David Rain's Blog - Posts Tagged "art-of-writing"

I have a notebook called, pretentiously no doubt, my ‘Commonplace Book.’ I took the title from E. M. Forster, the first writer – so far as I recall – whose book-length biography I read (the one by P. N. Furbank). Forster’s Commonplace Book was published, long after his death, by an American university press. I don’t expect mine to achieve such immortality, but I go back to it often. What I do in it is simple. I take quotations that have struck me in my reading, and copy them out by hand. Quotations may take in any subject that interests me, but more often than not the subject is literature. Here are thirty quotations I like. Do I really believe them all? Maybe not. But I find them interesting. Continue reading

Reading Pamela’s letters, readers came to feel that they were Pamela; Richardson had obliterated reality and substituted the Pamela-world in its stead. It is for this reason – and not, I would argue, for some putative development of ‘realism’ – that Richardson is most to be valued as a major imaginative genius. The defining characteristic… Continue reading

Writers are often asked about their favourite books, so here are some of mine. I say favourites, and that’s what I mean. This is not my list of the greatest books, or books I think everyone should read. Nor is it intended, consciously at least, as a list of my influences. These are simply books that have gripped me: fiction or non-fiction, adult or children’s fiction. There’s just one rule about what I include, and what I don’t. There are no fleeting enthusiasms here. Each book is one I can’t forget. They’re not listed below in order in preference, just alphabetical by author. Nor are these my only favourites, just the ones I’ve written about so far. Continue reading

There’s an anecdote about a board meeting at Desilu Studios in Hollywood, circa 1964, where Lucille Ball presided over the TV production empire she had set up with one-time husband Desi Arnaz. According to Desilu vice-president Herbert F. Solow, Lucy seldom said much during meetings. But one day, as Solow was about to update the board on series in development, network deals and the like, Lucy said suddenly: “Herb, what’s happening with that South Seas series?” Solow was perplexed. There was no South Seas series. Lucy said, “You know, Herb, that South Seas series you mentioned last time.” Solow, Lucy insisted, was producing a show about USO performers entertaining the troops in the South Seas during the war. Solow did not know what she was talking about. He said he had never mentioned a USO show. “Oh yes you did,” cried Lucy. “Oh, yes, you did, Herb. You called it Star Trek!” Continue reading

This is a (slightly rewritten) version of a paper delivered by David Rain at the Great Writing International Creative Writing Conference, Imperial College, London, on Saturday 29 June 2013.

The prolific English novelist, playwright and essayist J. B. Priestley published an excellent book about his literary career called Margin Released: A Writer’s Reminiscences and Reflections (1962). One section of the book, in which Priestley discusses his many publications, bears the title “I Had the Time.” He explains: “During the past thirty years or so, hundreds of people have told me they could write a good novel, play, or book of essays, if only they had the time. Well, I had the time.” Continue reading

I can’t remember when I first heard of the “Three Distances,” but I’ve been fascinated by the idea for many years. It’s a concept about how novels work – or, perhaps, should work – and strikes me as true. It explains why some novels seems trivial and others profound. It shows that the novel, as a form, has a purpose and a meaning. It helps distinguish the great (or good) novels from the bad ones and the fakes. It also suggests the stance a novelist should take towards his or her material. Continue reading