Angela Mi Young Hur

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Angela Mi Young Hur

Goodreads Author


Born
Los Angeles, The United States
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December 2007


Angela Hur received a BA in English from Harvard and an MFA in Creative Writing from Notre Dame, where she won the Sparks Fellowship and Sparks Prize.

Folklorn was included in The New York Times Book Review’s Top 10 Sci-fi/Fantasy of ‘21 and NPR’s Books We Love. Also featured in Newsweek, The Boston Globe, LitHub & elsewhere. The novel was also optioned by AMC TV Networks for series development. (Now no longer, but what a ride!)

Before publication, Folklorn was chosen by Kelly Link for a Tin House novel mentorship through the Tin House Summer Workshop.

Hur has taught English Lit & Creative Writing at Hankuk University of Foreign Studies, in Seoul, Korea. She’s also taught for Writopia, a non-profit providing creative writing workshops for ch
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THE LOOM TREE: coming 6.30.26

An adult literary fantasy written for my kids and all of us children of fairy tales, about preserving our stories and histories and passing them on, defying those who seek to deny, diminish or erase us.

My take on “East of the Sun and West of the Moon” and Ungnyeo the Bear Woman of Korean origin myth, set on a college campus and stretching across a dual timeline between a mother and a daughter. Al Read more of this blog post »
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Published on February 05, 2026 02:23
Average rating: 3.61 · 1,749 ratings · 397 reviews · 3 distinct worksSimilar authors
Folklorn

3.62 avg rating — 1,708 ratings — published 2021 — 6 editions
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The Queens of K-town

3.05 avg rating — 41 ratings4 editions
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The Loom Tree

0.00 avg rating — 0 ratings2 editions
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Angela Mi Young Hur wrote a new blog post

THE LOOM TREE: coming 6.30.26

An adult literary fantasy written for my kids and all of us children of fairy tales, about preserving our stories and histories and passing them on, d Read more of this blog post »
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Quotes by Angela Mi Young Hur  (?)
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“To reject is easy; to be abandoned, terrifying.”
Angela Mi Young Hur, Folklorn

“Well, it’s not only Western countries who believe an orphan is lucky to grow up there. The fairy tale is used to console desperate birth mothers, but also serves to assuage the guilt of others—relatives who persuade the mother that this is best for her and her future, for the other children she already struggles to feed. It’s a story wielded by those who shape policy, who handle transactions with foreign agencies. It’s a fantasy for those not even involved—the ballad of the Korean orphan growing up in the exotic, romantic West—never mind the loss of identity, language, or the right to exist in a particular place. It is simply enough that the fairy tale happily ends with the baby delivered into the arms of a deserving white couple. But this is only the end to their story of childlessness. It’s the beginning of another for the one who’ll be a visible foreigner within his new family and throughout his youth.”
Angela Mi Young Hur, Folklorn

“Nothing is fresh, not the seas we cross to escape from one life to another. Most of Earth and its people are made of water, so some of me now, as I sweat and exhale, is shape-shifting.”
Angela Mi Young Hur, Folklorn

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