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Haikaa Yamamoto

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Haikaa Yamamoto

Goodreads Author


Born
in Santana do Itarare, Brazil
September 23, 1974

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Member Since
May 2012

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Born in Brazil in 1974, multicultural, singer-songwriter and author Haikaa grew up and lived in Japan and in the United States as well. Surrounded by almost contradictory notions of right or wrong, Haikaa ended up developing her own set of values and turning to her heart for guidance. This sense of freedom drives her creativity and permeates both her music and her writing. Her album “Work of Art” and her book “What is Diversity?” are both a tribute to the diversity in our world that she so dearly treasures.


Much to look forward to/Mal posso esperar

The “first...



Much to look forward to/Mal posso esperar



The “first time” I do anything without Mercuri is tough. First airplane trip, first Christmas, first visit to CVS… Also looking forward to the “first time” of completely new experiences, like going global with our @heyamigoapp to connect patients and volunteers for free assistance. #healingjournal



Fazer as coisas pela “primeira vez” sem o Mercuri tem sido

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Published on December 27, 2019 07:32
Average rating: 5.0 · 1 rating · 1 review · 1 distinct work
What is Diversity?

it was amazing 5.00 avg rating — 1 rating — published 2012 — 3 editions
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In Defense of Foo...
Haikaa Yamamoto rated a book it was amazing
by Michael Pollan (Goodreads Author)
bookshelves: currently-reading
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Haikaa Yamamoto Haikaa Yamamoto said: " In a democracy, voting is just one way in which we affect our society. What we eat also has a great impact. I love Michael's ideas and I will surely read this and other books by him soon. ...more "

 
Katsushika Hokusai
“From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie.”
Hokusai

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