Duane Vore's Blog

Darkness. Silence like sticky clay adhering to my pores and creeping up my nostrils. It is darkness against which my eyes fight to close, for to hold them open makes them claw through the dense blackness in search of anything to see, until at last they make something up. It doesn’t have to be that dark; there is a display panel at eye level, but with irises so stretched that even on low, it’s like a green floodlight glaring in my face, so I keep it off. Sasha is probably in the common area with her nose in her e-reader enjoying Solzhenitsyn, and every now and then she lets a little light leak out, but it’s rarely enough for me to notice with the door to my cabinet closed.

My ears, too, reach out in desperation until, frustrated, they turn inward to my own heartbeat. The laminar-flow ventilation fans are all but silent unless they kick into high, which rarely happens. The only sound that disturbs the night is the occasional ticking of the thermal radiators nearby outside as they expand and contract. The reactors are at constant power, but there are variations in solar energy. The only solid punctures of oblivion are when Sasha uses the head: the door opening and latching, the suction pumps coming on, something for my ears to latch onto if I’m awake. She probably has the same experience when I go during her sleep cycle. It’s impossible to pee discretely in space.

But the darkness and silence are merely the dull black shroud over the sense of isolation. We are 400,000km from home, a distant blue world that now hung hopelessly beyond natural human reach. If there were a bridge it would take 50 years to walk it. Ahead of us, to the sides, above, behind, outside the relatively thin honeycombed titanium layer that separates our tiny bubble of life from the abysmal infinity, there is absolutely nothing for a journey of a million human lifetimes. Below, a drop of 6.7 million meters to the desolate, hostile surface of the moon. The rugged orb beneath us unrolls slowly, almost 14 hours per orbit, but we have to be high enough to relay signals between Earth and the three research posts we dropped on the moon’s far side.  An orbit that physics on its own locks into eternity. If we died there, our desiccated corpses would still be following that path 10 million years later, endlessly. There is no sense of solitude greater. Even pairs of people condemned to duty in lonely missile silos and remote microwave relay stations have the familiar contact of breathing Earth’s own atmosphere.

My limbs want to drift off into the neutral human body posture, but find themselves confined by my sleeping sack. Still, I’ll sleep, for in the morning — if the word “morning” makes sense — I’ll have to adjust that orbit. That’s my job, to keep the orbit in alignment as the moon revolves on its 28-day loop so that both the Earth and all three drop stations are in constant radio contact. We always do that while we’re both awake. She is supposed to be on the sleep schedule of Baikonur Cosmodrome in Kazakhstan just as I’m supposed to be on that of the Eastern U.S., but they tweaked us both an hour to give us a comfortable eight hours awake together. It’s my job to adjust the orbit, hers to help interface me to a spaceship engineered in a language I suck at. Her English is much better than my Russian.

Sasha, known more verbosely as Aleksandra Nikolayevna Krayovskiya, has chin-length light blond hair and a cute pixie face, but she’s not one of those siren Raquel Welch sexpot scientists you see in movies. She has no seductive figure. She’s 13, one of Russia’s two pride-and-joy child cosmonauts whose existence attests to the advanced state of their space program. The other, Tasha, is 17, dangerously close to adulthood and therefore of dropping off their propaganda slate. American officials think the whole thing is ridiculous, a publicity stunt, which it probably is, but I’ll likewise attest that Sasha is by no means ridiculous. She’s brilliant; you have to be to read Solzhenitsyn. But she’s not allowed to fire the engines on her own unless it’s a level five emergency. She likes to tell me that as a junior lieutenant, she outranks me, an ensign, but we’re both NATO classification OF-1, so technically on a joint mission, we’re equal.

We have been alone aboard the Kirkov now for almost five days, 16 more to go before the first of the landing crews return. Two stations are for geological monitoring, the third is the last unit for a 500-km very-long-baseline-array radio telescope shielded from Earth interference by the bulk of the moon itself, each of the three being American modules transported to the moon by a Russian ship. There’s something that happens between people when they’re confined together outside the grasp of normal society like this. Those missile silo and microwave station crews are not nearly this isolated. I’d worked with Sasha once before, three months earlier, but we hadn’t been alone for any period of time. We can’t even phone home because bandwidth to Earth is limited and the channels between Mission Control and the drop stations have to remain clear. A titanium can in deep space is like a sensory deprivation chamber, as if reality itself ended at the hull. It’s been five days and already I can almost read her mind. She can probably read mine, too. We play magnetic chess, magnetic backgammon, magnetic parcheesi, everything magnetic. It’s impossible to play tiddly-winks in space. She even brought a Russian version of a quirky card game from America about girl fights, called “Lunch Money” in English. But you can’t just lay cards on the table; you have to hold them down with magnetic clips. I think one of the reasons they chose me for this mission was confidence from the Russians that I wouldn’t try to take advantage of her. Vasily hits on her, and she hates it. Vasily is almost 40. Unfortunately, his crew returns first, before even Commander Okulov. Sasha is prepared to punch him if he does it again, and I’ll be ready to punch him if that doesn’t work.

There’s a rumor that we both might be chosen for the Mars mission later this year. Her parents are supposedly throwing a fit about her being gone for the three years it would take for traditional Hohmann transfer orbits. She says they protested this mission. But in Russia, political pressure easily outweighs parental rights, and the powers that be dearly want their public relations trophy on that trip! Tasha would obviously be an adult when we return, and there isn’t time to get a new kid ready for the press releases. Besides, ballistic capture is common now (that’s how we got to the moon) and they’re taking a serious look at aerobraking, which of course wouldn’t have worked with the moon. No atmosphere. Aerobraking worries me — I saw 2010! Either way, we might be able to shorten the journey to as little as nine or ten months even if we miss the Hohmann window. That mission will be a joint US, European, Russian, and Chinese effort. They’re still arguing over the ship’s name, but it’s supposed to have a centrifuge, even if the sleeping compartments will still be in zero-g.

But that’s all speculation, four months in the future. Right now, my eyes are wanting to stay closed instead of open. That’s good. I need to be alert for that orbital maneuver tomorrow. The computer does all the hard work, but they won’t let it do the piloting or even start the engines. It’s no HAL 9000.

До свидания!

No, that was not one of my stories. That came from a dream. But that wasn’t exactly the dream. That was the memory of the mission I had while we were at an international space conference in Canada and my nephew was making out with Tasha, pissing off the Russian authorities who didn’t want one of their child cosmonauts de-virginized. Sometimes my dreams come in astonishing detail, so it’s no surprise a lot of my stories originate there.

The post Darkness and Silence appeared first on Duane Vore, Writer.

Any discussion of Wolfram Alpha should start with Wolfram’s flagship and source of dominance in the universe: Mathematica®, upon which I imagine Alpha is built.  There are any number of categories of software that leave me amazed that such works of accomplishment can even spawn from the limited human mind: regular expression parsers, C compilers, natural language processing.  Voice recognition used to fall into that realm until I figured out how it works. But Mathematica sits at the apex, the crowning achievement of software engineering. It’s nothing at all like Matlab, which is plain old functional programming. It’s something else.  Several times during my software engineering career, I contemplated working there just to see the source code.

Wolfram Alpha, then, is something like a search engine, except instead of simply looking up words, it answers questions.

With the introductions out of the way, let’s go back a few decades to when I originally wrote A Hierarchy of Gods. I might have had Mathematica at the time, a story in itself, but there was nothing like Alpha. There may not even have been a search engine like Google or Duck Duck Go, and I had to pick a date in the latter 21st century where the line from Earth to Mars ran approximately opposite to the direction to Orion’s shield. I had to know how far apart Earth and Mars were at that time. I had to know how long it would take, considering special relativity, to go 32 light-years at a constant 0.8g acceleration, in both ship time and “real” time, with and without turn-around. I had my math cut out for me.

For the first part, I had to find out where Earth and Mars were currently and apply a lot of orbital mechanics and trigonometry to figure out all the angles until I found a date that placed them where I wanted, then apply some more math to calculate the distance distance between them, then some more to figure out travel time. Hours or days. The math, not the travel time. But that was then, and this is now. You need a right ascension to Mars of about 17 hours, so go to Wolfram Alpha here and start plugging in some dates:

location Mars May 15, 2074

Location of and distance to Mars on May 15, 2095, as given by Wolfram Alpha

And you get this (near right). Wow! Not only what I asked for, but I find out that the date is on a Tuesday, get a schematic of the entire solar system, a view as Mars appears in the sky, and rising at setting times in Luxemburg (that’s where it thinks I am). Mars is in Leo on May 15, 2074. No good, so I try again.  I don’t remember exactly what date I picked for the novel and don’t want to hunt for old notes, so let’s pretend it was May 15, 2095.

distance Earth Mars May 15, 2095

Again, I get more than I asked for (far right). I see that the distance is 79.57 million kilometers, coincidentally a near minimum, and as a bonus, I find out that the time for a radio signal to cross that distance is 4.424 minutes. I might need to know that. From here, it’s trivial to calculate constant-acceleration flight times, but to get to this point, I have consumed less like hours or days and more like two minutes. Oh, had there been Wolfram Alpha in the old days!

Unfortunately, Alpha could not have helped me with the calculus for my relativistic calculations. Alas! Not that it can’t do calculus, but it isn’t able to formulate a system that complicated it its digital head from the description you give it. It’s not as as smart yet as the Enterprise’s computer on Star Trek, but it’s getting there. Not to worry. When I first started this site, I wrote the relativistic equations down as an early post, not only for your edification, but so that I wouldn’t have to figure them out all over again.

And it’s not just astronomy.

In: Copernicium isotopes
Out: Unstable:
Cn-285 (40 min) | Cn-283 (4.17 min) | Cn-284 (31 s) | Cn-282 (30 s) | Cn-281 (10 s) | Cn-280 (1 s) | Cn-279 (100 ms) |
Cn-278 (10 ms) | Cn-277 (1.1 ms)

Nor is it just for science fiction.  Suppose you’re writing an international spy thriller:

In: Population Cluj County Romania
Out: Cluj, Romania | 698929 people (3.3% of total for Romania) (2014 estimate) Romania |
19.7 million people (world rank: 59th) (2017 estimate)

Or a murder mystery requiring forensics:

In: percentage phosphorus human body
Out: 1.1 mass%

Or a WWII submarine adventure:

In: 550 feet ocean depth
Out: depth | 550 feet temperature | 16.4 °C (degrees Celsius) salinity | 35 psu (practical salinity units)
overpressure | 16.89 bars = 16.67 atm (atmospheres) = 1689 kPa (kilopascals) density |
1.026 g/cm^3 (grams per cubic centimeter) = 64.08 lb/ft^3 (pounds per cubic foot) = 1026 kg/m^3 (kilograms per cubic meter)
sound speed | 1514 m/s (meters per second) = 4967 ft/s (feet per second) = 5450 km/h (kilometers per hour)
(assuming pressure-depth relation for standard ocean)

Whoa! Sound speed! That’s information we might need for sonar.

Of course, Alpha can’t do everything. Sometimes you get that dreaded response that it doesn’t know how to interpret your input (which I couldn’t make it do for the purpose of this post despite trying for several minutes), in which case you can rephrase your question and try again. There is a pro version that keeps tempting me that might be a little smarter; I  haven’t tried it.  Applications like Cartes du Ciel give you better sky charts, and Google Maps will give you the railroad travel time from Nizhny Novgorod to Vladivostok (about six days), but for the subjects it knows, Wolfram Alpha can seem like magic. Give it a try, and let us know what you think.

The post Wolfram Alpha: The Sci-FI Writer’s Friend appeared first on Duane Vore, Writer.

Final Horizon has an unusual history. I had an idea for a space horror novel that I tentatively called Butterflies, a particularly and intentionally deceptive name. But I never wrote it because I didn’t see the point. Just another monster story. Just another alien planet.  It didn’t really have anything to say other than as satire on the state of Hollywood movie making these days: lots of action, void of content.

Then, as I’m a decent graphic artist, I thought I’d offer services as a cover designer. In the process, I threw together some example covers of novels that didn’t exist, and the one I show here is one of them. I picked the title Final Horizon because it sounded cool, and used an image of a girl I licensed from CanStockPhoto because it looked cool. The subtitle also meant nothing in particular, just a phrase to draw attention. Nothing fancy. After all, it was an example cover.

What happened next was an act of surrealism that is impossible to explain. I was just looking at the cover and there came one of those epiphanous moments when all of reality comes to a focus.  It all fit together. Butterflies, genetic engineering (two different ways), quantum computing, quantum reality, mind amplification, child abuse, all wrapped up in an elegant commentary on ruthless capitalism and unchecked political and military power. And like a tidy bow on top, the Singularity.

Not a singularity of the black hole variety, but one of the technological variety. Wikipedia defines a technological singularity as “the hypothesis that the invention of artificial superintelligence (ASI) will abruptly trigger runaway technological growth, resulting in unfathomable changes to human civilization.”  Indeed, the intelligence in Final Horizon is artificial, and it is super. But what if it comes with supermorality?  As the subtitle suggests, it’s not what people are expecting.

It takes place in the future (the best place for science fiction), mid-22nd century.  By then, we have succeeded in interfacing human minds to quantum computers, but with some unanticipated and unexplained phenomena accompanying it. Hyperpilots route starships safely through treacherous hypertunnels, linkers connect to other computers as an extension of their own minds, and scanners project their consciousness even to distant star systems. (Shhhh! There are more talents that the NSA, CIA, and Pentagon don’t like you knowing about.) And no one understands how any of that actually works. Then there is the unbelievable, half secret, nearly legendary, and completely mysterious story of Bucky and Katrina. The system works well, but it has three big caveats:

1. Unless you want to take off the top of a person’s skull to plant a couple of hundred wires in the brain and get substandard results for all your work, you have to use kids before they reach puberty. Kids can interface to PAIN helmets. Unexpected results.

2. Because there are few naturally born children who can pull it off and fewer parents who will let them, and because the interval between being trained and reaching puberty is only a year or two, you need to engineer formula kids whose biological and mental ages you can freeze when they’re at their peak. Unexpected results.

3. Because human society becomes completely dependent on formula kids, you make them docile and subservient, and because they are docile and subservient, they don’t cause trouble when you treat them like trash. They also lack the inconvenience of parents. Unexpected results.

In Final Horizon, natural-born Andrew Post and formula kid Macie 7 are chosen for a mission to a distant world where people mysteriously die. But it’s not until they reach their destination and find the butterflies that all hell breaks loose.

Hell that changes everything.

It’s a good story.  If I ever have a chance for a Hugo or Nebula award, this is it. It took a while for the plot details to come together, but they finally have, and it’s all of a thriller, a brain-twister, and a tear-jerker in one. I’m only nearing the end of the first draft, alas, so it’ll be a while before you’ll see the finished product.

The cover might change.

The post Final Horizon Approaches appeared first on Duane Vore, Writer.

Canonicity may be the most important thing.

dictionary.com defines “canon”, as relevant to this post:

3. the body of rules, principles, or standards accepted as axiomatic and universally binding in a field of study or art.

The important qualification here is that in any field, in order to be canon, it has to be consistent with itself. If one place says James T. Kirk was born in Iowa and other place says he was born on Vulcan, that can’t be canon.

That said, let me point out that the eighth Doctor doesn’t exist. He never did and he never will. “Wait!” shout Whovians from around the globe. “Yes, he does! He was played by Paul McGann.”

Before you Whovians get too bent out of shape, you should know that I’m one of you. The first companion I really, really liked was Zoe Heriot. You remember her, don’t you? My favorite T-shirt reads, “Keep calm and don’t blink”. You know what that about, of course. “Blink” vies for being the best episode ever written, right up there with “The Brain of Morbius” and “Enlightenment”.  But none of that makes the eighth Doctor exist.

It’s all about canonicity, and the hypothetical eighth Doctor breaks it.

You see, I’m something most Whovians aren’t: a writer. With an estimated four million words under my belt (more than a million are available on Amazon), I have some experience locating and fixing plot holes, which are what you call broken canonicity on a smaller scale. Such as when I had Erik and Jaxidreshny hiking for days through the forest while she was carrying an instrument that could transport them light-years. After a while you get sensitive to those things. Don’t worry, that issue with Erik and Jaxidreshny is long since fixed.

Fans are usually pretty good at finding such holes, such as, “Why didn’t the Eagles just fly them to Mount Doom?” They usually can find some kind of explanation to cover the hole, but it remains a good question. There even exists an argument that such was exactly what Gandalf told them to do in Moria when he said, “Fly, you fools!” But even dredging out those inconsistencies, fans are eager to accept everything they see without serious questions. After all, that’s the way it happened.

Doing so is quite a bit harder for a writer, who spends thousands of hours trying to get rid of exactly those issues. You can’t spend decades thinking about personalities, motives, emotions, what works and what doesn’t, then blindly accept what doesn’t work.

There are certain things you just don’t do. You don’t put Darth Vader in pink tights and a tutu unless you’re doing parody. You don’t have Captain Kirk totally screw up, destroying himself along with the Enterprise and ending the series prematurely. You don’t have Superman raping little girls. You don’t turn the interior of the TARDIS from a clean, functional design to a ghastly trash heap (which, unfortunately, they kept for the series reboot). You don’t suddenly make him half human when for 26 seasons he was faithfully and totally a Time Lord. You don’t bring back the Master as a creeping glob of snot. You don’t have a protagonist who could virtually ignore women he traveled the universe with suddenly go all goo-goo over a woman he just met. (What heterosexual male wouldn’t notice Zoe Heriot?)

To make matters worse, they started the new series with a “you don’t”. The Time Lords were all destroyed? Now, that’s news! How do you suppose that happened? Did all those Time Lords scattered throughout history just decide to return to Gallifry at a certain moment in time so they could all conveniently be wiped out? It makes no sense! It is logically inconsistent with the 26 prior seasons. These aren’t Pacific Islanders in the 1800s; these are Time Lords. That may be the biggest Doctor Who gaffe of them all.

A piece by HPHarmioneF101 that I found on Fanpop, proof that J. K. Rowling and I are not the only ones who understand.

But Doctor Who is not what keeps me up at night grieving for the future of all that is sane. What does is the greatest canonicity busting faux pas ever to take place in the fictional world: Ron Weasley and Hermione Granger.

I rooted for Harry and Hermione as a couple from early in the first movie, and when I saw it going the wrong way in Goblet of Fire, I lapsed into denial and insisted it couldn’t be so. Reading the latter books nearly drove me into depression, and it had nothing to do with the fact that “Hermione Weasley” just sounds terrible. If you keep up on Harry Potter at all, you’ll know that Rowling later confessed to having made a mistake putting Ron and Hermione together:

“I wrote the Hermione/Ron relationship as a form of wish fulfillment. That’s how it was conceived, really. For reasons that have very little to do with literature and far more to do with me clinging to the plot as I first imagined it, Hermione ended up with Ron.”

“I know, I’m sorry,” she adds. “I can hear the rage and fury it might cause some fans, but if I’m absolutely honest, distance has given me perspective on that. It was a choice I made for very personal reasons, not for reasons of credibility. Am I breaking people’s hearts by saying this? I hope not.”

No, duh! But she’s a writer; she’d have to have noticed eventually. Attend to her comment, “…not for reasons of credibility.” She knows the Ron/Hermione hookup is not credible. It didn’t surprise me she made that admission, but it surprised me it took her so long. Erik and Jaxidreshny, whom I mentioned above, aren’t even the same species, come from worlds 117 million light-years apart, and have completely different societal structures and understanding of sex, yet they’re a more believable match than Ron and Hermione. Even if the ill-fated wizards made it to their vows, they never would have had children because they’d be casting Avada Kedavra at each other before they ever made it to bed. I’m surprised Rupert Grint and Emma Watson could play romantic scenes between them with straight faces. I knew it was Harry and Hermione from the moment they met on the train; it’s unfortunate the writer didn’t until it was too late.

A lot of fans exploded in claims of heresy over this, and some of them wrote articles picking through the interview to find a way to believe she didn’t really mean what she said. “Oh, Ron and Hermione will be all right with some counseling.” Like hell, they will! I’ve done some counseling. The incompatibility between them is not a matter of learned behavior, of anything that would benefit from psychoanalysis. It’s a basic incompatibility between their personalities, and no amount of counseling is going to change that.

Ron and Luna would have worked; they’re compatibly loopy. Ginny would have worked with either Neville or Dean.

So all this leaves me with a problem. If I accept the nonsensical parts as written, I can’t really enjoy the story. Rule number one in fiction: don’t break the suspension of disbelief. And baby, the cases I’ve mentioned break it big time, more than fourth wall gags. They scream with the volume of Krakatoa that this is a STORY and someone flubbed the plot. In order to enjoy it, to pretend it’s real, to immerse myself in it, I have to mentally edit out the parts that don’t add up and where necessary replace them with something that does. That scene on the Hogwarts Express platform at the end of Deathly Hallows had to have arisen from Hermione (Harry’s wife) and Luna (Ron’s wife) taking polyjuice potion as a practical joke on their husbands, which makes a lot more sense than Ron and Hermione discovering mutual tolerance. I have to omit the eighth Doctor and ignore that nonsense about the Time Lords being destroyed. Not to do so ruins everything for me because they destroy the credibility of the story line.

It’s more than just “I wouldn’t have written it that way”. Under that category is that I would have had Draco suffer more serious consequences from his death-eating days, and I probably would have hooked him up with Pansy if I hadn’t had Hermione kill him in battle. I would have had Voldemort hide his horcruxes in more secure locations, such as the bottom of the Marianas Trench. Those details don’t constitute gaping plot holes, so they’re not that big a deal. Putting Ron and Hermione together is. You can’t carefully develop their personalities over the course of seven volumes and finish it up with, “But let’s forget all that. It was a joke.”

So I’m just wondering. Is anyone else compelled to fix broken plots in their mind to avoid terminal insanity?

Yikes! I wonder if anyone has done that with any of my works!

The post A Word on Canonicity appeared first on Duane Vore, Writer.

The Humanity Experiment was supposed to be out in 2016, wasn’t it?  And this is 2017 already, isn’t it?  What happened?

Well, aside from the usual delays that come about from the vagaries of real life, where there is a lot going on, there is a lot going on in the story.  Heck, we have matter simulations, reality experiments, a thought transducer, precognition and telepathy, an evil galactic empire (there’s always an evil galactic empire), third- and fifth-order wands, bizarre aliens, ancient artifacts with mysteries to go with them, inter-dimensional transport, unseen forces, an impossible entity called Companion, synthetic human consciousness, torture, intergalactic teleportation, battleships, traitors, ghosts, near-death experiences, children who appear and disappear, the Plekton Key, and love. But all that’s easy.

When people fall in love, however, it often leads to sex. That, in itself, is pretty easy, too. I don’t write much sex because by itself it doesn’t make for much of a story, and when it does make a story, it’s not my kind of story. I have zero interest in reading Fifty Shades of Grey, so it’s not likely I would have ever written it. Still, I’ve known since my initial conception of the series that this would be the book with most of the sex in it.

The inter-species romance in A Hierarchy of Gods gave me no trouble because the Trarsani, for all their differences, see love and sex pretty much the same way humans do, so once you overcome any anatomical challenges, it’s smooth sailing. But the Kyattoni…. Hold onto your ever-loving hat! Here we have a race who have multiple sexual partners but are lifetime monogamous, who don’t clearly distinguish between adult and child because they have no life event matching puberty, who have multiple kinds of orgasms, whose names are broken down to signal different combinations of intimacy and pregnancy. We have Erik and Jaxidreshny, but we also have Jaxidreshny’s kid sister Triknikanthy, which makes Erik and Triknikanthy girl-linked bond siblings, and that’s a whole adventure in itself. When a human says, “it’s complicated”, they’re usually trying to get out of something. To a Kyattoni, it really is complicated. And for a human trying to understand it…. Poor guy!  The ethics Erik learned growing up human are at best useless, and sometimes harmful.

Yes, The Humanity Experiment is written. It has been for a few years. Over those years it has been through more revision passes than I can keep count of. I don’t want it to be merely written, I want it written right. I have page after page after page of documentation from anatomical drawings to sexual terminology, from psychobiology to social structures, and I’m still not confident I have all the loose ends accounted for.  I hate loose ends. I’ve run across inter-species sex before in science fiction, but most of it stops at “That’s exotic!” Oh, the angle is different, and she has too many teeth (I forget what book that was), but no investigation into what happens when fundamental psychology and culture are different. Sarek and Amanda have it easy by comparison.

But never fear; I’m still working on it. As you can see, I’ve done more than a little 3D modelling and composition. It might be a little late, but I’m hoping the wait is worth it.

The post Where is The Humanity Experiment? appeared first on Duane Vore, Writer.

There have been a lot of jokes based upon the old expression, “I’m not myself today”. If your questionable identity should be any more than simply an adage, you would have to ask, then, who you actually are. Likewise, the idea has been the springboard for a lot of stories. Off the top of my head, I can think of several episodes of The Twilight Zone from the 1960s that took advantage of the possibility: “A world of Difference”, “Mirror Image”, “Person or Persons Unknown”, “The Four of Us Are Dying”, “Five Characters in Search of an Exit”, “Death Ship”. There are probably more, but my memory is finite. And I can think of an episode of the The Outer Limits (the original; I was never crazy about the HBO clone except for a couple of episodes), not where someone doesn’t know who he is, but where no one else does: “One Hundred Days of the Dragon”, and one where two people changed minds: “The Human Factor”. Identity is pretty flexible in the world of speculative fiction.

If you’re not yourself, then there are only so many options. You’re somebody else. Somebody else is you. You’re dead and don’t know it (“Death Ship”). You’re a duplicate of the original without knowing it. And I suppose possibilities with no real explanation, like “Mirror Image”. Welcome to the world of cybertech, where we have options that didn’t exist during the ’60s: you’re a computer simulation (think “Matrix”) or a computer game character (think any of dozens of anime). In fact, scientists and philosophers are seriously considering the possibility that we are computer simulations.

But wait, the possibilities are not exhausted yet. I used this quote from Korvoros in another post of this series dedicated to to teleportation, but let me repeat it here:

“So let’s proceed to utter insanity,” she continued. “If the information is all that’s important, suppose that two receiving stations happened to pick up the signal and each one makes a new instance of you. Which would be the real one? Or would either of them really be you? You could be dead and they could be fakes that no one could tell from the original because all the memories are duplicated too.”

So you haven’t traveled by teleporter lately? Well, you’re not off the hook. Suppose that every time you have even the slightest impure thought, your soul is immediately sent to hell, whereupon another soul with all your memories immediately takes its place. You could be 270,000th “you”, just waiting for that impure thought to send you away. Since all the memories are duplicated, how could you possibly know? Since you’re exactly the same, how could anyone else possibly know? Maybe the impure thought isn’t necessary. Maybe we’re all rebooted once a second regardless of what passes through our minds and our “true” identity lasts no longer than that.

One of my short stories that I haven’t finished involves a police investigator who is actually one of a series of robots created by other robots to replace living people, only a defect in the manufacturing left the first run not knowing they were duplicates.

So you woke up this morning with the smug assumption that you are the same person you were last night. You can’t be so sure of that, can you? That person could be gone forever.

From this point, let your mind wander. Is there some other way you might not be you? Some way that I’ve overlooked? If so, I’d be interested to hear about it.

The post Suppose You’re Not You appeared first on Duane Vore, Writer.

Here in the early part of December, this year’s National Novel Writing Month, affectionately known as NaNoWriMo to participants, is fresh in my mind. I wrote Ik. Ik first saw the light of the real universe as a character in a role-playing game my brother-in-law invented. My first character, the one before her, was a rather non-original sword-and-sorcery type barbarian whose name I don’t remember, but mundaneness is what happens when you have to create a character in a matter of minutes.

Ik, Iznik the Destroyer, Kolaika Jinnlexa Kälienen came later, after I had time for my imagination to ruminate: something truly bizarre: an unassuming, frail-looking little girl who could be your worst nightmare, with the power to inflict ultimate agony with a mere thought. She possessed some unusual magic, too, but that didn’t make it into a science fiction novel. There, instead, she flies a stolen enemy starship.

I never actually played Ik in the game, but it dawned on me at some point that her story could make a cool novel. I had a very rough outline for years, but as I’m a productive pantser (those who write by the seat of their pants with minimal plotting ahead of time) the story came together quite well as November progressed.

One of Ik’s prominent features is that her mother had been a Golden Aura telepath. She would have been one, too, very usual in the next generation. Thus, her mind developed in constant awareness of adult consciousness, and so was born with an adult cognitive ability. She’s 11 years old, but able to talk and reason like a college professor. She was born with knowledge of space travel, weapons, sex, and exactly who the enemy was that she needed to destroy. And she was acutely aware of why she needs to fear puberty.

Now suppose that the next child you meet has such a mind.  Let’s say a six-year-old, who understands advanced mathematics, military strategy, social psychology, electronics and other technology, and has the clear understanding why she has to keep her true nature secret.

How could you know? Might she, like Ik, possess telepathic powers that allow her to manipulate your mind? If you were a child molester, would she deal with you as ruthlessly as Ik does? Could she manage to play the role of an innocent child? Would she have to ability to cope with adolescent emotions? What if she can’t?  If she’s evil, of course, you have a problem, and generally, evil children make for more thrilling movies.

If she’s basically good, you probably don’t have a problem, or do you? Ik’s prime directive is justice, but she’s messed up, with a demon inside you can’t imagine. She’s not entirely stable, prone to fits of rage and perverting justice into vengeance. She doesn’t hide her power, so even after saving Tockmulle on multiple occasions, the townsfolk remain terrified of her.

So there’s that little girl you just met. Six years old. Your mental equal or perhaps your superior, playing with dolls and erector sets just to throw you off. She’s manipulating your life, controlling your thoughts and actions, and you don’t have a clue. You might be reading this blog because she sent you here for some cryptic purpose.

Is she good or evil?

Ik is not completely original, it turns out. I didn’t copy her from any particular character, nor did I think of any others as I was writing, but I suspect writers retain a lot in their subconscious minds that influence their writing. After the fact, I thought of other such characters in science fiction.

Alia Atreides, from the Dune series by Frank Herbert. She got to be the way she was from effects of the spice, not telepathic linkage, but she’s nearly as dangerous as Ik. Alia, like most of Herbert’s characters, ends up psycho.

Jimmy Holden, from The Fourth R (a.k.a. The Brain Machine) by George. O. Smith. He got his adult mind through an education machine his parents invented, and has to use that ability to hide from his godfather, who’s trying to get the plans from him before murdering him.

Ik might fit right in here, though she wears white and is completely human and scarier. It could be these children were a subconscious inspiration for her.

The half-alien children in Village of the Damned. I cite the 1960 original because it’s vastly superior to the 1995 knock-off. They’re not exactly evil (or are they?) but they’re absolutely ruthless and unforgiving when it comes to protecting the project, whatever it is. Of all these, they’re probably the most like Ik in temperament, though individually much weaker in power.

I’m sitting here trying to think of other examples. I’m sure they’re there, but they’re not coming to mind. I’m not counting ordinary evil kids like Rhoda and Damien or mere geniuses like Peewee. Can you help me out? What others are there?

Will you ever look at your own kids the same way? The next child you see might be that one you need to fear….

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Must be half demon if only half. She’s got a soul darker than the devil himself, and more fire and power, too. Notice how folks are scared to sit too close? … Pretty as an angel and quiet as smoke.  But I can guarantee that you don’t want to find out what’s on the inside.

That’s how Kilmor first describes Kolaika Jinnlexa Kalienen of Torprallin to the warrior Gurk. Of course, no one calls her that; they call her “Ik”, a contraction of “Iznik, the Destroyer.”  And you most emphatically do not want to fuck with her.

My first rendering of the ghost-like Ik in a random environment. I can’t seem to give her a scary enough look.

You should run from her into the arms of Freddy Kreuger.  Ask Pinhead for protection. Go on a date with Jason or Michael Myers in hopes she won’t know where you are. That’s if you’re a person who hurts others. If not, well breathe easy, she might even save your life. Either way, you do not want to try to hurt her. You. Will. Regret. It.

Ik is one of my many strong girl characters, but one much more frightening than most. She can inflict pain so brutal that it lies beyond the bounds of human imagination. Terror so penetrating it drives out all sanity. Despair so dismal that Azkaban’s dementors can only aspire to her level. And other dark emotions to which mankind has never even given a name as they are not natural to humans. She does this with a thought, and you can be 100 miles away. Gurk only experienced her wrath for a second, but during that time, if she had allowed him, he would have gladly cast himself into hell to find relief.

She uses this hellish power with enthusiasm against the cruel Blorzong. It is her goal to track down every last one and torture them to death. She is fully human, except that one foreign essence inside, and 11 years old.

How she came to possess such a faculty is left a mystery through most of the book, but it does have to do with the Blorzong themselves and why she hates them so much. To avoid giving it away, I’ve included the explanation in a spoiler block for those who have to know right away.

Spoiler Inside: How Kolaika became Ik
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It all began six weeks after she was conceived. The Blorzong had been to her world before, but they came again, looking for a victim. They liked Torprallin because it is relatively rich in telepaths, and telepaths enhance their excitement and joy at inflicting torture. Ik’s mother was not just a telepath, but a Golden Aura telepath, and that promised the juiciest fulfillment of their torture lust.

Moments later, she was clamped into the mind rape, the most devilish torture device ever conceived by any species in the known universe. It inflicts physical agony and emotional anguish far, far beyond what any biological brain is naturally capable of experiencing. On top of that is psychweed, which alone can drive a person mad. Physical torture above and beyond the mind rape, enhanced by touchweed, and inflicted continuously as the regenerators repair damaged flesh so that it can be sliced, burned, or torn away again.

The Blorzong knew she was pregnant, and planned to allow the child to be born and to grow to the age where it could understand torture. But they miscalculated. Miscalculated severely, not foreseeing what could happen. Lena Jinnlexa Kalienen was a Golden Aura telepath. Although very unusual in successive generations, Kolaika Jinnlexa Kalienen would have been one, too. The child’s mind developed beneath the mind rape, in a pool of psychweed and touchweed, experiencing every iota of that infinite agony that her mother did. The mind rape and all the added enhancements became part of her as her mind appeared, and is her constant companion every moment of every day and night. Torment no less than that of the Blorzong’s victims, but torment she assimilated, torment she could handle. No amount of pain, naturally applied, can compete with that.

And having the ability of a Golden Aura telepath, she can share it with others. What happened to those particular Blorzong at the hands of a six-month-old with near-adult mental faculty is material for the book. Iznik is a Blorzong word, first applied to her by one of those first two of her victims, and she thought it fit. Destroyer.

She would destroy them all. They would suffer as they had made others suffer.

Gurk, as a fearsome warrior, is dismayed that she is mentally tougher than he. He is horrified that she has killed more than he.  He cannot touch her with his sword, as she anticipates his every move before he moves. He watches her hold a broken arm in the fire until her hand is blackened and cracked without crying out, without wincing, with no expression whatsoever.

When she asks him to go with her to help her punish Blogzong, he agrees. He knows she has a terrible power and is undefeatable in battle. Those skills he hopes to learn for himself, but he has no concept of what he is getting into.

This is what I want to write for NaNoWriMo this year. If I have time. I’m spending a lot of time in classrooms now. Wish me luck.

It occurs to me that Ik looks quite a bit like Ashley in The Emperor’s Daughter. Ashley has more golden blond hair, shorter, somewhat wavy, and blue eyes not nearly as startling. She is a few months older. But she has a power of a different sort.  Maybe that’s why I sometimes get those two confused.

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I mean, if you were walking down the street after leaving the bank, and one of your characters was walking the other way, would you recognize him?

Cindy Williams, a lucky shot of Kristy McNichol where she looks surprisingly like Kristy Zeigenfeld, and Sally Field

I got thinking about that because American Grafitti was just on. I get most into the stories of Steve and Laurie and John and Carol, if you want to know, but that’s really just an aside to this post. The significant part is that while it was playing, I was proofing The White Shamitz. I happened to look up at a time when the lighting and camera struck Cindy Williams (Laurie) just right, and I thought, “You know, she looks a little like Kristy Zeigenfeld”. Kristy, you see, is the protagonist of The White Shamitz.

So I wasted some time on Google looking up pictures of Cindy Williams when she was young. No, none of them were exactly right. I tried others. Kristy McNichol comes really close in some of her pictures. In fact, the one here is really close, but Kristy Z’s features are less angular than Kristy M’s (the name match is coincidental). Maybe if you morphed Cindy Williams and Kristy McNichol together? I don’t know; that would be a fair amount of work to satisfy a mere curiosity. I checked Sally Field, and she could work into the mix, too. But then, if you’re free to morph together an infinite number of real people, you can always get the look you want.

The boy who came to represent the soon-to-be world-famous Lesley Kellerman

In the end, I couldn’t find anyone who looks just like Kristy Zeigenfeld. I thought of Jennifer Love Hewitt as a teenager while I was washing dishes, but she looks more like Wendy Miller, a character in Korvoros. Speaking of Korvoros, I totally failed to get a good image of Risha Dyrrya. And I didn’t try to come up with images of some of the aliens. If you found someone who looks like a Shiiskituuki it would probably be because he has a rare, horrific disease.

The twin sisters who came to represent Nekalee (left) and Ritee (right)

What about my other characters? Well, you can’t always come as close as you want. The picture I licensed to represent Lesley Kellerman in A Hierarchy of Gods looks only a little like him, but he was as close as I could find in time for that post. Now, the two twins (yes, they’re really both girls), several pictures of whom I licensed to represent Nekalee and Ritee, are actually amazingly close. One of them ended up on the cover, and in that image is almost perfect. Better, one sister was made up more boyish than the other, and she made a good Ritee. Even even more fantastic are the pink flowers in “Nekalee’s” hair; a romantic tradition on Trarsa. Sometimes you can luck out like that.

Jaxidreshny, the wildest ride Erik has ever experienced

Now, this image of Jaxidreshny (The Humanity Experiment) is almost exact because, you see, I went to the effort to actually model her in 3D, so I had the power to tweak all her facial features until I got them right. That takes some work and knowledge of modeling software (Daz Studio in this case) but it was the only way I could get her eyes the way they are supposed to be. If they look a little big, it’s because they are. Kyattoni eyes are relatively larger than human eyes, but not enough to stand out as bizarre on the street. Although I did a good job with her, I’m less satisfied with my renderings of her sister Triknikanthy.

Mellia, who is so adorable, but more fearsome than she looks

If you want big eyes, there’s always Mellia. She’s a Telosian also in The White Shamitz. Astorans have big eyes like that, too, but I don’t need a picture of Kambrik Zimz right now. For Mellia, I licensed a picture of a human girl and PhotoPainted (not Photoshopped!) the big eyes. She’s close, but only I would notice the difference.

Timothy Saugers looks sort of like Toby McGuire in Spiderman and Bradley McKenna looks a lot like Marshall Williams in How to Build a Better Boy.

The point of all this rambling is that I have a really good idea what my characters look like. I remember reading an article, or a post, or something, maybe a tweet, maybe a Facebook status, that the writer didn’t have a good idea how his/her characters looked. They are just rather  nondescript figures even if their personalities are sharply defined.

So I was wondering why some writers visualize their characters so accurately, and others don’t. I know when I write, my imagination is intensely visual; I see detail down to the grain density in rock. Maybe it’s connected to what type of learner you are, whether you’re left or right brained, whether or not your mother dropped you on your head when you were a baby (I don’t believe mine did).

So in the end, I don’t know why some writers do and some writers don’t. I’d be interested to hear what your visual imagination is like and if you have any suggestions about why we’re all so different.

 

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Yes, I know The White Shamitz was supposed to be out in 2015. It would have been had certain things not happened, most of which you probably don’t want to hear about. The one that might interest you is that a writer friend talked me into participating in NaNoWriMo (National Novel Writing Month), so I spent most of November writing a novel. It’s the first in the Invisible War series, and now it’s something else in the queue to revise and publish.

But not to worry. The White Shamitz is coming along fine, and I expect it to be out in March. Close behind it should be Nemesis, and I might succeed in getting The Humanity Experiment out this year. If so, that’ll be a record for me. Either way, these three are next in the pipeline.

The White Shamitz
Book Three in The Saga of Banak-Zuur

Following a freak catastrophe aboard Jupiter Station, a pair of young people accidentally invoke the Red Shamitz and find themselves on a world at least millions of light-years from Earth. There, they discover the entire Shamitz system, technology left by a vanished race, technology so advanced that humans can’t begin to comprehend it. There are six Shamitzen on Shraka, but a seventh, the enigmatic White Shamitz, a primary control system for the other six, is on its way, and once it achieves cohesion, it will have virtually unlimited power to create and destroy. Unfortunately, it seems to have something against them and is making their lives miserable. Telepathy, artificial consciousness, an interstellar empire, and a non-human little girl with no voice but monumental courage. Brad and Kristy explore hundreds of worlds — and romance — before they finally discover the dazzling secret of the White Shamitz.

Nemesis

What? Duane write a police drama? Truthfully, though, you have to know it’s something weird. There is a good argument for calling this story social fantasy.

Someone is executing child molesters, and leaving behind no forensic evidence other than a hand-lettered calling card reading, “Nemesis”. Almost none of the victims are even on the police radar, so how is the perp locating them with such deadly efficiency, and how is he or she persuading them to decrypt the child pornography on their computers before they die? Completely stumped, the Philadelphia police department calls in an ex-CIA operative, now a highly-sought police consultant with the reputation for solving the impossible. When at last she makes a shocking suggestion that fits the facts, none of them can guess her idea doesn’t even come close to the truth. And the police are not the only ones seeking the executioner; the child molesters still alive are starting to fight back.

The Humanity Experiment
Book Four in The Saga of Banak-Zuur

Erik Sørensen is a science nerd, and naturally something of a loner, but curious about everything. When an odd little girl shows up at his door one winter morning asking him about a mysterious crystal box she has found that is bigger on the inside than the outside, he can’t resist. That decision leads him to another world, another life, another reality. He encounters Jaxidreshny, the weirdest, geekiest, but somehow sexiest girl he has ever met. He doesn’t know at the time they both are part of an experiment to learn the role of the human species in the universe, but when a mysterious force wrenches the experiment away from the experimenters for another purpose, they realize there is something grand in the works. The unknown force leads them to a parallel universe and a galaxy nearly taken over by an authoritarian empire. At the galaxy’s core: a “Spirit of War” that they can feel from thousands of light-years away. Before they can hope to solve the riddle of the Guuludin Galaxy or find a way home, they must decipher the purpose of the new experimenters.

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