Thomas Schatz’s Followers (12)

Thomas Schatz

Born

in The United States

October 27, 1948

Website

https://rtf.utexas.edu/faculty/tom-schatz

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Tom Schatz is the Mary Gibbs Jones Centennial Chair (and interim chairman) of the Department of Radio-Television-Film at The University of Texas at Austin, where he has been on the faculty since 1976, and is the Executive Director of the University of Texas Film Institute. He has written four books about Hollywood films and filmmaking, including Hollywood Genres: Formulas, Filmmaking, and the Studio System; The Genius of the System: Hollywood Filmmaking in the Studio Era; and Boom and Bust: American Cinema in the 1940s. Schatz edited the four-volume collection, Hollywood: Critical Concepts, and he also serves as series editor of the Film and Media Studies Series for the University of Texas Press. Schatz's writing on film has appeared in num Tom Schatz is the Mary Gibbs Jones Centennial Chair (and interim chairman) of the Department of Radio-Television-Film at The University of Texas at Austin, where he has been on the faculty since 1976, and is the Executive Director of the University of Texas Film Institute. He has written four books about Hollywood films and filmmaking, including Hollywood Genres: Formulas, Filmmaking, and the Studio System; The Genius of the System: Hollywood Filmmaking in the Studio Era; and Boom and Bust: American Cinema in the 1940s. Schatz edited the four-volume collection, Hollywood: Critical Concepts, and he also serves as series editor of the Film and Media Studies Series for the University of Texas Press. Schatz's writing on film has appeared in numerous magazines, newspapers, and academic journals, including The New York Times, the Los Angeles Times, Premiere, The Nation, Film Comment, Film Quarterly, and Cineaste.

Schatz lectures widely on American film and television in the U.S. and abroad, and he has delivered talks and conducted seminars for the Motion Picture Academy, the Directors Guild of America, the American Film Institute and the Los Angeles Film School. Schatz also is engaged in media production, has consulted and provided on-screen commentary for a number of film and television documentaries, and is co-producer of "The Territory," a long-running regional PBS series that showcases independent film and video work.

Schatz's recent publications include an essay on "Band of Brothers" in The Essential HBO Reader (2008) and "The Studio System and Conglomerate Hollywood," the lead essay in The Contemporary Hollywood Film Industry (2008). Current publishing projects include a study of contemporary Hollywood and a revised edition of Hollywood Genres.

As Executive Director of the UT Film Institute, which he founded and launched in 2003, Schatz oversees a program devoted to training students in narrative and digital filmmaking, and the actual production of feature-length independent films. ...more

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Average rating: 4.21 · 833 ratings · 76 reviews · 25 distinct works • Similar authors

	The Genius of the System: Hollywood Filmmaking in the Studio Era by Thomas Schatz, Steven Bach (Preface by) 4.28 avg rating — 681 ratings — published 1988	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Hollywood Genres: Formulas, Filmmaking, and the Studio System 3.80 avg rating — 81 ratings — published 1981 — 4 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Boom and Bust: American Cinema in the 1940s 4.09 avg rating — 32 ratings — published 1997 — 7 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Old Hollywood / New Hollywood: Ritual, Art, and Industry 3.83 avg rating — 6 ratings — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Hollywood:Crit Concepts V1 3.50 avg rating — 2 ratings — published 2003 — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Hollywood:Crit Concepts V2 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Hollywood:Crit Concepts V3 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Hollywood:Crit Concepts V4 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Universal: Hollywood Centenary (The Routledge Hollywood Centenary Series) 0.00 avg rating — 0 ratings — 2 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Künstlich Intelligenz im Alltag nutzen: Ein Handbuch für Einsteiger by Thomas Schatz, Sabrina Becker 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars

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Quotes by Thomas Schatz (?)

“MGM produced an occasional nonstar feature, although these were rare and usually had some obvious hook to draw audiences. A good example of this type of feature was The Fire Brigade, a 1926 project scheduled for a twenty-eight-day shoot and budgeted at $249,556. The picture starred May McAvoy, a “featured player” at MGM, and was directed by William Nigh. The second-class status of the project was obvious from the budget, with only $60,000 going for director, cast, story, and continuity. But the attractions in The Fire Brigade were spectacle, special effects, and fiery destruction rather than star and director. The budget allowed $25,000 for photographic effects and another $66,000 for sets, a relatively high figure since many of the sets for the picture had to be not only built and “dressed” but destroyed as well.”
― Thomas Schatz, The Genius of the System: Hollywood Filmmaking in the Studio Era

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“If you talk to God, you are praying. If God talks to you, you have Schizophrenia!”
― Thomas Schatz

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“One of the more interesting memos written during his two-week trial period urged Rapf to secure a print of The Battleship Potemkin, a recent film by Soviet filmmaker Sergei Eisenstein. “It possesses a technique relatively new to the screen,” wrote Selznick, “and I therefore suggest that it might be advantageous to have the organization view it in the same way that a group of artists might view and study a Rubens or a Raphael.”
― Thomas Schatz, The Genius of the System: Hollywood Filmmaking in the Studio Era

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Thomas Schatz’s Followers (12)

Thomas Schatz

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