Vito Gulla's Blog

An introduction is the first paragraph (sometimes, in longer essays, first paragraphs) and serves, rather obviously, to introduce your topic. It here that you provide some kind of background or general information about your subject. For example, if you’re arguing for greater regulations on the financial industry, your introduction should give a brief history of previous regulations or the lack thereof. If you are writing criticism about Shakespeare’s The Tempest, you may w...

A recent post here has garnered some attention from the internet, in particular, poetJoey De Jesus. He sent me a few messages on Twitter, reposted my article, and surprisingly, the two of us had a spirited–but in the end–friendly debate. We still disagree vehemently, but it might have been actually productive, which is odd because it took place on the internet. I would like to thank Joey for tweeting the article and posting it on Facebook, since after all, my goal is to get people talking abo...

I know I’m late to this party, but The New Yorker just ran a profile on Kenneth Goldsmith,which many have stayed silent on–and when they have been willing to talk, it’s been outright hostile. The National Book Critics Circle Board retweeted on person’s plea to the editor of Poetry Magazine to retweet the article, which was followed by responses like, “So the lesson here is be a lazy racist and get a lot of press?” and “trash.” One response I found particularly disheartening came from Justin D...

I want to start off this post with a definition–two definitions or really, a distinction. Writers and critics often talk about the responsiblity of the artist, what things we should and should not do and how, and as I’ve said in the past, I’m not too fond of burdening creative people with an intent of social justice. (This is not to say art doesn’t provide moral instruction: It is more so that art presents a multitude of moral possibilities and shouldn’t serve merely as propaganda.) That tend...

Last time, we discussed the first part of the writing process. This week, I want to look at a much neglected part of the process, when our work becomes no longer private, when we put it out into the world. In other words, now that you have a finished product, what do you do with it?

There is, of course, a number of options at your disposal, depending on the length, genre, and your goals for the piece. For our purposes, we’ll assume that you want to reach as many eyes as possible. (Or to put i...

For the next week or so, I intend to give an overview of the writing process. There is, however, a part of me that feels that such a series is slightly unnecessary, because process is individual. It is something that we learn very early on, and even though we may not give it a great deal of consideration, it’s something most of us do automatically. There are certain parts of the process we like; there other parts that we do not like. But we typically do the things that come naturally. Nonethe...

For a while now, this blog has been promoted as a place that talks about academic issues, the nuts and bolts of writing, and the art of games. One of those, of course, has been much neglected. I might make a passing mention of a game here and there, but overall, I haven’t really taken the time to talk about it at length–which is a shame. Now, however, I intend to rectify this oversight with some musings on an approach to games criticism.

#GamerGate has been widely misunderstood as a whole, in...

It should go without saying, but now, more than ever, we have an near infinite supply of art available to us. From the comfort of our own beds, we can stream a film, play the latest Mario Bros., look at the paintings housed in the Philadelphia Art Museum, and download bestsellers straight to our e-readers. A lot of people claim that all of these different forms of media are “competing” for our attention. The novelist complains about the filmmaker who steals his audience. The filmmaker decries...

Author’s Note: It seems I’ve fully given in to my philosophical tendencies with today’s post, so I hope you’ll forgive me. While I typically like to keep things here focused on questions about the narrative arts, and writing in particular, I have been reading a lot of the great philosophers as of late, and I guess it was only a matter of time before I felt the need to express some of those ideas divorced from any discussion of art.

So often do we forget the many pleasures life offers us. Whe...

Lately, I have heard a lot about ideas such as cultural appropriation and cultural exchange, ideas of privilege and oppression, ideas, which, ultimately create a quandary for the artist. Of particular note, has been the increased calls for diversity, both behind the art and in the thing itself. These goals, I believe, are admirable and well within reason. It is largely benign, of neither insult nor disfigurement to American art at large; instead, it is to our shared benefit. We should have a...