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Helen Laycock

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Helen Laycock

Goodreads Author


Born
The United Kingdom
Website

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Member Since
February 2012

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SHORT STORIES
Helen Laycock's short stories appear in a variety of anthologies, such as the Cabinet of Heed and An Earthless Melting Pot, in magazines, and in her own collections, and have been successful in many writing competitions. Her first attempt at play-writing secured her a shortlisting in Pint-Sized Plays in 2016.

FLASH FICTION
In 2018, she was commissioned as a lead writer at Visual Verse and her flash fiction has featured in several editions of The Best of CafeLit. Pieces have been showcased in Reflex Fiction, the Ekphrastic Review, Paragraph Planet, Serious Flash Fiction, the Beach Hut, and Lucent Dreaming – whose inaugural flash competition she won. She was longlisted in Mslexia’s 2019 flash fiction competition and her work has ap
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Popular Answered Questions

Helen Laycock Hi, Anna – and how lovely to hear from you!
I think that in order to write stories for children, you need to know children in some way because then you…more
Hi, Anna – and how lovely to hear from you!
I think that in order to write stories for children, you need to know children in some way because then you have some understanding of what makes them laugh, what keeps them interested and, also, what to steer away from! I was a former primary school teacher, and I think that has helped me a great deal. Most of my stories are mysteries, but I enjoy writing humour too.

Characterisation is important. You want your readers to feel some connection with the protagonist if they are to care what happens to them, so keeping them real – and flawed, perhaps, is crucial. Read back the dialogue. Does it sound natural?

Many children have short attention spans, so getting those first few lines and that opening chapter right is essential to keep them focussed. Also, I think, avoid unnecessary detail; if it’s not essential to the plot, then omit it. Equally, chapter endings need to be exciting so that they don’t want to put down the book!

The hook of the story is what will keep children reading; there could be a mystery to solve, or magic at work… Usually, there is something important at stake and so we invest in the main character and will them to succeed. Very often there is an element of danger. I think there is always a change for the better in the protagonist as they have had to overcome some obstacle and have found an element of resilience which, perhaps, at the beginning of the tale, they lacked.

Children enjoy being taken along for a thrilling ride, but they must also be brought safely back down. Resolution is important, and the acknowledgement that there is nothing to fear by the end of the tale.

And, of course, humour always appeals to children. This could be in the form of caricature, or situation. The trouble is, what we think is funny is not always funny to 8-year-olds!

It’s an absolute joy to write for children as the subject matter is limitless; let your imagination run riot!

Hope that’s helpful.

Helen
(less)
Helen Laycock Hi Larry,
In this day and age, I think there are very few (lucky) writers who make a career out of writing alone, selling their books in their millions…more
Hi Larry,
In this day and age, I think there are very few (lucky) writers who make a career out of writing alone, selling their books in their millions, watching their stories being transposed to film and even enjoying the spin-off of sales from related merchandise.

I am not one of them. Bah!

So, in answer to your question, I have to be honest and say that my drive has never been financial. I have tales to tell, and that's that. A writer has to write, an artist has to paint and a musician has to compose, and the process is made all the better for having a responsive audience. Finding the right words to create a reaction in a reader is reward enough... though, of course, I wouldn't say no to all the extra perks!(less)
Average rating: 4.4 · 118 ratings · 93 reviews · 21 distinct works
Mandrake's Plot

4.06 avg rating — 18 ratings — published 2011 — 3 editions
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Peace and Disquiet

4.31 avg rating — 13 ratings — published 2012 — 5 editions
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The Secret of Pooks Wood

4.25 avg rating — 12 ratings — published 2014 — 4 editions
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Light Bites

4.18 avg rating — 11 ratings — published 2012 — 2 editions
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Glass Dreams

4.89 avg rating — 9 ratings — published 2011 — 3 editions
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Salt

4.22 avg rating — 9 ratings — published 2011 — 7 editions
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Song of the Moon

4.38 avg rating — 8 ratings — published 2011 — 6 editions
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Minor Discord

4.38 avg rating — 8 ratings — published 2014 — 3 editions
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Martha and Mitch

4.50 avg rating — 6 ratings — published 2011 — 3 editions
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A Mouthful of Chuckles

it was amazing 5.00 avg rating — 3 ratings — published 2012 — 2 editions
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Poetry Showcase

Delighted to have been given a #poetry showcase at Fevers of the Mind.


#poetrycommunity #poetrylovers

https://feversofthemind.com/2023/08/1...

Frame by Helen Laycock Breathe by Helen Laycock Rapture by Helen Laycock 13 by Helen Laycock Read more of this blog post »
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Published on August 15, 2023 05:52 Tags: poetry
Magpie
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Never Let Me Go
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Quotes by Helen Laycock  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“That winter everything changed. Stella had lost not only her twin but her best friend. Bayonie was never mentioned again, so that, in time, Stella wondered if she really had ever existed.”
Helen Laycock, The Secret of Pooks Wood

“As their eyes became accustomed to the light, the girls were startled to see the figure in front of them. Hunched over, wearing a dark cloak, was an old man. His long, white hair straggled over his shoulders, his skin was covered with grey whiskers and one of his eyes, hooded, drooped below the other bulging one. His mouth hung open and his yellowed teeth did nothing to stop his rank breath pervading the air.”
Helen Laycock, Mandrake's Plot

“He really just wanted to blurt out, ‘My Grandma’s dead’, but he knew that when it came to it, the words would stick like pebbles in his throat.”
Helen Laycock, Glass Dreams

Topics Mentioning This Author

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The Book Shelf: MG Mystery and Adventure 1 1 Dec 02, 2017 04:42AM  
Great Middle Grad...: This topic has been closed to new comments. What shall we read for NOVEMBER? - RUN-OFF POLL 28 59 Nov 01, 2018 05:02AM  
Great Middle Grad...: BOTM for November is MANDRAKE'S PLOT 39 39 Nov 27, 2018 10:31AM  
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“Maybe it’s like this, Max--you know how, when you are working on a long and ordered piece, all sorts of bright and lovely ideas and images intrude. They have no place in what you are writing, and so if you are young, you write them in a notebook for future use. And you never use them because they are sparkling and alive like colored pebbles on a wave-washed shore. It’s impossible not to fill your pockets with them. But when you get home, they are dry and colorless. I’d like to pin down a few while they are still wet.”
John Steinbeck

“Do not follow where the path may lead.
Go instead where there is no path and leave a trail.”
Harold McAlindon

“He really just wanted to blurt out, ‘My Grandma’s dead’, but he knew that when it came to it, the words would stick like pebbles in his throat.”
Helen Laycock, Glass Dreams

“That winter everything changed. Stella had lost not only her twin but her best friend. Bayonie was never mentioned again, so that, in time, Stella wondered if she really had ever existed.”
Helen Laycock, The Secret of Pooks Wood

“As their eyes became accustomed to the light, the girls were startled to see the figure in front of them. Hunched over, wearing a dark cloak, was an old man. His long, white hair straggled over his shoulders, his skin was covered with grey whiskers and one of his eyes, hooded, drooped below the other bulging one. His mouth hung open and his yellowed teeth did nothing to stop his rank breath pervading the air.”
Helen Laycock, Mandrake's Plot

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Richard Dominguez Thank you for the friend


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