Alexander Paul Willging

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October 2012

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I'm a lifelong writer and storyteller from Southern California. I've written a short story collection, Digital Eyes, Family Ties, which is available on Amazon and CreateSpace. My passion for science fiction and fantasy is everlasting, and there are always new worlds to explore. ...more

Why Prose Works for Me

Two women sit together in a library during the day. A woman in a red shirt and white skirt sits on a desk while her friend sits besides her and reads to her from an open book. Image Credit: Shutterstock

Prose works for me in a way that screenwriting or poetry doesn’t hit. There is a fluidity to typing or writing out paragraphs to fill the scene.

I still have dialogue and action, but I also get immersed in the setting. I can switch easily between a character’s actions and their introspection. I’m already seeing the scene in my head and describing it on the page. Senten

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Published on March 31, 2025 10:39
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Digital Eyes, Family Ties

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Why Prose Works for Me



Image Credit: ShutterstockProse works for me in a way that screenwriting or poetry doesn’t hit. There is a fluidity to typing or writing out paragrap Read more of this blog post »
More of Alexander's books…
Hunter S. Thompson
“No sympathy for the devil; keep that in mind. Buy the ticket, take the ride...and if it occasionally gets a little heavier than what you had in mind, well...maybe chalk it up to forced consciousness expansion: Tune in, freak out, get beaten.”
Hunter S. Thompson, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

Hunter S. Thompson
“Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . .

History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened.

My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . .

There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . .

And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . .

So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.”
Hunter S. Thompson, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

Hunter S. Thompson
“You better take care of me Lord, if you don't you're gonna have me on your hands.”
Hunter S. Thompson, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

Hunter S. Thompson
“Buy the ticket, take the ride.”
Hunter S. Thompson, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

Hunter S. Thompson
“But our trip was different. It was a classic affirmation of everything right and true and decent in the national character. It was a gross, physical salute to the fantastic possibilities of life in this country-but only for those with true grit. And we were chock full of that.”
Hunter S. Thompson, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream

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