Sarah Dobbs

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Danny
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Sarah Dobbs

Goodreads Author


Born
in Manchester, The United Kingdom
Website

Twitter

Genre

Influences

Member Since
July 2012

URL


Sarah Dobbs has a PhD in Creative Writing. Her novel Killing Daniel was published by Unthank Books in November 2012. Previous work has been broadcast on the BBC, read at Bolton Octagon and published by SWAMP, NAWE and Flax. She is co-authoring a text book for Anthem Press and is also co-founder of Creative Writing the Artists's Way. Her short story Hachiko was recently nominated for a Pushcart Prize.

Praise for Killing Daniel:

Shock and Circumstance – by Max Dunbar: 3AM Magazine

This is a very dark and frightening novel, told in short chapters and brief sentences, that pass like the shivers of bad dreams.

Crime Fiction Lover - Marina Sofia

This book starts off with a bang – one of the most gripping opening chapters I’ve read in a while. It captu
...more

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Sarah Dobbs I'll write a bit of nonsense until my brain thaws and things start making sense again…moreI'll write a bit of nonsense until my brain thaws and things start making sense again(less)
Sarah Dobbs You're sort of allowed to have your own timetable. Play in the day and write in the night. Plus your work can go anywhere with you (also the worst thi…moreYou're sort of allowed to have your own timetable. Play in the day and write in the night. Plus your work can go anywhere with you (also the worst thing as you feel you should always be doing something) (less)
Average rating: 3.97 · 158 ratings · 41 reviews · 24 distinct works
Killing Daniel

4.20 avg rating — 49 ratings — published 2012 — 3 editions
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The Sea Inside Me

3.92 avg rating — 12 ratings3 editions
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Game, Set, Love-Match

really liked it 4.00 avg rating — 3 ratings — published 2006 — 2 editions
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English Language, Literatur...

by
really liked it 4.00 avg rating — 3 ratings — published 2014 — 4 editions
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Voices

by
3.67 avg rating — 3 ratings — published 2011 — 3 editions
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Take a Leap

3.50 avg rating — 2 ratings — published 2012
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Creative Writing for Creati...

liked it 3.00 avg rating — 2 ratings — published 2012 — 3 editions
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Drawing Alice

it was amazing 5.00 avg rating — 1 rating — published 2011 — 3 editions
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The Red Balloon

it was ok 2.00 avg rating — 1 rating — published 2011 — 2 editions
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The God Bones

0.00 avg rating — 0 ratings — published 2012
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More books by Sarah Dobbs…

A different class of snobbery

Reading Lisa McInerney’s essay in Common People (edited by Kit de Waal). It’s a thoughtful (and witty) exploration of class and I suppose asks us to question the notion (held by some) that if you’re just good at something you can level up to being middle class.

I took my job at Sunderland to help with my brother’s healthcare. It was my first long-term salaried job. I grew up on a council estate in

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Published on September 14, 2021 02:50
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Quotes by Sarah Dobbs  (?)
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“With the boot removed, the leg and the man attached, is also gone. All that remains in the clearing is the teenager in the pond. His arms are drifting forwards, curving towards meeting as if in prayer, nudged along by the internal rhythm of the pond. The muck is settling, the water clearing.
His name was Daniel.”
Sarah Dobbs, Killing Daniel

“Madam Li nods. She reaches over the table for Chinatsu’s hand. It would look like a gesture of sympathy for a friend. Chinatsu uncurls her right hand and allows the money to be retrieved. The initial wedge of money that Madam Li takes now is more than she ever takes later on. It almost entirely depletes the stash of money she’s been saving for years. The woman’s magician-eyes are framed by the steam snaking from their tea. Cat-green, they are striking and marred by yellow jelly spots in the whites.
‘You no drink you no eat. What you, pregnant?’
‘Would I be here?’
Madam Li screws her chin back into her neck. The chair creaks as she sits back, spine straight. ‘Well, if you not going eat drink speaking truth, fuck off.’
Chinatsu’s eyebrows flick up. She bursts out laughing.”
Sarah Dobbs

“Quickly, she pulls out a photograph from the same drawer. Two girls; one English, one Japanese. Their hair is in plaits, knees in the same position, peeking out under school skirts. There is no gap between their bodies. They look entirely different. Chinatsu is delicate, so flawless that she seems like a drawing, whereas Fleur is scrawny and ablaze with freckles. And yet, they look like sisters; the same posture, the same sadness in their eyes. She remembers that day. It was the worst and best of her life.”
Sarah Dobbs, Killing Daniel

“With the boot removed, the leg and the man attached, is also gone. All that remains in the clearing is the teenager in the pond. His arms are drifting forwards, curving towards meeting as if in prayer, nudged along by the internal rhythm of the pond. The muck is settling, the water clearing.
His name was Daniel.”
Sarah Dobbs, Killing Daniel

“Quickly, she pulls out a photograph from the same drawer. Two girls; one English, one Japanese. Their hair is in plaits, knees in the same position, peeking out under school skirts. There is no gap between their bodies. They look entirely different. Chinatsu is delicate, so flawless that she seems like a drawing, whereas Fleur is scrawny and ablaze with freckles. And yet, they look like sisters; the same posture, the same sadness in their eyes. She remembers that day. It was the worst and best of her life.”
Sarah Dobbs, Killing Daniel

“Yugi’s eyebrow is black and sparse. From the marks on the woman’s skin, Yugi can see all the places he has been. His fingerprints blur the white column of her throat with red. His right hand trembles. He clutches his wrist to still the shakes. It’s not nerves. It’s adrenalin. Still, he needs a moment. The women here were far less savvy, much more grotesque in a warped sort of way. And yet they were somehow innocent. It was almost crueller.”
Sarah Dobbs, Killing Daniel

“Madam Li nods. She reaches over the table for Chinatsu’s hand. It would look like a gesture of sympathy for a friend. Chinatsu uncurls her right hand and allows the money to be retrieved. The initial wedge of money that Madam Li takes now is more than she ever takes later on. It almost entirely depletes the stash of money she’s been saving for years. The woman’s magician-eyes are framed by the steam snaking from their tea. Cat-green, they are striking and marred by yellow jelly spots in the whites.
‘You no drink you no eat. What you, pregnant?’
‘Would I be here?’
Madam Li screws her chin back into her neck. The chair creaks as she sits back, spine straight. ‘Well, if you not going eat drink speaking truth, fuck off.’
Chinatsu’s eyebrows flick up. She bursts out laughing.”
Sarah Dobbs

“People who love horror films are people with boring lives... when a really scary movie is over, you're reassured to see that you're still alive and the world still exists as it did before. That's the real reason we have horror films - they act as shock absorbers - and if they disappeared altogether, I bet you'd see a big leap in the number of serial killers. After all, anyone stupid enough to get the idea of murdering people from a movie could get the same idea from watching the news.”
Ryu Murakami, In the Miso Soup

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