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Michel Leiris

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Michel Leiris


Born
in Paris, France
April 20, 1901

Died
September 30, 1990

Genre

Influences


Born in Paris in 1901, Michel Leiris was a French surrealist writer and ethnographer. In the 1920s he became a member of the surrealist movement and contributed to La révolution surréaliste. In those years, he wrote a surrealist novel: Aurora.

After his exit from the surrealist group, he teamed up with Georges Bataille in the magazine Documents.
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Average rating: 3.77 · 2,510 ratings · 301 reviews · 154 distinct worksSimilar authors
Manhood: A Journey from Chi...

3.42 avg rating — 572 ratings — published 1939 — 44 editions
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Nights as Day, Days as Night

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3.72 avg rating — 144 ratings — published 1961 — 15 editions
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Aurora

3.70 avg rating — 71 ratings — published 1946 — 14 editions
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Francis Bacon: Face et profil

4.17 avg rating — 58 ratings — published 1983 — 21 editions
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L'Afrique fantôme

3.57 avg rating — 67 ratings — published 1934 — 17 editions
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Mirror of Tauromachy

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3.90 avg rating — 59 ratings — published 1938 — 17 editions
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Scratches

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3.95 avg rating — 56 ratings — published 1948 — 20 editions
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The Ribbon at Olympia's Throat

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3.50 avg rating — 34 ratings — published 1981 — 7 editions
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Brisées

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3.91 avg rating — 22 ratings — published 1988 — 11 editions
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Scraps

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4.41 avg rating — 17 ratings — published 1955 — 15 editions
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3.99 avg rating — 97 ratings

Quotes by Michel Leiris  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“When the human voice is reduced to being no longer a song, a word, or a cry, but the articulation of the unnamable itself, it is natural that there should be no other sound than the grinding of ice in the polar regions, the light, intermittent crackling of silk in the highest zones of the atmosphere, at the moment when the aurora borealis unfurls its strange, cold spangles. Majesty does not tolerate other eyes than these hard crystals”
Michel Leiris, Brisées

“I am imbued with the notion that a Muse is necessarily a dead woman, inaccessible or absent; that a poetic structure - like the canon, which is only a hole surrounded by steel - can be based only on what one does not have; and that ultimately one can write only to fill a void or at the least to situate, in relation to the most lucid part of ourselves, the place where this incommensurable abyss yawns within us.”
Michel Leiris

“Pessimism is a towering skyscraper eighty stories high in the suburbs of the soul at the end of a long avenue with waste ground on either side and a few poorly-stocked little shops. Several ultra-fast staircases give access to the building, running up from the cellars to the roof-gardens. The comfort of this place leaves nothing to be desired and only the greatest luxury is acceptable, but every Friday the residents gather on the ground floor to read from a bible bound in the skin of a blind man. The psalmic words they intone rise up through the pipes, sigh in the stoves and sweep the chimneys coated inside with black grease which leaves dirt on the skin. Water runs constantly in the bathrooms and the showers beat down on the numbered bodies, peppering them with sand. On Sundays the bed linen unrolls by itself and nobody makes love. For this tower block, like an obscure phallus scraping the vulva of the sky, is usually a hive of sexual activity. The most beautiful woman lives there, but no-one has ever known her. It is said, that dressed in furs and feathers, she keeps herself shut away in a first-floor apartment as if in a white safe. Her windows are scissors which cut short both shadow and breath. Her name is AURORA.”
Michel Leiris, Aurora

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