David Seed

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David Seed


Born
in Nelson, The United Kingdom
November 26, 1946

Website


David Seed is a professor of English at the University of Liverpool.

Average rating: 3.77 · 2,358 ratings · 238 reviews · 41 distinct worksSimilar authors
Science Fiction: A Very Sho...

3.28 avg rating — 543 ratings — published 2011 — 16 editions
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A Companion to Science Fiction

3.89 avg rating — 36 ratings — published 2005 — 6 editions
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The Fictional Labyrinths of...

3.64 avg rating — 14 ratings4 editions
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American Science Fiction an...

really liked it 4.00 avg rating — 8 ratings — published 1999 — 14 editions
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Ray Bradbury

3.88 avg rating — 8 ratings — published 2014 — 4 editions
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قرائتی نقادانه از رمان چهره...

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really liked it 4.00 avg rating — 7 ratings — published 1992 — 5 editions
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Brainwashing: The Fictions ...

3.33 avg rating — 6 ratings — published 2004 — 2 editions
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Under the Shadow: The Atomi...

3.75 avg rating — 4 ratings — published 2012 — 5 editions
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Cinematic Fictions: The Imp...

4.33 avg rating — 3 ratings — published 2010 — 3 editions
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Life and Limb: Perspectives...

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4.33 avg rating — 3 ratings — published 2016 — 2 editions
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More books by David Seed…
Quotes by David Seed  (?)
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“The presence of religion in science fiction is hardly surprising given its tendency to question limits and boundaries, and what could be more challenging than the limitation of mortality itself?”
David Seed, Science Fiction: A Very Short Introduction

“One of the most recurrent themes in science fiction is its examination of humanity’s relation to its own material constructions, sometimes to celebrate progress, sometimes in a more negative spirit of what Isaac Asimov has repeatedly described as technophobia, through fictions articulating fears of human displacement.”
David Seed, Science Fiction: A Very Short Introduction

“An important revision of the traditional image of the spaceship was made in Anne McCaffrey’s Helva stories, beginning in 1961 with The Ship Who Sang. This series is set in a future when severely disabled children are given the chance to become starships by becoming enclosed in a metal shell connected directly to their brain. This is an enabling procedure involving ‘schooling’ (not programming) and complex neural and sensory connections being constructed through the titanium shell. In this respect, the ‘shell-people’ represent an early form of cyborg, and McCaffrey’s narrative replaces central technological control with the individual investigations and self-modifications by Helva herself in devising a means of singing.”
David Seed, Science Fiction: A Very Short Introduction

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