Alex James's Blog: AlexJamesNovels Blog - Posts Tagged "prince"

‘True, privacy was rare in her world, her duties closing in on her youth and what little freedom she had left.’

‘It always felt as though the light would burn her. Some days she wished it would or that her powers would simply envelop her in flame. She revelled in the idea of being allowed to simply melt away, therefore escaping this miserable life.’

Princess Violetta of the Flame Realm has come of age, and men of status have begun to notice her. There’s Xyhoni, the family friend, and there’s the charming Prince Ryore of the Winter Realm, son of Emperor Jugan. When tragedy strikes and Violetta’s brother and mother are killed, she remains close to her father King Eagan, and is suspicious of the Winter Realm. What makes matters more difficult is that even though she can’t quite forget about Xyhoni, she is growing more attracted to Prince Ryore. And Prince Ryore believes he has found his one true love at last…

Author Daccari Buchelli writes with a mastery of language embellishment that is befitting of the authentic fantasy setting and experience. Sentences are elegant, unobtrusive, and constructed with a fine touch. The author has a grasp for the characters’ feelings that make them passionate and interesting. These feelings give rise to wants and motives, and combine with mystical objects to create a fantasy goal. I became immersed in learning about the thoughts of Ryore and Violetta. Chapter after chapter they became more interesting and realistic, and the fantasy world blossomed about them with colour, duty, and romance.

Criticism: honestly, the first three chapters didn’t pull me into the story. The reason was that I was disoriented and this feeling repeated often; the sense of location and stability in the rapidly changing setting made it difficult to get my bearings. The way the setting was introduced was not even or at the right pace. Even my own writing has been criticised for this reason. A few more sentences to bring forward the atmosphere of the setting when it changed, or a few more scene breaks might have helped to indicate the change of setting.

One of the main characters behaved out of character in Chapter Sixteen, in a way that suspended my belief, which marked a different direction for the narrative. Some paragraphs were double the length I would personally have preferred. A few misspelled words: ‘baited’ and ‘bated’, ‘facet’ and ‘faucet’, and one I wasn’t sure about – ‘intendent’ and ‘attendant’.

Overall, I read the entirety of Phoenix with wild anticipation. The writing was written elegantly and the setting felt like a fantasy world I had actually stepped into. While I was reading about the engrossing characters I didn’t care where the plot was going. I’m not a reader of romance, but the exaggerated displays of affection between two of the main characters impressed me. It was quite easy and enjoyable to digest multiple chapters of Phoenix at a time. I’d strongly recommend Phoenix to all fantasy readers, especially those who like high fantasy, classical fantasy, adventure, and romance.

Door Into Shadow is a self-discovery for Segnbora, who is a deadly swordswoman without much ‘fire’, sorcery, to defend against the dark monsters and demons of the Shadow. Segnbora’s failure with fire is revisited often when she compares herself with prodigy Herewiss, the only male fire-wielder who can outperform most Rodmistress fire-wielders. Most of the story is about the adventures of her allies, and tales of past lovers and how they relate to Segnbora’s failure. Throughout, she is not seen by the reader as a failure but as a brave sacrificial swordswoman who is the first to jump into the conflict and save her friends.

There were many remarkable scenes throughout – infiltrating the Glass Castle that only appears at a certain time, and confronting evil variations of the Goddess or manifestations of the Shadow. The battle scenes were engrossing, and allowed the story to release its true energy.

There were aspects I really liked about this book. The atmosphere, landscape, and scope of the story were terrific and realistic. Diane Duane had gone to lengths to create varied cultures and an immense fantasy world. The dialogue was good, and she kept the quest going with new challenges. For example, a challenge of note was when Segnbora must join with a dragon and the memory of its ancestors to save the dragon from the terrible fate of death and its associated loss of its race’s ancestral memories. Thereafter the dragon is a part of her; talking to her, aiding her, and giving her a cool dragon shadow.

I did think there was too much lore, and the significance of much of it was lost on me, perhaps because this is the second book in the series and I hadn’t read the first. The story needed more present action and breathing room. The character focus was a bit off too. At the beginning Segnbora’s attention is fixed on exile prince Lorn, but then Lorn becomes almost a sub-character and all the action occurs around Herewiss. Some events, such as the treacherous Cillmod’s deeds, were only mentioned in passing, instead of being shown, which was disappointing because I thought he should have been the main tool of the Shadow. The Shadow’s tools ended up being hordes of developed monsters, and we didn’t learn much about them or understand their significance clearly. Cutting down a touch on the fantastic elements and on the lore of gods and goddess may have helped to see where parts weren’t developed.

The Door Into Shadow had its memorable moments. I may read the first book, if only to see if I can make more sense of the world, but it wasn’t one of my favourite fantasy reads, even if it was well written.