Christopher Llewellyn Reed

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Christopher Llewellyn Reed

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Born
February 11

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March 2012

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Christopher Llewellyn Reed is a filmmaker and the Chair of the Film/Video Department at Stevenson University, near Baltimore. He holds an undergraduate degree from Harvard in Slavic Languages and Literatures (specialization in Russian), a Master's Degree from Yale in Russian and East European Studies (specialization in film), and an MFA from NYU's Tisch School of the Arts in Film Production.

Chris's book on film editing history and technique - Film Editing: Theory and Practice - was published by Mercury Learning and Information in 2012, as part of its "Digital Filmmaker Series" for high school and college students. His own focus as a filmmaker has been primarily on documentary and promotional work, with some narrative mixed in. He recently
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Average rating: 4.75 · 4 ratings · 1 review · 2 distinct works
Film Editing: Theory and Pr...

4.75 avg rating — 4 ratings — published 2012 — 5 editions
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Film Editing Theory and Pra...

0.00 avg rating — 0 ratings2 editions
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Middleburg 2025 Coverage at “Film Festival Today” and “Hammer to Nail”

This year’s Middleburg Film Festival took place from October 16 to October 19. I ran a curtain at Film Festival … More
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Published on November 04, 2025 09:39
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New/Next 2025 at “Film Festival Today” and “Hammer to Nail”

The 2025 New/Next Film Festival ran October 2-5 in Baltimore. I wrote a curtain raiser and one review for Film … More
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More of Christopher's books…
Milan Kundera
“The irresistible proliferation of graphomania shows me that everyone without exception bears a potential writer within him, so that the entire human species has good reason to go down into the streets and shout: we are all writers! for everyone is pained by the thought of disappearing, unheard and unseen, into an indifferent universe, and because of that everyone wants, while there is still time, to turn himself into a universe of words. one morning (and it will be soon), when everyone wakes up as a writer, the age of universal deafness and incomprehension will have arrived.”
Milan Kundera

Margaret Atwood
“When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It's only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.”
Margaret Atwood, Alias Grace

Hilary Mantel
“It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.”
Hilary Mantel, Wolf Hall

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