth to Banksy 4.13 avg rating — 23 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Tracey Emin: Works 2007-2017 4.21 avg rating — 14 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	HACKING : An unofficial anonymous guide : Windows and Internet really liked it 4.00 avg rating — 13 ratings — published 2015	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	BUGLE BOY it was amazing 5.00 avg rating — 4 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	www.streets 4.75 avg rating — 4 ratings — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars

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Quotes by Jonathan Jones (?)

“Art in sixteenth-century Florence was not a “soft” activity compared with the real world where “hard” reality prevailed. Images were powerful. Paintings and statues in churches could possess miraculous powers or manifest protective saints.”
― Jonathan Jones, The Lost Battles: Leonardo, Michelangelo And The Artistic Duel That Sparked The Renaissance

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“Today, in sixteenth-century Italy, says Machiavelli, the pieties of the Church honour weakness and celebrate “humility.” Christianity’s tranquillizing effect pacifies citizens and makes them easy to tyrannise.”
― Jonathan Jones, The Lost Battles: Leonardo, Michelangelo And The Artistic Duel That Sparked The Renaissance

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“Perhaps that is part of Magritte’s point. We exist, and then we don’t. The world will be there when we are gone. The dull factuality of physical things does not need human perception to make it persist. Thinking about this through Magritte’s eyes becomes terrifying: that when you leave your home and lock the door all the objects in it still exist, unconscious as they are, without any need to be known, to be seen, by a conscious human.

That’s one eerie way of looking at it, but there is no easy way to “decode” a Magritte painting. His art placidly and calmly asks terrifying questions about the solid things we take for granted.

You know nothing, smiles the bowler-hatted magician, as he pulls away the rug from under your feet to reveal there’s no floor, either. And that’s not even a pipe you’re holding in your hand.

"This is not an article: why René Magritte is a timeless genius”
― Jonathan Jones

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Topics Mentioning This Author

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The History Book ...: * THE RENAISSANCE	105	546	Nov 20, 2024 04:06AM
The History Book ...: ANDREA'S 50 BOOKS READ IN 2020	435	927	19 hours, 56 min ago

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